Yngwie Malmsteen

Opera Diabolicus – Death on a Pale Horse Review

Opera Diabolicus – Death on a Pale Horse Review

“Along with Shaw and LevĂ©n, the band adds some stellar vocals from Madeleine Liljestam (Eleine) and Angelina DelCarmen (Charetta), and guitar solos from King Diamond legends Andy LaRocque and Michael Denner. But the backbone of the album is all the other guests. These lesser-known individuals supply the keys, strings, pianos, and organs that make up the record’s core. It’s an unbelievable lineup with a lot of moving parts. But, somehow, the band keeps this chaotic metal opera about ‘witchcraft, the black death and revenge!’ together.” Panic in the opera horse.

Yngwie Malmsteen – Parabellum Review

Yngwie Malmsteen – Parabellum Review

“At the ripe age of old, Yngwie Malmsteen is back with his 873rd full-length release. But, unlike some of his more recent outings, the man explores his neoclassical roots. This means it took him 3.5 more days than usual to write the album. He also put to death 19 guitars during rehearsal and 74 in the making of Parabellum. All deaths were the result of friction from his finger-play, setting them on fire. But even though the man has been releasing albums before the invention of the calendar, no one has reviewed any of his albums at AMG. So be it, I said.” Wanko tango.

Iron Mask – Master of Masters Review

Iron Mask – Master of Masters Review

“Twenty-twenty has been the year of ore. Iron ore, that is. We’ve seen it extracted from the earth, thrown into the blasting furnace, and molded into steel. From that steel, we’ve seen so many swords forged, that it’s practically raining the motherfuckers. There’s Ironsword and Megatron Sword, Possessed Steel and Blood Hails Steel – Steel Hails Fire, to name a few. And it won’t fucking end as long as Steel is fanning the furnace.” Mask ore die.

GOD – IV – Revelation Review

GOD – IV – Revelation Review

Narnia is one thing. Try a band whose name says it all. Try GOD. All bold, all caps, almighty. I can see you looking at the genre tags, expecting words like ‘gospel’ and ‘power metal.’ Instead, you see ‘prog,’ ‘instrumental,’ and ‘tech-death.’ Do you believe in revelations? Well, you’re about to.” Get right with the Man.

Badd Kharma – On Fire Review

Badd Kharma – On Fire Review

“We live in a society where people add extra letters (specifically u’s) to words that don’t belong. As well as spelling words purposely (I think?) wrong to give them more emphasis. Or they use words that don’t mean what they think they mean. Who could forget the days of ‘wassup?’ and ‘wazzup?’ I mean, what’s not hip about saying ‘what’s up?’ or ‘what is up? Or remember when people used the word ‘bad’ but actually meant ‘good’? Or when you use ‘cop’ instead of ‘get’ and ‘whip’ instead of ‘car’? What the fuck is going on around here? Now there’re umlauts over consonants and v’s instead of u’s. ‘Lead’ is ‘led,’ ‘funeral fuck’ is ‘fvneral fvkk,’ and ‘rand’ has a ‘5’ in front of it. And now… there’s Badd Kharma.” Fyre is hawt!!

NorthTale – Welcome to Paradise Review

NorthTale – Welcome to Paradise Review

“I’d like to think that AMG writers listen to an album many more times than the average music critic before penning a review. We all own records that grew on us exponentially, whether through casual or critical listening, and we know full well that it’s impossible to decipher the full scope of a work upon first exposure. Except, of course, for the times where that’s totally possible. From the very first notes of NorthTale‘s debut, their mission statement of resurrecting power metal’s glory days is laid plain, with multiple rotations failing to unearth compositional complexity or deeper motives.” Power outage.

Immortal Guardian – Age of Revolution Review

Immortal Guardian – Age of Revolution Review

“When I was first testing the waters of various metal subgenres over a decade ago, in order to familiarize myself with the scene as a whole, something became immediately apparent: I do not like virtuoso-helmed acts. Though bands like DragonForce, that relied on high-flying technical artistry, were standbys in my early days of metal fandom, it was clear to me as soon as I encountered a seventy-five minute, single-track instrumental shred album that indulgence at the cost of songwriting was standard practice.” Shred is not dead.

Michael Romeo – War of the Worlds Review, Pt. 1

Michael Romeo – War of the Worlds Review, Pt. 1

Michael Romeo is one of prog/power’s finest genii and is deservedly renowned for his day job as the guitarist and primary composer in Symphony X. Little known, however, is that Romeo released a solo album called The Dark Chapter in 1995. Only available on YouTube, the album is a mind-blowing display of, on the one hand, Romeo’s virtuoso talent and, on the other hand, just how far recording has come in the 23 years since its release. The Dark Chapter‘s first followup record is entitled War of the Worlds, Part 1 and on the surface, these two albums have little in common.

Mastercastle – Wine of Heaven Review

Mastercastle – Wine of Heaven Review

“Since their 2009 debut, Mastercastle have blasted from the blocks by channeling Iron Maiden‘s otherworldly focus on output. The Italians released five albums in six years, intent on spreading their cheesy neo-classicisms far and wide. This shotgun approach has done the band no favors, though; their potency stretched thinner with each new release. With lead axeman Pier Gonella nearing his 30th album, concerns of diminishing creative stores seem all too prescient. Mastercastle‘s sixth release Wine of Heaven reaches the breaking point, shaking the emperor down, stripping him naked, and flogging him through the streets.” All cheese, no wine.