Deathcore

Ingested – The Tide of Death and Fractured Dreams Review

Ingested – The Tide of Death and Fractured Dreams Review

“If you haven’t heard an Ingested album at this point, it’s that you’re new to the scene as a nerdy metal aficionado or that you’ve actively avoided all music labeled as deathcore for the past fifteen or so years. Unfortunately, if you found your head bobbing in extreme reluctance at the whiplash grooves and squeal-driven breakdowns that adorn the newest Aborted release, you should probably consider checking out the odd act or two. Ingested’s 2018 release, as well as some of their earliest work, would be easy, enjoyable listening” Digest the Ingested?

Cariosus – Will, Until Beauty Review

Cariosus – Will, Until Beauty Review

“Autopsying deathcore-inclined melodic death metal rarely turns up anything of note. The cause of death is obvious — a yawning void in the cranial cavity, with ink poisoning in the neck as a contributing factor. What reviewer could be blamed for assuming the obvious of Will, Until Beauty, the debut full-length from Chicago duo Cariosus? What a surprise then that further inspection has turned up a record that not only has grey matter intact, but has half a heartbeat too!” Heartcoreworks.

Drown in Sulphur – Dark Secrets of the Soul Review

Drown in Sulphur – Dark Secrets of the Soul Review

“I’m gonna be an insufferable hipster about this one: I’ve been listening to blackened deathcore before Lorna Shore made it cool. Hell, I was listening to the style before Will Ramos made Lorna Shore cool. Bands like The Breathing Process, early Make Them Suffer, and Dark Sermon were all rattling off their own takes on spooky corpse-painted Hot Topic-core in the early 2010s before some Hot Topic frequenter said “ooooh” and nabbed that Watain t-shirt they have on display while manically making pig noises to emulate “To the Hellfire.” Here we meet Drown in Sulphur, an Italian blackened deathcore act, who attempts their own spin on kvlt-y brutality.” Blackcore for the people.

Owdwyr – Receptor Review

Owdwyr – Receptor Review

“The “for fans of” line in any given promo is a true test of character. While most bands crank out their faves, there are intriguing blends that grab attention. Most of these are disappointments, often running the gamut of extreme metal buzzwords only to be the latest act to sound exactly like In Flames, but there are others whose combinations are pretty accurate, like the tantalizing combination that the California-based Owdwyr boasts in its debut Receptor: from Car Bomb, Human Remains, and Fleshgod Apocalypse to composers like Bach, Allan Holdsworth, and Heitor Villa-Lobos. In essence, Owdwyr may be genius or not, but this trio is always batshit crazy.” Owdwyr812.

Thy Art Is Murder – Godlike Review

Thy Art Is Murder – Godlike Review

“Hate them or love them, you know them. Australia’s Thy Art Is Murder catapulted into the deathcore stratosphere in the early 2010s, through the technical The Adversary (2010) and the powerful Hate (2012). Despite its inconsistency, Thy Art Is Murder’s output earned sizable crossover appeal from death metal fans; think All Shall Perish, not Bring Me the Horizon. Godlike, whose release was delayed a week by line-up drama, follows four years after the middling deathcore-fest Human Target.” Thy Art is Drama.