Post-Metal

Ba’al – Ellipsism Review

By Carcharodon on October 28, 2020 in Reviews, Black Metal, Post-Metal, 16 comments

“Post-black and blackened post metal. The same thing, surely? I would argue no. Post-black metal tends to rely on lengthy, brooding atmospheric passages, interspersed with blasts of black metal fury. Blackened post metal, on the other hand, should be towering, mesmerizing riffs with that vicious black metal edge to proceedings. Sheffield, UK’s Ba’al have been knocking around since 2016, putting out EPs in their first year and then in 2019 also, but the absolute shitshow that is 2020 sees this four piece dropping their debut full-length, Ellipsism.” Post-Post.

Epitimia – Allusion Review

By Steel Druhm on October 22, 2020 in Reviews, Atmospheric Black Metal, Black Metal, Post-Metal, 19 comments

“After a hazy binge of balls-to-the-wall classic heavy metal, I was pleased to see the latest offering from St. Petersburg’s Epitimia land in my inbox. Allusion is my first exposure to the melancholic group and after browsing their past discography prior to spinning this latest outing, I was eager to hear where this next descent into the otherworldly realm of beautiful violence would take them.” Cold comforts.

Atlases – Woe Portrait Review

By TheKenWord on October 20, 2020 in Reviews, Death Metal, Melodic Death Metal, Post-Metal, 8 comments

“Once upon a time there was a Muppet. Muppet told me of this band called Atlases, threatening me with an unforgiving death if I didn’t try out their debut full-length, Haar, which came out last year. I never did try the whole thing until now, but the selection of tracks I did sample were solid. Then, one day I noticed their name in the promo bin, and I thought to myself, “what are the odds?” So here we are, with a quick turnaround by the Finnish five-banger. Is Woe Portrait good enough to earn a recommendation from me and my ridiculously productive multitude of alter egos on this power-metal-obsessed blog?” Map of sadboi.

Neànder – eremit Review

By Doom_et_Al on October 7, 2020 in Reviews, Doom Metal, Post-Metal, 16 comments

“Any old fool can say, “The sea is beautiful.” Using music to evoke the feelings inspired by that beauty is far, far harder. To some extent, that’s something all instrumental bands have to do: since there are no lyrics to tell you what to feel or think, the music has to inspire emotion and sensation all on its own. Instrumental music is both brave and dangerous In this respect – there is simply nowhere to hide. Berlin’s Neànder aims to achieve this lofty goal by combining the density of doom, the introspective melancholy of post-rock, and the fury of black metal, all with the focus solely on their instruments.” eremit the fog.

Scaphoid – Absent Passages Review

By TheKenWord on October 6, 2020 in Reviews, Instrumental Metal, Post-Metal, Progressive Metal, Progressive Rock, 46 comments

“Somehow, a disproportionate number of the promos I selected so far are debut records. I’m not sure if it’s coincidence or if I have some kind of n00b magnet in my brain somewhere, but one way or another fresh meat keeps passing through. The latest cut of which comes from Austin, Texas, and he calls himself Scaphoid. That’s right, this is a one-man project, courtesy of Matt Hobart. But it’s not raw atmo-black, no. This guy specializes in a post-rock prog-metal hybrid. With only a short EP under his belt, how fares his new, hour-long debut Absent Passages?” Scap metal.

Empress – Premonition Review

By Carcharodon on October 5, 2020 in Reviews, Post-Metal, Progressive Metal, Sludge, 18 comments

“Vancouver progressive sludgers Empress originally came on my radar in July, which is when their debut LP, Premonition, was originally due for release. It was delayed until now and, for once, the delay was driven by good news, namely that Empress had been picked up by a label, Petrichor (which seems to be an off-shoot of Hammerheart Records). I guess a bit of time was then needed for the band and new label to get all their sludgy duckies in a row ready for the release.” Ready to rule.

B R I Q U E V I L L E – Quelle Review

By Carcharodon on September 30, 2020 in Reviews, Instrumental Metal, Post-Metal, 23 comments

“B R I Q U E V I L L E. Yes, the promo blurb immediately reassures me, the “spaces between the letters are indeed part of their moniker.” And I roll my eyes and dispense with the spaces. Quelle is the third record from this Flanders, Belgium collective and the first to have a title, following 2014’s self-titled debut and 2017’s II. The title is a linguistic play on Quelle‘s differing meanings in German and French, ‘source’ and ‘which,’ respectively, with the “theme of a ‘source’ and the ‘which’ linking it reflexively to our previous album artwork,” quoth the raven Nazgûl-robed, golden-masked BRIQUEVILLE member.” Another BRIQUE in the wall.

Svalbard – When I Die, Will I Get Better? Review

By Dear Hollow on September 23, 2020 in Reviews, Black Metal, Post-Hardcore, Post-Metal, 54 comments

“It’s hard to have hope sometimes. We live our lives constantly getting up and going, always moving onto the next thing—moths chasing flames that grow more elusive as the dawn approaches. We’re tortured by silence in a screaming year, laced with events of turmoil and perpetual change—a silver silence that holds a mirror up to our faces and our truths. And we don’t always like what we see. It’s hard to have hope when we’re distracted, romanced by the illusion of productivity, blinded by privilege, and shielding our weary eyes from discomfort. This is what makes Svalbard so important; they force us to look.” Dying to heal.

Dynfari – Myrkurs er þörf Review

By Doom_et_Al on September 22, 2020 in Reviews, Post-Metal, 10 comments

“One of the countless awful consequences of COVID-19 has been music from artists having their releases delayed. Icelanders Dynfari were one of many victims of this. Their fifth album, Myrkurs er þörf (Darkness is Needed), originally slated for an April release, is only seeing the light of day now. For the uninitiated, Dynfari plays an organic blend of black metal and post-metal in the vein of Sólstafir and Agalloch. Their last LP, The Four Doors of the Mind, was a concept album chronicling the various human responses to profound mental trauma.” Therapy delayed.

Ambassador – Care Vale Review

By GardensTale on September 22, 2020 in Reviews, Hard Rock, Post-Metal, 47 comments

“Interesting, the grey area between rock and metal. It takes a lot of different shapes, from the classic hard rock proto-metal to the commercialized tough guy semi-nu-metal that still wanted to have radio play.[1. Joke’s on them, the hardest thing on commercial radio these days is fucking Imagine Dragons.] It’s an area that, in one of its many incarnations, has been elemental to most of us in our journey into the depths of our favorite depravity, as a bridge between the socially acceptable and commercially viable on the one end, and metal on the other. Ambassador, a four-piece from Baton Rouge, Louisiana, have a different approach to this uncertain spectrum from those I’ve mentioned.” Sad diplomacy.