Holdeneye

When you wield the 4hammer, every album looks like a nail.
Pessimist – Holdout Review

Pessimist – Holdout Review

Pessimist. How about that for a band name in the year of our demise that is 2020? While originally slated to cover some German power metal this week in the form of Goblins Blade, I handed that apostropheless, potential 4.0 off to Huck so I could cover some German thrash with a grouchy name.” Holdenout.

Thunderslave – Unchain the Night Review

Thunderslave – Unchain the Night Review

“I really should know better by now. I thought that I’d learned early in my career as an unpaid music journalist, back when I was known simply as Nameless_n00b_11, that Steel Druhm and his gifts are not to be trusted. Don’t get me wrong. He’s a fair master, to be sure, but he also has a tendency to entertain himself by being overwhelmingly cruel. During one of our recent socially distant AMG staff Zoom chats, he told me that he had a promo picked out just for me, one that “sounds like Skelator if they actually tried.”” Steel gifts are for closers.

Greyhawk – Keepers of the Flame Review

Greyhawk – Keepers of the Flame Review

“The other day, I was eating lunch with my 6-year-old son Ezkaton, and I swear to God, he gazed out the window with a thousand-yard stare and said the following without any prompting and without any music playing in the background: “Dad, I don’t know why I like Greyhawk so much. I don’t even try to like them, but they just make me like them.”” Sons of iron.

Valdrin – Effigy of Nightmares Review

Valdrin – Effigy of Nightmares Review

“I’m just now becoming aware of the fact that reviewing previously unknown (to me), established black metal bands with solid discographies has become one of my favorite hobbies. Last fall brought me Germany’s Krater, with their well-produced and varied venomous assault. Last month saw me covering Finland’s …and Oceans, a band that blasted onto the scene again after nearly twenty years of silence with an album that effectively displayed the band’s evolutionary past. And now I’ve spent the last several weeks spinning Effigy of Nightmares from Cincinnati band Valdrin.” Effigy of the unforgotten.

Paralysis – Mob Justice Review

Paralysis – Mob Justice Review

“Crossover thrash certainly seems to be making an honest effort to have its day in the sun lately. While it has existed since the early 80s and has had its loyal adherents ever since, the genre is suddenly teeming with new life. Bands like Power Trip, High Command, Enforced, and Red Death are capitalizing on the resurgence of interest in the style, and the results have been quite glorious.” Mob violence.

Henry Kane – Age of the Idiot Review

Henry Kane – Age of the Idiot Review

“It’s been nearly two months since I last wrote a review for a Jonny Pettersson project, so I’m long overdue for another one. I’m beginning to think that we should probably give Pettersson and fellow Swede Rogga Johansson a cool team name like ‘The Teeming Twins,’  ‘The Boys of Bounty,’ ‘The Copious Corps,’ or my favorite, ‘The Patriarchy of Profuseness.'” Snatch and jab.

Firewind – Firewind Review

Firewind – Firewind Review

“While I’m not intimately familiar with the vast majority of Firewind‘s discography, entries like debut Between Heaven and Hell, 2010’s Days of Defiance, and 2017’s Immortals have all impressed me in one way or another. When I first got my guitar, Gus G. was the darling of the guitar magazine world after being selected for the prestigious role of being Ozzy’s solo axeman. But it’s his work on Dream Evil‘s debut Dragonslayer — a record that happens to be one of my favorite heavy/power releases of all time — that cements him upon a nostalgic throne in my metal heart.” Born of Firewind, other fire and steel.

Azath – Through a Warren of Shadow Review

Azath – Through a Warren of Shadow Review

“I’ve been riding a wave of very good death metal promos recently, and since it would be sheer madness to walk away from the table when you’re beating the house, I’m doubling down. How could I not grab Through a Warren of Shadow, the debut record from Azath, when it has a sweet image of a stately mountain-perched dragon on the cover?” With logic like that, what could go wrong?