“In 2013, I attended a concert in Santa Fe, New Mexico, with hopes of seeing Intronaut and Scale the Summit. However, because I’m a good little Hollow, I decided to stop in for the openers. The youth center in which this was played was scrawled with graffiti in the dim lighting, and the stage was a makeshift affair about a foot or less off the ground, and a row of beaten couches comprised the seating. When I was welcomed into the concert area, Albuquerque quartet (at the time) Distances came up, a band whose numbers rivaled the audience members. There we stood, bobbing our heads to a post-metal sound whose colossal quality blew the roof off the shady little venue.” From youth center to center stage.
WRVTH
Wrvth – No Rising Son Review
“There’s an added expectation for a record when a band announce it will be their last one. Wrvth have been around since 2007, releasing three full-lengths. No Rising Son is their fourth and final before parting ways for good. Wrvth have a dense, chaotic -core style of metal at their heart; they merge a contemporary deathcore sound with the late 90s early 2000s metalcore of Converge, The Dillinger Escape Plan et al. The band like layers, though, and there are frequent diversions and obstacles which the band sublimate into their sound.” Layer caked.
WRVTH – WRVTH Review
“Before I progress further, I want to make something clear: I’ve long held the belief that the letter “V” is not a vowel. Yes, I know, look at my screen name, but bear with me here. Call it being stubborn from years of having it drilled into my head in elementary school, but when I see it used in words like “kvlt” or “trve,” I cringe. Or if it’s used in place of an “f”, I also shudder. Case in point: Cali tech-deathsters WRVTH. How do you even pronounce that? “Ruhth?” “Rooth?” “Rivith?”” Spelling is fun.