Dr. A.N. Grier

Shine on you crazy (King) Diamond.
Sodom – Genesis XIX Review

Sodom – Genesis XIX Review

Genesis XIX will be the first time in thirty years Blackfire has recorded a full-length with Sodom. It’ll also be the first time in the band’s storied career to have two guitarists. What will these changes do to the Sodom sound? Obviously, Angelripper sees life coming back to the band. But are four just one too many? And how many more war-themed thrash riffs does Ole Tom have left in him?” Re-Sodomized.

Harlott – Detritus of the Final Age Review

Harlott – Detritus of the Final Age Review

“As I mentioned when I wrote 2017’s Extinction review, Harlott isn’t afraid to show love to their influences. Some might say Harlott isn’t afraid of reaching into that box of thrash classics and taking what they like, as well. At any given time, the riffs transition from Exodus to Slayer to Testament, and the vocals mimic Araya, Petrozza, and Dukes/Souza. The guitars can be acoustic at times but prefer to be heavy. The drums blast and fill with no regard for concrete floors, and the bass rattles hardware off the garage door. Harlott may not have a whole lot in the way of originality, but that doesn’t make their fourth album, Detritus of the Final Age, any less solid and nothing short of nostalgic.” Ramming speed.

October Falls – Syys Review

October Falls – Syys Review

“If you haven’t gone back to the band’s humble beginnings, you’re missing a hell of a lot. And, not in the sense of the classic black metal of old. No, no. You’ve missed one LP (Marras) and two EPs (Tuoni and Sarastus) of acoustic beauty. There’re more acoustic guitars, pianos, and strings in that handful of songs than all the liquidated Guitar Centers combined. That said, don’t expect grandiosity and orchestral pretentiousness. October Falls‘s acoustic discs sound like a couple of guys with guitars sitting around a campfire. A couple of musicians playing simple music for the moon, for the woods, for themselves.” Moon music.

Mors Principium Est – Seven Review

Mors Principium Est – Seven Review

“Some of why I feel this way is because few bands can pack as many riffs into a single album as MPE do. When I listen to their entire discog in an afternoon, it feels like it’s taken ten years off my life. There’re so many riffs—you wonder if there are any left. Twenty years in existence, a dozen members now funneled down to two, and six albums turn Seven. Will Seven be their lucky number?” Number of a beast.

Onirik – The Fire Cult Beyond Eternity Review

Onirik – The Fire Cult Beyond Eternity Review

“In 2015, I had the opportunity to review Casket Dream Veneration; an album I had much love for. But something happened. As I revisit it again, I find myself in love with it even more. It’s a unique experience—spinning an album loved and forgotten, only to cherish it more than ever. As one would expect, this had me excited for follow-up The Fire Cult Beyond Eternity. Not only does G. Rex remain the mastermind behind Onirik but he invited Dirge Rep (drums; The Konsortium, ex-Orcustus, ex-Emperor, ex-Gehenna, and the list goes on forever) and Semjaza (mixing, mastering, and ambient vox; Thy Darkened Shade) to contribute. This is a dream team of underground black metal proportions!” Burning cults.

Arcade Messiah – The Host Review

Arcade Messiah – The Host Review

“But when I revisit the 2016 TYMHM piece, I’m reminded of a certain comment: ‘It must have been a shitload of work for a single person, to write and perform an album full of such dense arrangements and rhythmic irregularities, without losing the overall flow of the music. Hats off! I’m impressed.’ Four years later, I can say nothing less about Bassett’s newest outing, The Host. I can still say it’s ‘simplistic’ and smooth to the ears. But, musically, this new record is anything but simplistic.” Host with the most.

Enslaved – Utgard Review

Enslaved – Utgard Review

“Sometimes a band makes such a drastic change in style that you’re floored by it. Many times upset by it. But Enslaved made it work. Well, at least for a couple more albums. I liked most of RIITIIR, but nothing after. And when E and its saxophone-sucking closer arrived five years later, I had pretty much given up on the band. So, you can imagine the dread I felt when I got the promo for Utgard.” En garde.