Norwegian Metal

In Vain – Solemn Review

In Vain – Solemn Review

In Vain were clearly one of the most exciting Norwegian bands in the 2010s, boasting 2 great releases across Aenigma and Currents. The latter was even my Album o’ the Year for 2018, resulting in my unreasonable expectations for a sequel. For those unfamiliar, imagine a more varied and melodic version of Borknagar; a convenient comparator in a year that has also featured a new release from those guys too. And good though that record undoubtedly is, Solemn beats it hands down.” Vain and glorious.

Deception – Daenacteh Review

Deception – Daenacteh Review

Daenacteh is a melodeath record at it’s core, but augmented with so many other elements it’s become it’s own unique monster. The orchestral accompaniments, which are both omnipresent and superbly executed, seem of the Italian neo-classical school of Septicflesh and Fleshgod, but MENA-tinged like Aeternam.” The many sounds and flavors of the desert.

Khold – Du dømmes til død Review

Khold – Du dømmes til død Review

“After being dormant for eight years, Khold surprised the masses in 2022 with their comeback album, Svartsyn. And boy did they come back in a big way—completely erasing 2014’s Til endes from my memory. Reformed with all the key players and even feistier than ever, these Norwegian giants had me so convinced of their greatest that they made it on old Grier‘s top-ten list. Nothing made me happier that year than hearing Gald’s signature snarl and Sarke’s punishing drum work. Hell, I would have been happy just to hear the album, much less love it the way I do. Two years later, it looks as if the band is sticking around because now we have this year’s Du dømmes til død.” You can’t spell Khold without “old”.

Defect Designer – Chitin Review

Defect Designer – Chitin Review

“Where do you even start with a band like Defect Designer? Part Trollfest, part Diskord—one fewer part now that bassist Eyvind Wærsted Axelsen has moved on since his brief participation on 2022’s blasting EP Neanderthal—and three parts weird, this eclectic Russian-by-way-of-Norway export hasn’t defined one singular sound for itself over the years.” Genre inwasion.

Misotheist – Vessels by Which the Devil is Made Flesh Review

Misotheist – Vessels by Which the Devil is Made Flesh Review

“In the overcrowded field of black metal, it’s difficult to stand out. This is even more true when you commit to working within the confines of the genre, rather than, say, employing some gimmick like “black metal meets Barbie meets hardcore.” Yet within two albums, quietly standing out is exactly what mysterious Norwegian outfit Misotheist managed to do. Forging a path that threaded the needle between “accessible” and “dissonant as fuck.” Miso spooky!

Cloud People – Simulacra Review

Cloud People – Simulacra Review

“One thing I really admire about The Administration here at AMG is their willingness to allow us writers to explore what exists on the fringes of metal. Some of my most memorable finds over the years—before the onset of my indentured servitude—have carried tags like not-metal, folk, or synth wave. Norwegian musical collective Cloud People claim to draw inspiration from jazz, electronica, and metal, and have decided to submit their album Simulacra to these hallowed halls for mild praise or summary execution.” Watch the skies.

Bokassa – All Out of Dreams Review

Bokassa – All Out of Dreams Review

“On the surface, the perceived lethargy of stoner metal doesn’t seem like a natural match for the reckless energy of punk. But the two genres have been roommates since college and still bunk together regularly. The soundtracks of Jackass and Tony Hawk’s Pro Skater mixed them up freely, and bands like Clutch and Fu Manchu have plenty of popularity on both sides of the fence. When I saw Rise Against in March of 2011, they brought Coliseum, who fused stoner, hardcore, and punk into one. So I wasn’t particularly surprised at Bokassa’s self-appointed genre of stoner punk. I was more surprised, and apprehensive, at Lars Ulrich of all people giving them the seal of approval.” Big friends, dumb punks, and stones.

Borknagar – Fall Review

Borknagar – Fall Review

“No matter who fills in on vocals, guitars, and drums, the Borknagar continues releasing one fantastic album after another. After 2019’s fun and accessible True North, this year’s Fall reaches farther into the past to reset the needle, delivering some blackish attacks and headbangable energy. Worry not, they forever will retain that classic epicness, melody, and beauty.” Trust Fall.

Ihsahn – Ihsahn (Studio version) Review

Ihsahn – Ihsahn (Studio version) Review

“Introductions to Emperor’s creative mastermind Ihsahn, as he drops his eighth (and ninth) solo LPs, seem unnecessary. However, a small note is needed for this review because there are two, entirely separate but inextricably related, versions of Ihsahn and I am reviewing only one of them. Ihsahn’s solo work has always involved a significant symphonic component, as did his writing for Emperor albeit to a lesser degree, but he has gone all-out orchestral for his selt-titled offering.” Symphonies of the night.

Frostbite Orckings – The Orcish Eclipse Review

Frostbite Orckings – The Orcish Eclipse Review

Frostbite Orckings may have claim to the most interesting premise in metal, at least in 2023. Based on recordings from hired session musicians, the project is a work of purely AI-generated power metal. The Orcish Eclipse is the project’s debut full-length release, and heralds itself as “the world’s first AI-generated heavy metal album.”” Orc in the machine.