The February Filter is all clean and tidy.
Finnish Metal
Korpiklaani – Rankarumpu Review
“Every metalhead has a few firsts when they’re just entering the scene. First band you became obsessed with. First live gig. Korpiklaani was neither of those for me, but it was the backdrop to my first moshpit, and the next few as well, when I had less than 10 bands in my metal library and the band only had its first 2 albums under the belt. Like many others, Korpiklaani drifted into my past, apart from an occasional nostalgic spin of “Wooden Pints” or “Cottages & Saunas.” Until a few weeks ago.” Flora and sauna.
Altar of Betelgeuze – Echoes Review
“Echoes is the quartet’s third full-length since the act’s conception in 2010. While featuring the armaments and cavernous bellows of Incantation or Winter, it also is armed with a stoner doom fuzz and vocal influence from Candlemass. However, you can be sure that the “married iguana” haze does not subtract from Altar of Betelgeuze’s intention of crushing your skull in.” Betelgeuze!
Iterum Nata – From The Infinite Light Review
“Another week, another genre mashup for Iceberg, the frozen fringe-dweller. After a disappointing—and apparently controversial—dive into more straightforward waters, I was excited to spy the black/neofolk/prog tag on the newest release from Finnish one-man band Iterum Nata. Jesse Heikkinen spent some time with countrymen and fellow genre-blenders Hexvessel before striking out on his own, and this will mark his fifth solo release.” Moose mania.
Northern Genocide – The Point of No Return Review
“Just like a sommelier can (allegedly) sense and describe the minutest differences between wines that may seem identical to the less learned, so can the seasoned metalhead identify regional differences and genre influences that laypersons may question with the tried and true adage: “It’s all just noise, isn’t it?” Melodic death metal has many offshoots and flavors, but the Finnish variety tends to be instantly recognizable anyway, often thanks to a melodic core that draws from neoclassical- and power metal. Northern Genocide wears this hat with pride but then proceeds to layer a bunch of other hats on top until defenestrated by the owner of the hatshop.” Hats and mass murder.
Counting Hours – The Wishing Tomb Review
“Tears freezing in the cutting winter winds. Life’s blood staining the freshly fallen snow. These are the things that bring Steel to the graveyard. Naturally, I love my sadboi doom as well, and the long-defunct Finnish act Rapture in particular. Their style of highly melancholic melodoom resonated deeply in my cold dead chest cavity, and though they’ve been gone since 2005 I still go back to those albums regularly. When the two guitarists of Rapture reunited to form Counting Hours and dropped the excellent debut The Will back in 2019, I was ecstatic. It was as close to getting new Rapture material as we were ever going to get and they hit all the same grim feelz as they fused the early days of Katatonia with Dawn of Solace into a cold grave of an album. Now a few years later we get the eagerly anticipated follow-up.” Counting hours and tears.
Blood Red Delusion – Ruthless Behaviour Review
“Riff-focused yet stuffed to the gills with exuberantly melodic leads, Blood Red Delusion’s second salvo strikes me as something fans of classic melodic death metal albums by In Flames and At the Gates—along with more modern records like Parasite Inc.’s Time Tears Down—might flock towards. Ruthless Behavior’s no-frills, no-nonsense, and aggressively death-metal-forward approach to the genre forgoes all traces of the sweeter and smoother caresses of lushly adorned modern melodic death metal records.” Blood and poor behavior.
Byron – Chapter II: The Lotus Covenant Review
“As metal spawns an ever-growing army of combo meals, sometimes it’s nice to go back to the basics. Finland’s Byron, previously reviewed here by our gone-but-not-forgotten Huck n’ Roll, peddle a brand of occult rock with dashes of NWoBHM. Led by drummer Johannes Lahti—styling himself as Byron V—the band has emerged four years after their debut The Omega Evangelion with follow-up Chapter II: The Lotus Covenant.” Tentacle tantrums.
Death Killer – Total Destruction of the Entire Universe Review
“Death Killer may not speak to you, though, if you don’t already dig throbbing industrial music in some way. And I don’t mean old-timey industrial thrashings like the out-played lamentations of 00s Ministry work—though tonally, Total Destruction bears some resemblance.” Total destruction as a viable option.
![Kalmah – Kalmah [Things You Might Have Missed 2023]](https://www.angrymetalguy.com/wp-content/uploads/2023/12/a1740768079_0-768x768.jpeg)
Kalmah – Kalmah [Things You Might Have Missed 2023]
“I’ve seen surprisingly little hype about Kalmah’s self-titled album. It hasn’t popped up on mainstream end-of-year lists. Alongside bands like Children of Bodom, Kalmah held the reins of Finnish melodic death metal in the early 2000s. Blending blistering melodic riffs with prominent synths, Kalmah defined their sound twenty years ago and has reveled in it ever since. Emerging five years after Palo, Kalmah’s self-titled shows them doing what they do best.” Kalmah down!
