Stoner Metal

¡Pendejo! – Volcán Review

¡Pendejo! – Volcán Review

“’Twas two weeks and change before Christmas, 2018, when I went to see Madder Mortem. The venue turned out to be one of those backrooms behind a cafe, the kind regularly rented for family gatherings and bat mitzvahs and stuff, complete with random sad disco ball. There were 5 bands in total, and the whole thing lasted for 5 goddamn hours because of half-hour breaks. It was a weird and exhausting afternoon into night, and the only good thing until the main act hit the stage was a largely unknown troupe called ¡Pendejo!, who blew me away with a unique brand of brass-infused, Spanish-sung stoner metal.” Latin heat in the street.

Veilcaste – Precipice Review

Veilcaste – Precipice Review

“Alright, here’s a puzzler for you. Indianapolis sludge metal band Conjurer released their first full-length Old World Ritual in 2015. Then, in 2019, follow-up Sigils dropped. In 2020, Conjurer chose to swap names, now operating under the moniker Veilcaste. Same band members and everything. As Veilcaste, their first release listed is, naturally, Old World Ritual, dated 2015. That’s fine, people rebrand their older albums all the time. Anyway, back to business. Veilcaste play a lumbering, ponderous sort of stoner sludge doom with little in the way of frills or other decoration.” Sludge by any name…

Condenados – El Camino de la Serpiente Review

Condenados – El Camino de la Serpiente Review

“Infusing the traditional Black Sabbath-style doom with smoky desert vigor, El Camino de la Serpiente (The Path of the Snake) rocks and rumbles rambunctiously. There’s a pleasing looseness to the music, a cool devil-may-care swagger that makes it impossible not to move along to the many, many riffs packed into the 46-minute running time.” On this rock, they will build their doom.

Cassius King – Dread the Dawn Review

Cassius King – Dread the Dawn Review

“A four-piece out of New Jersey, Cassius King is led by guitarist Dan Lorenzo (Hades, Non-Fiction) and features former Overkill drummer Ron Lipnicki, Vessel of Light bassist Jimmy Schulman and on vox we have Jason McMaster (Watchtower, Spastic Ink, Dangerous Toys). Make of that what you will. Cassius King’s 2021 debut, Field Trip, was a straightforward piece of stoner-influenced heavy metal, with hints of classic doom.” Jersey royalty.

Reverend Mother – Damned Blessing Review

Reverend Mother – Damned Blessing Review

“Once known as Priestess, this power trio of Brooklyn musicians recently reinvented themselves as Reverend Mother and released a self-titled EP. Led by frontwoman and guitarist Jackie Green, the band’s sound on debut full-length Damned Blessing is a testament to their love of classic rock and metal like Black Sabbath, Jimi Hendrix, and The Doors.” Stone matriarch.

Taxi Caveman – Galactic Slope Review

Taxi Caveman – Galactic Slope Review

“I’ll not proclaim any prior knowledge of this band, nor even a particular affinity for their advertised genre of stoner metal. These Polish gents were selected on the bases of an excellent name and central conceit of an album featuring just 2 tracks over 30 minutes. Over that length of time, I was at least assured that it would not be too taxing to review Taxi Caveman. Interestingly, Galactic Slope is described on its one sheet as a sophomore bridge between their debut and third album, the expression of which suggests to me that it’s not a substantial release in its own right. Given there are but 2 tracks, and at great risk of editorial wrath, I’ll take each in turn.” Crazy taxi.

King Buffalo – Regenerator Review

King Buffalo – Regenerator Review

Last year, in the midst of endless lockdowns, I got my lucky mittens on King Buffalo’s excellent The Burden of Restlessness. I had not heard another record that more perfectly encapsulated the experience of isolation resulting from the pandemic, nor have I since. The album was announced to be the start of a rapid-fire trilogy, the finale supposed to come out before the year was through. The vinyl crash elongated that schedule a tad, which caused part two, Acheron, to drop in the middle of list season and tumble between wall and ship. It had deserved better; not only is it a wondrous and otherworldly psychedelic trip, the whole album was recorded live in an actual cave for a unique sound not easily reproduced. So let me make it up to the band by at least addressing the closing chapter of the pandemic trilogy: Regenerator.” Royal animals.

Lucid Grave – Cosmic Mountain Review

Lucid Grave – Cosmic Mountain Review

“I have recently come to the conclusion that it is sometimes a good exercise to deliberately review two records of the same genre back to back. Not to directly compare the two but to get one into the right mindset and to think about makes a great record in this particular field. And so it is that I find myself reviewing two stoner metal records in consecutive weeks. It’s lucky that I am not trying to compare them, however, as Copenhagen, Denmark’s Lucid Grave could not be more different—within the confines of stoner metal, anyway—from last week’s Holyroller.” Where the mountain meets the desert.

HolyRoller – Swimming Witches Review

HolyRoller – Swimming Witches Review

“The stoner rock / stoner metal scene is one littered, perhaps more than many sub genres, with tepid mediocrity. One where the utterly forgettable bands seem to massively outnumber both the outstanding and the awe-inspiringly awful acts. While the likes of Clutch, Monster Magnet and Red Fang stand head and shoulders above most in the genre, I have begun to wonder whether there is something intrinsic in the style that leads to so much tediousness. Can North Carolina quartet HolyRoller buck this trend and avoid the apparent pitfalls that trap so many of their baked brethren to deliver something truly interesting with debut Swimming Witches?” Don’t witches just sink?

Gramma Vedetta – The Hum of the Machine Review

Gramma Vedetta – The Hum of the Machine Review

“It’s been some time. A devastating trifecta of moving homes, work fuckery and family shit closed down my writing faculties for a little while, but I’m very pleased to return to this lovely little blog. Perhaps as a regression to each writer’s humble beginnings, I asked Steel Druhm to assign me a promo of his choice for my restoration. I suspect that Gramma Vedetta’s new album called The Hum of the Machine was his interpretation of a homecoming gift, leaning into my strong preference for progressive music.”