“”In the name of the Code, and of the Sacred Disk, and the Holy System. Our Core, which art in Data, Hallowed be Thy Code.” These words adorn the lavish brochure you were handed as you stepped into the Keygen Church. There, behind the altar, stands the robopastor/technosorcerer Victor Love. You recognize him; our IT prophet Sentynel has lauded Love’s work in Master Boot Record twice, but now the doors to Love’s liturgical side project Keygen Church have swung open.” Room and motherboard.
“Hideous Divinity has been on a blazing trajectory in their recent career, culminating in the excellent Simulacrum. My former list buddy Ferrous, whose disappearance requires no police investigation I assure you, was rather enthused by that record, and it was one of the few overlapping entries on both our listicles that year. The Italians have earned their pedigree through battering brutality anchored to semi-progressive song structures and rendered with tight technical wizardry. No wonder that expectations are high for Unextinct” Hideous or glorious?
“Those who know me know that Opeth is one of my favorite bands. Those who know me well know that Still Life is my favorite Opeth record. Those who know me extremely well know that “The Moor” was the first Opeth track I heard. The prospect of anything remotely resembling their golden period of music from 1999 until 2005 is very exciting to me. It was on this basis that I chose to review Ombra by Italy’s The Moor, especially in light of the “progressive metal” tag on its one sheet.” Is less Moor?
“Having spread the spectrum of their influences across a few EPs, Ponte del Diavolo reigns in the fettering ambience and shriekier black metal extremes of their formative work for this debut full-length. In this regard, these witchcraft-worshipping Italians come across like a punk-edged, tremolo riff-informed Sabbath Assembly, with mic-echantress Erba del Diavolo capturing the same essence of cult-fearing warble that a fervent Jamie Meyers possesses.” Tomb knives.
“Homo Homini Lupus (est) — “Man is wolf to man.” The greatest danger to every one of us is from each other. People are selfish and cruel. This proverb, dating back thousands of years, was chosen by Keres to epitomise their view, that, in the words of vocalist Ares, “humanity is the biggest plague on earth.” Misanthropy is nothing new in the world of metal, and as it happens, neither are the members of Keres, despite this being their debut LP. The band formed after the break-up of black metal group The Crying of Angels, honing a death-influenced, brutal black metal sound” Man unkind.
“Well folks, it’s been a good run. This is without a doubt the longest I have gone without landing myself an awful corset-core album. I cherry-picked from the promo bin a little more, I got lucky with a few random rolls. But the dice always turn against you sometime, as any D&D player will attest. I knew I was in trouble when I saw the genre and the worst band name since Significant Point. Then I saw the cover and my fears were confirmed because LOOK AT IT! Gaze upon this absolute debacle and weep for laughter.” Fear and secret rulers.
“Baratro is a side project of Dave Curran of Unsane. If that shouldn’t clue you in on the level of sonic abuse that awaits you on The Sweet Smell of Unrest, then get outta my face. Noise rock is already a caustic breed of music, a nasty chocolate coating, but when you fuse it with the megaton weight of sludge, the heavy peanut butter, you’ve got yourself a sonic peanut butter cup of bludgeoning pain.” Two great pains that hurt even more together.
![Aphotic – Abyssgazer [Things You Might Have Missed 2023]](https://www.angrymetalguy.com/wp-content/uploads/2023/12/Aphotic-Abyssgazer-01.jpg.webp)
“Abyssgazer presents as the kind of echoing incantation that must ring through ears from first to last note. No mere synthesis of the acts who fed Aphotic into existence, this sometimes blackened, sometimes funeral doom-weighted, always death metal assembly expresses itself in a peerless manner.” Abyss from a dead rose.
“I’m gonna be an insufferable hipster about this one: I’ve been listening to blackened deathcore before Lorna Shore made it cool. Hell, I was listening to the style before Will Ramos made Lorna Shore cool. Bands like The Breathing Process, early Make Them Suffer, and Dark Sermon were all rattling off their own takes on spooky corpse-painted Hot Topic-core in the early 2010s before some Hot Topic frequenter said “ooooh” and nabbed that Watain t-shirt they have on display while manically making pig noises to emulate “To the Hellfire.” Here we meet Drown in Sulphur, an Italian blackened deathcore act, who attempts their own spin on kvlt-y brutality.” Blackcore for the people.
“One can’t credibly accuse Genus Ordinis Dei of a lack of ambition. Predecessor Glare of Deliverance used bombastic symphonic death metal to weave a tale of religious prosecution and witchcraft. The entire storyline was accompanied by a series of self-produced music videos. A big project, but the album itself was undercut by bloat and failed to impress me as much as 2017’s Great Olden Dynasty had done. Now, as the year draws to a close, the Biblical story-weavers bring us The Beginning, another religion-themed concept album accompanied by videos, but with only 4 videos and a pared-down running time, I felt hopeful the Italians would not be making the same mistake twice.” Big religion.
