The February Filter is all clean and tidy.
Post-Metal
Divided – Light Will Shine Review
“Throughout the tapestry of shimmering tones, weighty riffs, and desperate fry vocals in Light Will Shine, a common thread courses, of vulnerability and tension. Belgium’s Divided offers a style not unlike Glassing, Amenra, and Envy, with crystalline melodies colliding with unforgiving heaviness, with a distinctly unfriendly guitar harmonic approach. However, it professes a soundtrack for anxiety.” Unite through division.
Subterraen – In the Aftermath of Blight Review
“Sludge is a genre naturally able to bridge and wholly fill the gap between a rage that stretches towards hardcore, and a more pensive and somber emotionality more at home in doom, or post-metal. Therefore, when faced with Subterraen’s label of “Atmospheric Post-Sludge,” I knew this shapeshifting propensity would be amplified, particularly in the latter direction.” Thunder from down under.
O Zorn! – Vermillion Haze Review
“O Zorn! plays a fairly straightforward style with elements of stoner and post-metal. Texturally the band has some similarities with a simplified Mastodon, not in the least due to the somewhat nasal drawl of the vocals. The big differences are the structure and pacing. Shying away from progressive leanings, the music is staunch in its adherence to verse-chorus constructions.” Stone the crow (and rabbit).
Fall of Leviathan – In Waves Review
“As you may guess by its minimalist cover art, Fall of Leviathan takes inspiration from the ocean. Its placid surface, an unassuming miles-wide smile at the sun, and its brutal depth, a guttural roar and a gnashing of magnificent teeth, quietly collide to create a face that looks down upon man as he stands atop it, his hubris an engorgement of sails and a swelling of his chest. When faced with its might, the relentless apathy and his insignificance in the face of mountainous waves and the abyss at our rocky borders, man crumbles – sand castles deserted by distracted children. Fall of Leviathan embodies this dichotomy: sunbathed beauty and sunless brutality.” Deep waters flow DEEP.
Uncomfortable Knowledge – Lifeline Review
“I have a soft spot for young bands releasing records under their own steam. With the amount of time I’ve spent pooling money for too little studio time and going through sketchy post-production just to have a stack of records I end up giving away to friends and family, I feel a masochistic duty to tackle self-releases when the promo sump presents them. Today’s lucky candidates are the French quintet Uncomfortable Knowledge, with their second full-length Lifeline.” The burden of knowledge.
Sun of Nothing – Maze Review
“Few albums reveled in existential despair like Sun of Nothing’s The Guilt of Feeling Alive. While punishing in ways that recall Neurosis or Blindead, it settled heavily into tension and despondence beneath the devastation. It always hinted at something without fully grasping it, fluid and powerful heft contrasting with an overwhelming bleakness. Despite its black metal influence, Sun of Nothing did not offer a bleakness like DSBM’s passing glance at a winter landscape, but represented the grey of its troubling cover art: the day-in and day-out of a cold, tired, and worn city, shrouded in smog. For its first album in fourteen years, the Greek quartet has offered something that stands shoulder to shoulder.” Maze of tormets.
Distances – Abstruse Review
“In 2013, I attended a concert in Santa Fe, New Mexico, with hopes of seeing Intronaut and Scale the Summit. However, because I’m a good little Hollow, I decided to stop in for the openers. The youth center in which this was played was scrawled with graffiti in the dim lighting, and the stage was a makeshift affair about a foot or less off the ground, and a row of beaten couches comprised the seating. When I was welcomed into the concert area, Albuquerque quartet (at the time) Distances came up, a band whose numbers rivaled the audience members. There we stood, bobbing our heads to a post-metal sound whose colossal quality blew the roof off the shady little venue.” From youth center to center stage.
Final Coil – The World We Inherited Review
“The U.K.’s Final Coil have once, twice graced these halls under the watchful gaze of our benevolent taskmaster Steel. But his eyes are all denim and leather these days, leaving me to find the band’s latest The World We Inherited languishing in the Dry January promo sump. Blending post and prog metal with a healthy dose of grunge, it’s been four years since they dropped their last LP, The World We Left Behind for Others. Unsurprisingly this 2024 release is connected to its predecessors, the third and final piece in the band’s “Persistence” triptych. Concept-driven albums are natural draws for this reviewer, an excellent choice for ushering in the new year.” Triple Coil points!
Stuck in the Filter – October’s Angry Misses
The October Filter Report is here and we have some interesting things to break down for you. Get stuck!