“Well. Here we are, 2021 at last and I decided to ease myself into this new year of misery musical exploration with a pick that seemed to be safely in my wheelhouse, based on the genre tag at least: a nice slab of safe, comforting post-metal. Fragments of Light is the debut LP from Washington, D.C.-based Stellar Death. The two-piece comprises Scott Loose (also of While Heaven Wept) and Matt Kozar (Witnesses).” Soft landing.
Post-Metal
Arbrynth – A Place of Buried Light [Things You Might Have Missed 2020]
“It’s nine years since Arbrynth dropped their self-titled debut. At that time, these Australians were a five-piece, playing a brand of folk-inspired, prog-tinged black metal, given an almost symphonic note by then-bassist and vocalist Tina, who has since departed. Scrolling forward to 2020 and their sophomore effort, Arbrynth — now a quartet — have narrowed their scope and arguably been somewhat less adventurous on A Place of Buried Light, which is a 50-minute slab of atmospheric black metal. What makes this such an excellent release, however, is the quality of the songwriting and the depths of emotion it plumbs.” Crouching atmosphere, hidden light.
The EP, Split, and Single Post [Things You Might Have Missed 2020] Part III
“The neglected, forgotten children; that’s what this post is about. Full-length albums are the proud first-born, strutting about with muscular arms and a beautiful face. But EPs?” Three times’ the harm.
The EP, Split, and Single Post [Things You Might Have Missed 2020] Part I
“The neglected, forgotten children; that’s what this post is about. Full-lengths albums are the proud first-born, strutting about with muscular arms and a beautiful face. But EPs?” Arms for the poor.
Ingrina – Siste Lys Review
“Many metal bands do not have drummers. This is not because drummers are cantankerous, unhygienic, or otherwise objectionable people – though of course you may have evidence to that effect. No, the value of a drummer is so great that bandmates will tolerate even the worst tendencies of the percussively inclined, and in fact seek out kit-kickers like the jilted seek closure. The reason is scarcity; there are just not enough drummers out there. Which makes it especially rare for a band to contain two.” Kit cats.
Dawnwalker – Ages Review
“It was a cold, rainy day outside the AMG offices (not that I’d know; I don’t have a window) when Huck N Roll spoke of Ages, the fourth full-length release from London, England’s Dawnwalker. “Prog death with folk undertones,” he says. “Billed as a mix of Opeth, Enslaved, and King Crimson,” he says. “I’m already busy or I would take it,” he says. Well, as I happened to be the only person in the room when he said all of this, I decided to take him up on the offer, and went in knowing only that.” Blind progress.
Empress – Wait ‘Til Night Review
“What? Another album by Empress? But it’s only been like 6 weeks since Premonition dropped! Ah, but you see, sometimes names can have two bands. Rather than the frigid wastes of Vancouver, this Empress is from the slightly less frigid wastes of Gold Coast, Australia. Both dabble in various forms of post-metal, too. And if that doesn’t make for enough confusion, my cleverly modified search for “empress australia” revealed Empress Australia already exists as well, except this one is… a shoe brand. No wonder the band’s Bandcamp and Facebook addresses have to repeat their name twice. So the band is a little difficult to DuckDuckGo, but is it worth the effort?” Crowded doom.
Novarupta – Marine Snow Review
“The ocean acts as a metaphor for the the mind’s transition from light to dark, knowing to unknowing, reality to irreality. For Novarupta‘s songwriter and leader Alex Stjernfeldt, former bassist for The Moth Gatherer, the ocean is reflects a dismal acceptance of a depressed state of mind.” Deep waters run deep.
Sólstafir – Endless Twilight of Co-Dependent Love Review
“Icelandic post-metal titans Sólstafir need little introduction but we at AMG Towers are fans of formulaic, masturbatory prose, so I’ll provide one anyway. Sólstafir is Icelandic for ‘radiating sun beams,’ something I have always thought to be wildly inaccurate as a name for this entity, which at no point embodies sunshine. In their early days, Sólstafir played raw, aggressive black metal, interspersed with hints of Viking metal and occasional atmospheric passages (see the debut, Í blóði og anda). Since then, with each release, Sólstafir have evolved, peaking, many would argue, on their fifth full-length, 2014’s Ótta.” Twilight of the Ice Lords?
Kardashev – The Baring of Shadows [Things You Might Have Missed 2020]
“Now, I know what you’re thinking: ‘another year, and another EP that Sharkboi is trying to pass off as an album for TYMHM purposes.’ Well, we all have our Christmas traditions and, apparently, this is now one of mine. And, quite frankly, you should be thanking, not judging, me because The Baring of Shadows is an incredible piece of work from Tempe, Arizona’s Kardashev.” Missing times.