Sludge

Varego – Varego Review

Varego – Varego Review

“Talk about an art upgrade! Last time we saw Italian prog-sludgers Varego, their offering came wrapped in a decidedly undercooked wrapper. That turned out to be a bit prophetic, as the album innards were likewise short a few polishing sessions. 2 years have passed since then, and Varego have reverted from their inclusion on Argonauta’s roster to the solitary status of the self-releasing ronin with a self-named record. A mid-career eponymous album always serves as an attention grabber, a statement of identity. Along with the appealing cover, these are all strong indicators that the band is attempting a kind of rebirth, or at least a make-over.” Mastodonian.

Somnuri – Nefarious Wave Review

Somnuri – Nefarious Wave Review

“In 2017, NYC sludge band Somnuri released their eponymous debut to relatively little fanfare. No one around these parts seemed to catch it, but thanks to a personal connection to the band, I did. Somnuri was a solid mix of early Mastodon progressive sludge with Yob-ish doom tendencies. It was better than a self released debut has any right to be, with songs like “Kaizen,” “Inhabitant” and “Through the Dead” landing on several of my personal playlists. With the band on my radar, I’ve been hoping to see a follow up surface in our promo pit for some time. Lo and behold, Nefarious Wave comes to us courtesy of their new label Blues Funeral four long years after their debut. With such a gap between records, one would hope for, if not expect, a fair amount of evolution and refinement.” NYC tides bring strange gifts.

Oryx – Lamenting a Dead World Review

Oryx – Lamenting a Dead World Review

“It’s not often that doom metal turns my head these days. Growing up as an impressionable teen in rural New Hampshire, I hunted down as many CDs at Newbury Comics from as many different subsets of doom metal as I could, whether it was the likes of the Peaceville Three, or the more biker-influenced style of Americanized doom metal. But while I still love those bands, it has to take something special to cause my head to turn and take notice. That something special is the one variety of doom that creeps forth from your speakers with hellish intent, that sound that does everything in its power to make you as uncomfortable as humanly possible while slowly grinding you down into a fine crimson powder. Doom like HellPrimitive Man, and today’s subject of intense scrutiny, Denver’s Oryx.” Doom for comfort.

Soothsayer – Echoes of the Earth Review

Soothsayer – Echoes of the Earth Review

“When thinking of how to describe Soothsayer‘s primitive sound, I thought if the band were a people, they’d be advanced enough to build a pretty mean henge, but they’d definitely still be eating their enemies to steal their battle ability, and if a farmer brought their shaman a vegetable that grew weird, they’d probably worship it.” Protoculture.

The Lion’s Daughter – Skin Show Review

The Lion’s Daughter – Skin Show Review

“Do you all miss Mark Z? I do, too. The poor bastard is eyeball deep in educational files and folders and here I am, cosplaying him in a misguided attempt to bring forth some of his essence. Two previous The Lion’s Daughter albums our dear slutgöatwitchvomitfuckerlörd reviewed, each scraping together very respectable scores and candid praise, but the burden now befalls me to continue the Big Z’s legacy concerning the St. Louis weirdos, a burden I declared to shoulder enthusiastically. Yet the promo for Skin Show gave pause.” Skinned to win?

Dvne – Etemen Ænka Review

Dvne – Etemen Ænka Review

“If you ask me, Dvne is one of the greater discoveries of the last 5 years. After sampling them, based on a random recommendation from a random review, I’ve found myself increasingly absorbed by the Scottish band. They are still my favorite out of all the TYMHM reviews I wrote, and they landed a high spot in my end of year list in 2017. Needless to say, my anticipation for this weirdly named sophomore offering of sci-fi prog sludge was sky high.” The riffs must flow!

Olde – Pilgrimage Review

Olde – Pilgrimage Review

“Ontario’s Olde have been banging around the sludge scene for an unknown period of time, formerly as Corvuss until around 2014 when they decided to change their name to what it is today. I’m usually pretty good at keeping an ear out for quality sludge and doom releases, but I will admit I’ve never heard of Olde until the accompanying one-sheet bio claimed that they’re for fans of High on FireTroubleThe Melvins, and Entombed How do I say no to that?!” Olde and slowe.

Yer Metal is Olde: Corrosion of Conformity – Blind

Yer Metal is Olde: Corrosion of Conformity – Blind

BlindCorrosion of Conformity‘s third album, was an odd duckling for various reasons when it dropped in 1991. It remains the only album to not feature longtime bassist/vocalist Mike Dean in any capacity, but also the only album to feature his replacements, vocalist Karl Agell and bassist Phil Swisher. It also debuted guitarist/vocalist Pepper Keenan, who only sang lead on the album’s hit single, “Vote With a Bullet.” Above all else, Blind saw the band at a crossroads of sorts, with one foot planted in the band’s seminal punk/hardcore history, while planting the other foot into Sabbath-drenched doom/sludge territory. The end result captured lightning in a bottle and today, Blind joins the ranks of the Hallowed and the Olde.” Blind but farseeing.