Cherd of Doom

Sludge is the word.
Old Nick – The Night of the Ambush and the Pillage by the Queen Ann Styl’d Furniture, Animated by One of the Dozen or So Spells That Thee Eastern Vampyre Has Studied [Things You Might Have Missed 2020]

Old Nick – The Night of the Ambush and the Pillage by the Queen Ann Styl’d Furniture, Animated by One of the Dozen or So Spells That Thee Eastern Vampyre Has Studied [Things You Might Have Missed 2020]

“I’m not sure why I spent so much of 2020 deep diving into the raw black metal recesses of Bandcamp. Might be because ice cold nihilism was especially in fashion this season, or maybe all the social isolating helped me connect more with the weirdo basement dweller one man band crowd. Whatever the reason, I wound up having a great time listening to some truly terrible music. A lot of it is borderline unlistenable, and a lot of that’s on purpose, because badly recording and producing one’s bad playing is pretty kvlt. Of course, this doesn’t preclude truly talented musicians drawn to the genre’s gritty mystique from making some rock solid metal albums.”Hey, Doctor Old Nick!

Ivan – Silver Screens [Things You Might Have Missed 2020]

Ivan – Silver Screens [Things You Might Have Missed 2020]

“For those few keeping track, 2020 has been an exceptionally solid year for funeral doom. Convocation, Atramentus, Drown, Mourners and Lone Wanderer all put out top shelf bottles of distilled despondency, while golden boys Bell Witch returned to collaborate, mostly successfully, with Aerial Ruin. While each of these albums occupied a slightly different niche of the style, none wandered so far afield with such thrilling results as Australian duo Ivan on their fifth release Silver Screens.” Strange screenings.

Schaffer/Barlow Project – Winter Nights Review

Schaffer/Barlow Project – Winter Nights Review

“It was all fun and games at first. “Give the n00b this symphonic power Christmas album. That’ll weed him out.” Everyone had a good laugh, and I survived the ordeal, but then there was precedent. So the following year, a second flaming bag of reindeer shit marked “Christmas Cookies” was ding-dong-ditched at my be-wreathed door. I played along while Steel and AMG giggled behind the bushes. But when a seasonal lump of coal by power metal power players shows up in the promo bin, suddenly it’s not so funny. Suddenly there are whisperings in the break room. “Don’t give it to Cherd. He doesn’t even like power metal.” “I heard he doesn’t even celebrate Christmas. Didn’t someone say he’s Jewish?” Well guess what bitches, I’m subjecting myself to this one out of spite.” Season’s beating!

Invernoir – The Void and the Unbearable Loss Review

Invernoir – The Void and the Unbearable Loss Review

“We all have styles of metal so squarely in our wheelhouse it’s hard to tell where the wheel ends and the house begins. Weird phrasing? OK, I’ll try again: we all have styles that fit so well, they’re like slipping into a second skin made from stitched-together skins of bands that make the styles we—nope. How about we’re all like a bed-bound shut-in with sores down one side because we never shift position, and each of us has a style of metal that’s the corresponding depression in the mattress and rotting bed linens that perfectly mirrors our moribund—know what? Let’s forget similes. We all have styles that are our jam. Now, rising from Rome, Italy, comes Invernoir and their Cherd-bait debut The Void and the Unbearable Loss with the explicit “…desire to resurrect the sound of doom music from the 90s.”” Void rage.

Void Rot – Descending Pillars Review

Void Rot – Descending Pillars Review

“Upon entering the kitchen the camera pans to a large, oily hole in reality. You can see time/space bend and slip at the edges. Jonathan and the woman stare into the nothingness and grow pale. A spackle knife is slowly being pulled into the vortex center, languidly circling between worlds. Jonathan turns to the woman. ‘You’ve got Void Rot.'” Pillars of the community.

Hymn – Breach Us Review

Hymn – Breach Us Review

“The core of Hymn‘s sound is sludge doom, but with the intensity turned up to 11. There are riffs and enviable guitar tone enough to check the usual genre boxes, but the forceful drumming of Markus Støle and the vein-popping delivery of vocalist/guitarist Ole Ulvik Rokseth conjure the image of Thou as interpreted by 90s hardcore stalwarts Snapcase.” Breach party.

Creature – Ex Cathedra Review

Creature – Ex Cathedra Review

“A mere six months ago I wrote a TYMHM piece on the second Creature album Contes Funèbres, noting that while that album had a black metal base and clear elements of 70s prog, it also contained an anachronistic theatricality, like a corpse-painted staging of Les Misérables. If Contes Funèbres was broadway, Ex Cathedra is opera.” Shock me, Amadeus.