5.0

Ad Nauseam – Imperative Imperceptible Impulse Review

Ad Nauseam – Imperative Imperceptible Impulse Review

Ad Nauseam spilled into the avant-garde black/death metal scene in 2015 with Nihil Quam Vacuitas Ordinatum Est, a record that stood out for its audacity even among the most ambitious and experimental extreme metal records. Think Gorguts, think Baring Teeth, think Imperial Triumphant, and, yes, think Pyrrhon, but the Italian quartet are their own phenomenon.” Artisan sickness

Pyrrhon – What Passes for Survival Review

Pyrrhon – What Passes for Survival Review

“Three years: a trial for many, an eternity for some, an unnoticeable instant of geology. But enough time for Pyrrhon‘s The Mother of Virtues to become a landmark work in extreme music, the most forward-thinking and brazen death metal album of the decade thus far. When I reviewed it, I mused that “A more difficult album [was] hard to come by.” What Passes for Survival is that and more.” Worth the weight.

Killing Joke – Pylon Review

Killing Joke – Pylon Review

“Many older bands, once established, will eventually coast by just on their name alone. Sure, they’ll cut a new album every few years, but it never lives up to their influential works of yesteryear. It’s often an excuse to go out on the road, play nothing but the classics, and bring home the money while also hocking wares that have nothing to do with the band’s original intent. England’s Killing Joke, however, are a unique beast.” The Joke is on you!

The Gentle Storm – The Diary [Vinyl Review]

The Gentle Storm – The Diary [Vinyl Review]

“It’s not news that I’m a big fan of Arjen Lucassen’s output from the last 5 or 6 years. Starting with 2009’s unparalleled Guilt Machine, Arjen has released a string of records that I love. In full defiance of Angry Metal Guy’s Law of Diminishing Recordings™, the “poofy-haired Dutchman” has seemingly upped his game on every release: a great solo release, a seriously enjoyable Star One disc, and a stellar Ayreon album which landed #2 on my Top 10(ish) of 2013. So it was with unabashed enthusiasm that I began my countdown when I heard he was working with Anneke van Giersbergen, formerly of The Gathering, on a project entitled The Gentle Storm.” And it’s not like anticipation has ever led to disappointment or anything…

Opeth – Pale Communion Review

Opeth – Pale Communion Review

“Twenty-fourteen brings us the answer to this question in the form of Pale Communion. The record is Opeth‘s follow-up to the (apparently) love-it-or-hate-it Heritage, and the second record in the style that is maybe best described as “post-Opeth.” While the band continues to be recognizable in tone and melody construction, they are not the band they were. They are not a death metal band with some prog elements—”death metal with feeling” as Peter Lindgren once said to me in a discussion about whether the band fit the genre “progressive death metal”—they’re just a progressive rock band.” So, where does Pale Communion fall on the scale from “got its groove back” to “meh”? Find out by reading this here review.

Carcass – Surgical Steel Review

Carcass – Surgical Steel Review

“What time is it? It’s motherfucking Carcass time, people. If you’re anything like me, you felt cheated by their “final” album Swansong back in ’96, and the legions of Heartwork-inspired posers failed miserably to fill the void. You may have given up hope on any kind of closure, until the band’s return to live work in 2007. Since then, it’s been a waiting game, a simple “will they or won’t they” concerning new music. And now, after a 17-year wait, the answer comes in the form of the brilliantly-titled Surgical Steel…” What’s the verdict? Only time, and your scrolly button, can tell!