Stoner Metal

High on Fire — Cometh the Storm Review

High on Fire — Cometh the Storm Review

“This site suffers from a High on Fire appreciation deficit. Staffers from the prog-and-scones salon brush them away like so much dandruff from the shoulder of their tweed blazers. The caveman contingent, meanwhile, sends no love to this sludge institution. We’ve only reviewed them one time! The oversight heaps discredit on snobs and slobs alike. With the release of their ninth slab Cometh the Storm, I, Ferox, pounced on the opportunity to acknowledge these facts and correct the record. Cometh the Storm just needs to deliver the groceries one more time so I can cram it in the face of my fellow staffers.” High on fanboying.

Acid Mammoth – Supersonic Megafauna Collision Review

Acid Mammoth – Supersonic Megafauna Collision Review

“For some, stoner doom is that comfort item, that thing that gets all the love just for being what it is. I imagine this is partly why the style largely hasn’t needed to evolve very much throughout its existence. In some ways, that’s a great thing, as it makes reaching for new bands in the scene a reliable bet. On the other hand, very little feels fresh, memorable or novel. For better or for worse, Greek stoner doom quartet Acid Mammoth’s fourth record Supersonic Megafauna Collision squarely falls into that safe, never-changing category.” With tusk and trunk.

Stuck in the Filter: January’s Angry Misses

Stuck in the Filter: January’s Angry Misses

It’s becoming apparent that our filtering systems work quite well! The crew has done a fine job pulling filth from the workings and releasing the pressure to the system. A second too late and the toilets would have backed up.

Bokassa – All Out of Dreams Review

Bokassa – All Out of Dreams Review

“On the surface, the perceived lethargy of stoner metal doesn’t seem like a natural match for the reckless energy of punk. But the two genres have been roommates since college and still bunk together regularly. The soundtracks of Jackass and Tony Hawk’s Pro Skater mixed them up freely, and bands like Clutch and Fu Manchu have plenty of popularity on both sides of the fence. When I saw Rise Against in March of 2011, they brought Coliseum, who fused stoner, hardcore, and punk into one. So I wasn’t particularly surprised at Bokassa’s self-appointed genre of stoner punk. I was more surprised, and apprehensive, at Lars Ulrich of all people giving them the seal of approval.” Big friends, dumb punks, and stones.

AMG’s Unsigned Band Rodeö: Thunderon – Beyond the Glow

AMG’s Unsigned Band Rodeö: Thunderon – Beyond the Glow

“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.” Thunderon the tundra.

Howling Giant – Glass Future Review

Howling Giant – Glass Future Review

“Last we met Howling Giant they were dueling with Somerset’s Sergeant Thunderhoof in groovy stoner split Turned to Stone Chapter 2: Masamune & Muramasa, which deserved a word, not a numerical score, to describe its quality. Howling Giant strung together a fun-loving single track with multiple movements, their meat-and-potatoes approach slightly outdueling da Hoof’s bombastic and flashy performance.” Howling at stones.

Fire Down Below – Low Desert Surf Club Review

Fire Down Below – Low Desert Surf Club Review

“Ever since Huck N Roll tragically jumped his mountain bike into a combine harvester, I’ve been missing my buddy dearly. Out of everyone among the AMG staff, his taste and mine aligned the most, especially around prog, psychedelic and stoner. So it’s only right for me to carry on his legacy and dive into the new Fire Down Below.” Stone the surf.

Slomatics – Strontium Fields Review

Slomatics – Strontium Fields Review

“Belfast, Northern Ireland sludge trio Slomatics have been plying their trade for almost two decades now. Their seven previous full-lengths have been released in fits and starts, with their most consistently productive period being 2012 to 2016, during which window they released a trilogy of records, culminating in Future Echo Returns, the first of their records to grace these pages.” Low and slo(matic).