“The idea of a death metal version of Tobias Sammet’s ambitious and overblown Avantasia vanity project is sure to inspire curiosity and I suspect, a fair amount of bemused doubt and sniggers. After all, that vehicle famously attempted to cram every notable metal vocalist into diverse styles of music ranging from Euro-power to hard rock and even poppy hair metal. Leaving aside the success ratio of that project (which was surprisingly high), dragging that template into the crusty world of death metal could easily lead to a train wreck on the scale of Six Feet Under covering Yes and Jethro Tull.” Is this a disaster or a delight? Steel Druhm gives you the straight skinny.
"six feet under"
Blood Mortized – The Key to a Black Heart Review
Just in time to wash away the bitter taste of Six Feet Under, comes this ridiculously sick death metal masterstroke by Blood Mortized. Taking the vicious old school Swedish death sound from their Bestial EP and improving on it in every way, The Key to a Black Heart is exactly what you want from the style and death metal in general.
Nothnegal – Decadence Review
Sweden this, U.S.A. that. Its always the same countries churning out the metal that lands on the cluttered desk of Steel Druhm. Sure, every now and then a Middle Eastern or Asian act tosses a spiked glove in the ring, but it’s predomiantly Europe and the Americas tasked with carrying the metal standard these days. That’s why its such a treat when we get a promo from someplace new and exotic. Nothnegal clearly qualifies, since they hail from the tiny Maldive Islands, way out in the Indian Ocean (their location is actually listed as an atoll, which counts as mega-exotic). Decadence is their first full length and its all about modern melodic death with loads of keys, bells and whistles. They take the basic melo-death concept and mix in semi-industrial Fear Factory-like riffing, loads of electronic effects, keys and even synthesized guitars. The big mystery is how this remote isle act wrangled drum services from Kevin Talley (Six Feet Under, ex-Hate Eternal, ex-The Black Dahlia Murder) and keys by Marco Sneck (Poisonblack, ex-Kalmah, ex-Charon). Sounds interesting so far, right? Well, it may be interesting, but sadly, it ain’t too good. Despite the endless array of interesting keyboard noodling and effects, things never really work out and Decadence quickly sinks below the waves of mediocrity. This is a real shame, since there are some interesting ideas on hand and some talented folks involved. But, as the saying goes, no band is an island (sorry, island jokes are rough going).
Denial Fiend – Horror Holocaust Review
Like a swift kick to the frank N’ beans, the new release by this death metal “super group” is shocking and very painful. I really loved Denial Fiend’s quirky 2007 debut They Rise. It merged nasty, old school American death metal and punk rock with a party atmosphere and although very tongue in cheek, it rocked and raged convincingly. To this day it remains in regular rotation at stately Steel Druhm manor. That debut featured some grizzled veterans of the old school scene like bassist Terry Butler (Death, Massacre, Six Feet Under, Obituary) and mega Cookie Monster Kam Lee (Death, Massacre) on vocals. What made They Rise work was the strong similarity to the classic Massacre sound (their From Beyond album is one of the all time best American death metal albums). The songs were savage and raw but also catchy and fun. Basically, it was a damn fine treat for death metal fans. When I heard a new Denial Fiend album was pending, I got giddy like a school girl. When I heard Kam Lee had taken his immense vocal talent elsewhere, I was sad but still hopeful. Well, hope is officially dead. Horror Holocaust features the “vocals” of Blaine Cook (The Accused) and he destroys everything as surely as cops destroy fun and work destroys free time. While there are some decent musical moments, he renders the bulk of the album unlistenable and there’s no denying that it sucks, bigtime.
Jungle Rot – Kill on Command Review
The kings of knuckle dragging neanderthal death metal are back. Yep, nobody ever accused Jungle Rot of being unpredictable or avant-garde. Quite the opposite, since 95′ these Wisconsin blokes have been churning out their primitive, simplistic, groove-based death metal with scant innovation or diversity. Now, that’s not necessarily a bad thing considering their style was always a like-ably thick headed brand of American death with all the brutality but none of the frills. Albums like War Zone and Dead and Buried were enjoyable, fun efforts showcasing their simple sounds at their best. Now we get Kill on Command and its more of the same but with a polished production and a drift into deathcore territory, intentional or not I don’t know. Before you start smashing keyboards and such, this isn’t a full blown deathcore album but it has those trademark elements of the style embedded in the writing. How much of it? Well enough to annoy me but not enough to sink the album entirely. Its still that same ugly mix of Six Feet Under and old Cannibal Corpse and its fairly well written and at times, oddly catchy. However, some other issues crop up and together they drag this album down from good to less so.
Morbid Saint – Swallowed by Hell Review
“Once upon a time, there was a little-known thrash act out of Wisconsin called Morbid Saint. They were nasty, savage, and uncompromising. They also had trouble getting attention from labels or recording a proper album. Instead of a finished studio product, they released their 1988 demo titled Spectrums of Death in 1990. It might not have been a polished recording, but it showcased their unrelenting aggression and warmongering fury. It went on to become an underground darling and its stature has grown over time. They attempted a follow-up outing in 1991-92 but once again never made it past the demo stage. That demo wasn’t made public until 2015, and by then it was little but a historical footnote. This record of frustrated ambitions is why it was a shock to see a promo from Morbid Saint in the crust muck of the sump.” Full Spectrum assault.
Flesher – Tales of Grotesque Demise Review
“It seems some young, untested acts are luckier in their friends than others. Indianapolis-based death upstarts, Flesher hit the streets with a bright and shiny debut adorned by the repellant art of the infamous Ed Repka and sporting a mastering job by none other than Dan “the MAN” Swanö. Adding to the star power, they got Devin Swank of Sanguisugabogg to pop by to drop some guest garbage disposal sounds. So does Tales of Grotesque Demise warrant all the unusual spotlight and attention?” The flesh is weak.
Rotpit – Let There Be Rot Review
“The name “Rotpit” stood out in the promo sump like an elephant turd in a kid’s wading pool. Impossible to miss and difficult to ignore, it begged critical questions. Is rotpit just another name for a grave, or is it something way more…rotten? Could it be a compost heap? Is this some kind of Earth-first green death metal? Steel doesn’t have all the answers, but he did learn that Rotpit is a side-project by current and former members of Heads of the Dead, Wombbath, Just Before Dawn, and Revel in Flesh.” 40 Rot Sun O))).
Obituary – Dying of Everything Review
“Obituary are one of those death metal legends with a capital L. Their early releases like Slowly We Rot and Cause of Death helped shape the fledgling genre and send it into darker more extreme places. John Tardy’s one-of-a-kind anguished wails/shouts/roars set the template for a generation of death metal frontmen and their legacy is an important one. That all being said, much of what Obituary did after those initial groundbreaking releases has been uninspired and ham-fisted. As much as I love their classic era, I’ve struggled to care about much of what they’ve done since.” Another death, same causes.
Inhuman Condition – Fearsick Review
“Formed by members of Death, Massacre and Wombbath, Inhuman Condition hit the streets with a wet, disgusting thud via their 2021 Rat°God debut. It was a painfully retro throwback to late 80s death metal and no new stones were turned, but it was a ton of dumb, beefbrained fun packed with enough nostalgia to bring all the Steels to the boneyard. Now scarcely a year later Inhuman Condition is back with a whole new album. Talk about inhuman working conditions!” Condition critical.