“As such, my hometown heroes are Bobnoxious, a stupendously fun hard rock band fronted by Bob Reid, whom you may recognize from Razor’s terrific records Shotgun Justice and Open Hostility, and the lesser Decibels. There was, however, another special band from London, Ontario. That band was the power trio known as Sabre, and they released only one record in On the Prowl.” Olde swords.
A look back at Nevermore‘s Dead Heart in a Dead World, which is now freaking olde.
“Then there’re examples like Fast Eddie Clarke walking away from Motörhead and the canning of Ozzy Osbourne by Black Sabbath. Anthrax, Exodus, Iron Maiden, and Judas Priest lost their vocalists, who psyched everyone out and returned later anyway. In some cases, end-of-era albums are more like transition pieces—bridging the gap between the band of old and the band of new. Arguably Metallica‘s …And Justice For All fits the bill. It was clear that Justice was different, but it wasn’t until Metallica arrived that everyone saw what Justice really was. King Diamond‘s The Eye is also such an album.” Fading eyesight.
“Overrated. That’s the most recent Twitter post I saw about Painkiller, the specimen of metallic glory that is thirty years olde now. Listen, this album is only overrated if you rank it at the very top of Judas Priest’s long and glorious discography; however, it is most certainly amongst their best albums, and amongst the best that the heavy metalverse had to offer in 1990. And as 2020 draws to a slow and painful close, we can all use some Painkiller to help us get through these last few weeks. Let’s take a look back at this album, and see just why it deserves some extra attention.” PAIN!
“American progressive metal veterans Fates Warning have a new album dropping next week, so what better time than now to look back at one of their strongest recordings, 2000’s Disconnected?” Ancient Warnings.
“Supergroups. That exciting moment when you learn that members of two or more bands you love are coming together to create … well, if we’re honest with ourselves, usually disappointment. It’s rare that supergroups come close to fulfilling that promise and that’s probably because they can’t. That’s not their fault – expectations are always sky high as a new group coalesces but different fans want different aspects of their favorites to be front and center in the new entity. A rare example, however, of a supergroup not just living up to the hype but downright crushing – at least for this fan – is DOWN.” OLDEA
“There’s something immensely satisfying about listening to musicians who are utterly devoted to their craft. In the realm of blackened thrash, you’d be hard-pressed to find anyone who fits that description more than Nifelheim‘s founding members, Swedish twins Erik “Tyrant” and Per “Hellbutcher” Gustavsson. These are the guys who apparently kicked out their first guitarist for being “wimpy” enough to have a girlfriend, the guys who once claimed that Venom is the most recent band they actually like.” Trve darkness.
“ISIS were a gateway band for me and they, along with a handful of others, are largely responsible for shaping my musical ‘tastes’ as they exist today. Originally introduced to ISIS by way of their unfuckable-with sophomore album, Oceanic, I then discovered that the fundamentals of ISIS‘ iconic, oft-copied-but-never-bettered sound were already fully formed on their debut LP, 2000’s Celestial.” Star breakers.
“An album released in the year 2000, celebrating a 20th anniversary, makes yer metalhead feel rather olde. However, time and age has done naught to diminish the power and lightning in a bottle creativity marking the monumental third album from Maryland death metal legends, Dying Fetus.” 20 years of destruction.
“Hello, controversy! In all of metal, one of the most controversial topics is Black Sabbath with and without Ozzy. Passions are inflamed and regrettable words are spewed in both directions any time this debate comes up. Being a human completely lacking in emotion or empathy, I don’t care about it. I want good albums period, and let’s be honest, this record’s predecessor was Never Say Die!, undoubtedly one of the band’s least finest moments, with or without their infamous leading man. No matter what came next, it was a low bar.” Vintage evil.
