Norwegian Metal

Pixie Ninja – Colours out of Space Review

Pixie Ninja – Colours out of Space Review

“Having spun Ultrasound a couple of times before hitting Colours, I have to say my interest was not piqued. There was nothing wrong with Pixie Ninja’s debut outing but, as a commenter remarked on a previous instrumental record I reviewed, “yeah, this is nice, I could work to this.” On pressing play on Colours, however, I was immediately struck by the shift in mood and intensity on the band’s latest offering.” Pixie Colour Space Attack.

Airbag – A Day at the Beach Review

Airbag – A Day at the Beach Review

“Four years ago now, our AMG Overlords made the error in judgement to bring me on as a n00b. Airbag’s Disconnected was my second probationary review, and I will never forget it. Why? Well, because every week without fail for the past four years, our technologically advanced promo distribution system has notified me that “Steel Druhm has stopped sharing Airbag with you.” Okay, I get the hint.” Bag men.

Kryptograf – Kryptograf Review

Kryptograf – Kryptograf Review

Kryptograf cite influences that include Witchcraft, Uncle Acid & the Deadbeats and Black Sabbath, and it all fits. Between the band lineup—two guitarists, three vocalists, plus bass and drums—and a healthy helping of fuzz that permeates without overpowering, Kryptograf wears its ‘60s influences loudly and proudly.” Fuzzy navel gazing.

Acârash – Descend to Purity Review

Acârash – Descend to Purity Review

Descend to Purity is the band’s sophomore effort, following 2018’s In Chaos Becrowned. Doc Grier thought that effort was a promising debut, but with songs that tended to meander and ultimately go nowhere. He also nearly started a riot in the comments section by stating that Ghost kinda suck. Now, I have no wish to further inflame a world that has enough tension as is, but whatever your feelings about Ghost, you have to admit that the band members at least sound like they’re having fun. Acârash is aiming for the same aesthetic.” Good metal fun?

Ormskrik – Ormskrik Review

Ormskrik – Ormskrik Review

“I don’t know what happened to me, but all of a sudden I started to like thrash metal sometime in the last year. Granted, the barking vocals endemic to purebred thrash still grate my senses, but when black metal or death metal is thrown in the mix I get sprung as hell. It’s for this reason that I absolutely love bands like Antiverse, whose vital combination of death metal and thrash metal kicks my ass on a regular basis. You know what else kicks my ass on a regular basis? This fucker right here.” Thrash in a blackened space.

Course of Fate – Mindweaver Review

Course of Fate – Mindweaver Review

“I’ve always been interested in bands that have long histories and comparatively brief discographies. Course of Fate is a Norwegian sextet that formed back in 2003, but their debut full-length album Mindweaver is just now releasing, seventeen years later.” Time is the mindweaver.

Tulus – Old Old Death Review

Tulus – Old Old Death Review

“In 1993, while we were all giggling at ‘What About Bob?’ and rooting for the Minnesota Twins while wearing jean jackets and reading Seventeen magazine, Norwegian black metal band Tulus began churning out some evil tunes. Three demos, one compilation, one six-year breakup and reunion, minor lineup changes, and six full-lengths later, does 2020 promise newfound fame or do they need to stay buried for another thirty years?” What is old is olde.

Vredehammer – Viperous Review

Vredehammer – Viperous Review

“In years past, metal music took its sweet-ass time in order to drop us the good stuff. Don’t get me wrong, I do like a good, slow burn, but usually we (and by proxy, you) usually don’t hear anything jaw-droppingly good until later in the year. Not 2020, man. Barely into our third month, and we’ve already got strong contenders for Album o’ the Year, and it doesn’t seem to let up anytime soon. And now, we’ve got the much-anticipated Viperous by Vredehammer, an album everyone here at AMG’s been anticipating since Violator knocked us all on our collective ass back in 2016.” Bow down to the Snakehammer.