Punk

Ponte del Diavolo – Fire Blades from the Tomb Review

Ponte del Diavolo – Fire Blades from the Tomb Review

“Having spread the spectrum of their influences across a few EPs, Ponte del Diavolo reigns in the fettering ambience and shriekier black metal extremes of their formative work for this debut full-length. In this regard, these witchcraft-worshipping Italians come across like a punk-edged, tremolo riff-informed Sabbath Assembly, with mic-echantress Erba del Diavolo capturing the same essence of cult-fearing warble that a fervent Jamie Meyers possesses.” Tomb knives.

Kambodsja – Resilient Review

Kambodsja – Resilient Review

“Don’t let anyone tell you different, metal is fun—well, except for all the times when it isn’t. But even when it is fun, many metal genres have a hard time achieving the same kind of raw joviality that their cousins in the punk space can. Good ol’ heavy metal and thrash make a good play—they share roots after all. But when it comes to yelling playfully in a mix with less of a regard for tonality and more of a focus on blasting a message out with volume as a guide, punk’s got an edge that’s hard to match. Kambodsja knows this, and they play the game well, slowly manipulating their exact style over the course of the past couple decades.” Be loud.

Kadaverficker – Superkiller (A Musical Journey Between Life and Death) Review

Kadaverficker – Superkiller (A Musical Journey Between Life and Death) Review

“After reviewing a slew of bigger releases and personal favorites in recent months, it’s nice to reconnect with the underground and plunge into the dank, mysterious corners of the promo sump. In doing so I stumbled across Germany’s Kadaverficker and their fifth full-length album, Superkiller (A Musical Journey Between Life and Death). Kicking around the traps since forming in 1993, Kadaverficker released a hefty collection of demos, splits, compilations, and various other shorter-form releases, eventually dipping into full-length territory on 2012’s Exploitation Nekronation. What can you expect on an LP that leaves nothing left in the tank across a whopping 71-minute runtime.” Ficking around,

Calligram – Position | Momentum Review

Calligram – Position | Momentum Review

“While The Eye featured as many ideas as the many heads of a hydra, Position | Momentum streamlines them into a more focused beast. Expect second-wave tropes in tremolo, blastbeats, and vocalist Matteo Rizzardo’s ferocious shrieks (in his native Italian), but like Calligram’s catalog, the sophomore effort ascends beyond the Darkthrone and Mayhem worshipers of the cold dead world.” Calligram calling….

1476 – In Exile Review

1476 – In Exile Review

“Well, 1476’s In Exile is certainly more than I bargained for. Having dropped my previous promo for this week because I had suspicions about the political leanings of its members (that it was bollocks made this a happy development), I picked up 1476 on a whim. And it’s a lot. Of many things. A lot of music, clocking in at over an hour. A lot of styles and influences—the accompanying blurb describes In Exile as “wonderfully all over the place”; the latter part of that statement isn’t wrong but the adverb, we’ll see.” Leatherface and open space.

Pupil Slicer – Blossom Review

Pupil Slicer – Blossom Review

Pupil Slicer really shook things up in 2021. While undeniably a slab of Converge-meets-Dillinger core with a nice dose of Botch, the trio’s debut Mirrors was a tour-de-force of grindy intensity, a neat balance between heart and callousness, and a marvel of songwriting. Songs like “Husk,” “Collective Unconscious,” and “Wounds Upon My Skin” still get regular plays in the Hollow household, with mad mastermind Kate Davies’ frantic vocals, insane axework, and boundary-pushing ideas taking center stage.” Eye on the prize.