Grind

Goratory – Sour Grapes Review

Goratory – Sour Grapes Review

“While scrotal brutal technical death metal is not usually my bag, potty humor certainly is. Boston’s Goratory butter their bread with filth — as evidenced by past album title jewels like Orgasm Induced Diarrhea — and when I saw the ballsy artistic choices the band had made for new record Sour Grapes, I was helpless to resist.” Poo Poo platter.

Brave the Cold – Scarcity Review

Brave the Cold – Scarcity Review

“When it was announced that guitarist Mitch Harris and drummer Dirk Verbeuren were collaborating for some kind of death metal project, I was unsure exactly what to expect. Mr. Harris is a grand progenitor of grind, starting out with Righteous Pigs before joining Napalm Death in 1989. Since then he’s helped define an entire genre and dabbled in weirdness on the side, as with Meathook Seed. On the other hand, Dirk Verbeuren has played with Megadeth, Soilwork, Devin Townsend, Warrel Dane, and any number of black and death metal acts. With such a widely traveled duo, the options seem limitless.” Frost grinding.

Anaal Nathrakh – Endarkenment Review

Anaal Nathrakh – Endarkenment Review

“Normally, an introductory paragraph would see a reviewer (me, in this case) make a witty or deep observation that somehow, someway pertains to the album in question. That’s not happening today for two reasons. One, trying to come up with something witty or playful during such a shit time in everyone’s lives, week in and week out, becomes draining when I possess about as much joy to throw at you as the creative team at WWE possesses the ability to write captivating, enthralling television. And two, today’s subject isn’t about joy. Or happiness. Or humor. Rather, Anaal Nathrakh‘s eleventh album, Endarkenment encapsulates in roughly 41 minutes just what an absolute clusterfuck this year has been to everyone and everything.” Here’s pig cock in your eye.

Napalm Death – Throes of Joy in the Jaws of Defeatism Review

Napalm Death – Throes of Joy in the Jaws of Defeatism Review

“It’s genuinely hard for me to comprehend someone taking a strong dislike to Napalm Death because, above all else, they represent a seal of quality. At this point in their career the band have managed to command their blast-happy frenzy and deathly breakdowns with the kind of fluidity most acts can only imagine. But experimentation has never been far from their arsenal, and new album Throes of Joy in the Jaws of Defeatism is no exception. In a career that spans excellent to reliable, the only real question is: which category does this sixteenth record belong to?” Death throes.

Venomous Concept – Politics Versus the Erection Review

Venomous Concept – Politics Versus the Erection Review

Venomous Concept return with a pissed off chip on their shoulders, albeit with a satirical tongue in cheek mentality, on fourth LP, Politics Versus the Erection. The grizzled supergroup, comprising vocalist Kevin Sharp (Brutal Truth, Lock Up), Napalm Death duo Shane Embury (bass) and Danny Herrera (drums), along with guitarist John Cooke (Corrupt Moral Altar), dropped their super charged debut Retroactive Abortion back in ’04 and have been sporadically active since.” Erect the Concept.

Duma – Duma Review

Duma – Duma Review

“The self-titled debut by Kenyan duo Duma (meaning “darkness” in Kikuyu) is a most peculiar rara avis, carrying the sort of art difficult to distill into words, let alone narrow down to a single genre indicator. So while “grindcore” might be easiest to associate with the often rhythmically driven and dark work of Martin Khanja (aka Lord Spike Heart) and Sam Karugu, any expectations or points of reference go out the window within the first ten seconds of Duma’s opening track.” World metal.

Next Life – Guru Meditation Review

Next Life – Guru Meditation Review

“So many questions. So few answers. Who decided mathcore, industrial and grind needed to be matched up with chiptune? Where did that idea even come from? Who was this made for? The answers, I believe, are, respectively: Next Life did; who the fuck knows; and me, probably. I love genre mashups, and if chiptune is even remotely involved, I go to there with haste.” Love Guru?

Henry Kane – Age of the Idiot Review

Henry Kane – Age of the Idiot Review

“It’s been nearly two months since I last wrote a review for a Jonny Pettersson project, so I’m long overdue for another one. I’m beginning to think that we should probably give Pettersson and fellow Swede Rogga Johansson a cool team name like ‘The Teeming Twins,’  ‘The Boys of Bounty,’ ‘The Copious Corps,’ or my favorite, ‘The Patriarchy of Profuseness.'” Snatch and jab.

Shatter Brain – Pitchfork Justice Review

Shatter Brain – Pitchfork Justice Review

“When I saw the eye-catching cover for Shatter Brain‘s debut full-length, Pitchfork Justice, I immediately assumed they were a thrash band. I was about 1/8th right, as this Australian act mixes sludge, grind, death and punk with speed for what can only be described as an unruly and boisterous sound. Pitchfork Justice is an album that wants to be many things, sometimes all at the same time, and this leads to some interesting moments to be sure.” The mob is revolting.

Wake – Devouring Ruin Review

Wake – Devouring Ruin Review

“Finding catharsis in the midst of chaos is the name of the game these days. It’s why every tenth article in your COVID co-opted news avalanche feed is about a bunny who adopted stray kittens. It’s why last Saturday I watched a live stream of a drag queen disinfecting every surface in her kitchen while performing Queen‘s “I Want to Break Free.” As the world around us is brought to its knees by the weight of uncertainty, we instinctively seek out and appreciate these small pressure release valves. Bands who ply their trade in chaotic styles should pay attention. Chaos plus time equals background noise, but there are two options to keep an audience engaged. The first is brevity. This is why hardcore punk albums are traditionally 25-30 mins long. The second is the thoughtful placement of sonic perches to rest upon.” Choose wisely.