“Transgressive strikes me as a novel melding of post-Endorama Kreator and Judicator (tragically disbanded in 2020; R.I.P.). The latter influence comes as no surprise, as both guitarist/vocalist Alicia Cordisco and guitarist Joshua Payne are Judicator alums. Cordisco has an extremely distinct style of writing lead guitar melodies, which translate over to Transgressive in a work of black magic.” Raging transgression.
“Consisting of Italian vocalist and multi-instrumentalist Andrea Bruzzone and company, Bekor Qilish offers its debut Throes of Death from the Dreamed Nihilism. While it toes the line between full-length and EP at twenty-eight minutes, it manages to embody really fun “Voidhanger-core” to a tee.” Avant-guardians.
“It’s been a long time since I reviewed a thrash metal album. When I stumbled upon Hyperia’s Silhouettes of Horror in the promo dump, though, I knew I had to have it. First of all, the Canadian quartet touted themselves as “melodic thrash,” then they followed up with an elaboration including attractive attributes like “insanity” and “drinking.” Plus, the album artwork boasts that classic stylized look that graced many a thrash slip cover over the years. It seemed to me that Hyperia had all of their ducks in a row for their second record, and I was eager to pass judgment upon it accordingly.” Duck, duck, moose!
“Every year it seems that in the midst of all the doom, sludge and black metal clogging up my arteries, I find that one album of fast, technical, brutal sci-fi themed metal that I can’t stop listening to. Recent output by Xoth, Æpoch, Beast of Nod and the mighty Archspire have flayed my face meat and chilled my soul with surgical guitars and the unknowable horrors of the cosmos. In 2018 I discovered Swiss band Stortregn through their fantastic third full-length Emptiness Fills the Void. Despite its title, the album absolutely burst at the seams with blackened, thrashy tech death glory that never sacrificed melody for brutality. The cold, dark vacuum of space sounded thrilling in their capable hands. Three years later, Stortregn has moved from the diverse roster of Non Serviam Records to tech death specialists The Artisan Era for their fourth LP Impermanence.” In space no one can hear you fanboy.
“California’s Madrost have cultivated a solid track record of high octane thrash, spiced with deathly impulses and technical flair. The band’s last couple of efforts have made for solidly entertaining platters, packed with energy, riffs and lofty ambition. Kicking round the traps for some time now, Madrost is an underrated and confident band, continuing to improve.” Prog-rot.
“I don’t know what happened to me, but all of a sudden I started to like thrash metal sometime in the last year. Granted, the barking vocals endemic to purebred thrash still grate my senses, but when black metal or death metal is thrown in the mix I get sprung as hell. It’s for this reason that I absolutely love bands like Antiverse, whose vital combination of death metal and thrash metal kicks my ass on a regular basis. You know what else kicks my ass on a regular basis? This fucker right here.” Thrash in a blackened space.
I’m a big fan of the D&D-themed webcomic Order of the Stick. As the comic became a true phenomenon a decade ago and its author Rich Burlew became increasingly in demand, he began drawing himself looking more disheveled with every self-portrait. In the introduction to the most recently released book, his self-portrait is wearing sweatpants, has unkempt hair and looks about ready to fall over. That is a feeling I viscerally share. Or, as the kids say in 2019: IT ME!
Dr. Wvrm takes time away from his busy n00b kicking schedule to drop his Top Ten(ish) of 2019 because he cares.
Huck N’ Roll and Eldritch Elitist weigh in with their own Top Ten(ish) of 2019 lists, and they have a lot to say.
The lists continue as GardensTale and Ferrous Beuller regale us with their Top Ten(ish) picks for the year. Pay attention.
