“Once upon a time, there were two brothers, one played bass and the other a guitar. In 2000, these brothers helped create Journey to the End of the Night, Green Carnation’s debut album. From here, they went off to form the mighty In the Woods…, hoping to expand on the sound of yesteryear Green Carnation. After leaving both bands, Green Carnation and In the Woods… remained, drastically morphing their sound and pushing beyond the boundaries of long-winded progressiveness, orchestration, and flowing choirs. Come 2013, the Botteri brothers attempted it again with Strange New Dawn.” Woods, flowers, dawns, oh my!
Norwegian Metal
Kambodsja – Resilient Review
“Don’t let anyone tell you different, metal is fun—well, except for all the times when it isn’t. But even when it is fun, many metal genres have a hard time achieving the same kind of raw joviality that their cousins in the punk space can. Good ol’ heavy metal and thrash make a good play—they share roots after all. But when it comes to yelling playfully in a mix with less of a regard for tonality and more of a focus on blasting a message out with volume as a guide, punk’s got an edge that’s hard to match. Kambodsja knows this, and they play the game well, slowly manipulating their exact style over the course of the past couple decades.” Be loud.
Den Saakaldte – Pesten Som Tar Over Review
“Formed in 2006 by guitarist Sykelig, the band has previously featured members from Shining, Gehenna and Dødheimsgard. Unfortunately, most of these folks have gone, raising the question about whether Den Saakaldte still qualifies as a “super group” anymore. There’s one way to shut up the doubters and that’s to release a killer album.” Kill or be filler.
Eternity – Mundicide Review
“I invite you to observe the album artwork for Eternity’s third record, Mundicide. I was immediately struck by its painfully and laughably literal depiction of humanity’s interaction with its planet, especially with the cute little arms physically sticking out the earth. In fact, it was for the reason of the art that one of my esteemed colleagues chose this record for my review. Eternity proffer Norwegian black metal with roots intertwined with black metal’s innovators,” Malaise is kvlt.
Tsjuder – Helvegr Review
“It’s been eight years since the band released their lukewarm Antiliv album, and I’ve been craving the nastiness that makes them so great ever since. While many will argue Antiliv was a great album, it lacked the energy the band typically brings to the table. No matter who this duo hires on the drums, everyone gives it all to each release. But I didn’t quite feel that on Antiliv. It doesn’t matter if you disagree because Helvegr doesn’t give a rat’s ass about our opinions.” Tsjuder jumping.
Vulture Industries – Ghosts from the Past Review
“Nothing pleases me more than writing a review for a new Vulture Industries record. After getting the shaft from Seasons of Mist in 2017, I could only bring Stranger Times to the public via TYMHM. Dark Essence Records was kind enough to send us the promo for this year’s Ghosts from the Past, and ole Grier is happy in the pants.” Vultures, ghosts and happy pants.
Grant the Sun – Voyage Review
“Grant the Sun at surface appears as Norway’s newest metal jam band export, crossing ears with sounds that conjure the one-off twangy dream of Graviton or the chug-n-swell maestros Russian Circles. Reaching equally to a shoegaze fizzle (“Mariana,” “Vertigo”) and modern prog syncopation (“Machina,” “Hits like a Wave”), Grant the Sun brings many flavors to the table.” Panda Express.
Immortal – War Against All Review
Immortal have returned after a five-year absence in the frozen tundra. You know what that means. Grier and Grymm have reunited in love to bring you another double review of hot takes.
Nexorum – Tongue of Thorns Review
“Death Unchained should’ve gotten the full Things You Might Have Missed treatment from me back in 2020. Nexorum’s relatively quietly released debut was a massive tour de force of unstoppable riffs, the likes of which complemented perfectly those of Vredehammer’s similarly massive Viperous, released that same year. To add insult to injury, I snubbed both of those awesome records from proper placement on my Top 10. Make no mistake, Death Unchained is an unqualified triumph of blackened death metal with some of the best riffs I’ve heard in the genre ever, and it never relents. Needless to say, I anxiously awaited the follow-up, Tongue of Thorns, to see how it stacked against the Norwegians’ inhuman opening salvo.” Every pose has its thorns.
Death of Giants – Ventesorg Review
“Grief is both intensely personal, and a commonality between us all. This admixture of the private and the relatable can make music through which it is channeled incredibly powerful. In a genre like doom, already associated with the melancholy and the morose, these emotions fit naturally and reinforce both the sense of sadness and the potency of the music itself. The recent output of Swallow the Sun initially springs to mind. Death of Giants is another such act.” Giant feelz.