Black Sabbath

Bokassa – All Out of Dreams Review

Bokassa – All Out of Dreams Review

“On the surface, the perceived lethargy of stoner metal doesn’t seem like a natural match for the reckless energy of punk. But the two genres have been roommates since college and still bunk together regularly. The soundtracks of Jackass and Tony Hawk’s Pro Skater mixed them up freely, and bands like Clutch and Fu Manchu have plenty of popularity on both sides of the fence. When I saw Rise Against in March of 2011, they brought Coliseum, who fused stoner, hardcore, and punk into one. So I wasn’t particularly surprised at Bokassa’s self-appointed genre of stoner punk. I was more surprised, and apprehensive, at Lars Ulrich of all people giving them the seal of approval.” Big friends, dumb punks, and stones.

Byron – Chapter II: The Lotus Covenant Review

Byron – Chapter II: The Lotus Covenant Review

“As metal spawns an ever-growing army of combo meals, sometimes it’s nice to go back to the basics. Finland’s Byron, previously reviewed here by our gone-but-not-forgotten Huck n’ Roll, peddle a brand of occult rock with dashes of NWoBHM. Led by drummer Johannes Lahti—styling himself as Byron V—the band has emerged four years after their debut The Omega Evangelion with follow-up Chapter II: The Lotus Covenant.” Tentacle tantrums.

AMG’s Unsigned Band Rodeö: Thunderon – Beyond the Glow

AMG’s Unsigned Band Rodeö: Thunderon – Beyond the Glow

“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.” Thunderon the tundra.

Receiver – Whispers of Lore Review

Receiver – Whispers of Lore Review

“Despite Iron Maiden being my entry point into metal, NWoBHM has never really been a mainstay in my catalog. Maybe it’s because so few bands could live up to my first flame. Maybe it’s because after my Maiden voyage, I dropped right into the rapids of melodic death metal and it took a while before I rediscovered the appeal of not having harsh vocals. Whatever the case, traditional metal frequently languished on my personal side-line, and it doesn’t deserve that. Perhaps I can make some amends shining a little spotlight on Receiver, a new band with an old sound, hailing from the ever-contested island of Cyprus.” Defend the Isle of Olde!

Green Lung – This Heathen Land Review

Green Lung – This Heathen Land Review

“There is something familiar and charming about what Green Lung do and do so well. Blending the likes of Sabbath, Jethro Tull, Boston and more, the band harks back to an earlier time and, on Black Harvest, managed to do that with their own voice. However, there are lots of other things I can reach to for comfort and familiarity, perhaps explaining why I haven’t reached for Black Harvest until thinking about this review. What staying power does This Heathen Land have?” Of Lungs and lands.

Sorcerer – Reign of the Reaper Review

Sorcerer – Reign of the Reaper Review

Sorcerer are back, and boy howdy did I need the sanctuary afforded by their classic epic doom sound after marinating for weeks in Autopsy’s gore-encrusted catalog! For those not familiar, Sorcerer haunted the Swedish doom scene since the late 80s without seeing a proper release until 2015s In the Shadow of the Inverted Cross. Though I was a fan of their demos and compilations in the 90s, I missed In the Shadow entirely and didn’t come back on board until 2017s The Crowning of the Fire King. That album’s loving tribute to the Candlemass school of epic doom blew my mind and ended up my Album o’ the Year. I still spin it often and it’s one of my favorite albums of the decade.” Wanded: Dead or Alive.

Catafalque – Dybbuk Review

Catafalque – Dybbuk Review

“Good drone swallows you. Drone is not meant to invoke movement or adrenaline, but to evoke a mood or place. It sweeps away like the tides, not with rhythmic intensity but with mammoth weight, and dwells with you. A dybbuk is a Jewish mythological creature that sits on your chest while you sleep, and at its best this album attaches to you like a parasite. Wailing and gnashing of teeth echo across the fray, visceral and ritualistic, and as haunting as it is devastating. The place Catafalque takes you to is not the foot of great mountains or grey cityscapes, but a shadowy place that is as possessed as it is otherworldly.” Honing the droning.

Salacious Gods – Oalevluuk Review

Salacious Gods – Oalevluuk Review

“Second-wave black metal worship is like that regular at your local dive: omnipresent, predictable with their order, and armed with the same old stories for whoever happens to be within earshot. They’re not bad for business per se, but familiarity has been known to breed contempt. And few styles are as familiar as Norwegian black metal of the early ’90s, inspiring generations to revere and—occasionally—innovate upon that trademark of “trve evil.” Enter mercurial Dutch black metallers Salacious Gods, rising from the ashes of self-imposed exile to bring us their first record in 18(!) years.” Salacious layoffs.

Restless Spirit – Afterimage Review

Restless Spirit – Afterimage Review

“My native stomping grounds of Long Island, New York birthed such notable metal acts as Twisted Sister, Suffocation, and Dream Theater over the years. Hell, the legendary Chuck Schuldiner was born here, so that means we basically invented death metal too. It’s been a while since the area had a major metal champion to rally behind and support. Based on 2021s highly impressive Blood of the Old Gods release, I was ready to bestow that mantle on Restless Spirit. The band exists at the crossroads of several genres including sludge, stoner doom, classic metal, and grunge and their proprietary blend is nigh irresistible,” Horror on Strong Island.