Grymm

The beard knows who is trve.
Meridian Dawn – The Fever Syndrome Review

Meridian Dawn – The Fever Syndrome Review

“In the late 90s and early 00s, yours truly bombarded himself with an unhealthy amount of melodic death metal. Basically, anything and everything that came from Gothenburg, Sweden was feverishly devoured at an alarming rate. All blame goes to At The Gates, of course, but quite a few great albums came from there. Sadly, so did some absolute dreck. But there’s no denying that the groundwork that they, Dark Tranquillity, and In Flames laid for bands to come, because no matter what, it just keeps coming, much to our joy and/or dismay.” Fever and syndrome.

Vampire – Rex Review

Vampire – Rex Review

“When we last heard from Swedish vampires, err… Vampire, they impressed me in 2017 with their Castlevania II/80’s inspired With Primeval Force, and although it didn’t crack my Top Ten(ish) that year, it still worms its way into my listening sessions on a continual basis around these parts. I was beginning to worry that the merry (undead) quintet would lay dormant, so imagine my surprise when the higher-ups threw Rex at my lap and told me to get on that shit, pronto.” Rex the necks.

Nemesium – Continua Review

Nemesium – Continua Review

“There are times that that little hunger for the visceral creeps up, and I need to have that itch at the very least tickled, and only the most extreme of extreme metal can satisfy that particular pang. Do Aussie newcomers Nemesium succeed in flaying my skin raw with their debut, Continua?” Rage show.

Blight – Temple of Wounds Review

Blight – Temple of Wounds Review

“Montreal’s Blight have been around over a decade, having released a slew of EPs and demos, but never a full-length… until now! Temple of Wounds brings the quartet’s Luciferian onslaught to the masses, and in doing so, it made me feel even grimier than before.” Filthy wounds and dirty medicine.

Paradise Lost – Obsidian Review

Paradise Lost – Obsidian Review

“I remember when Paradise Lost was hyped up to be “England’s answer to Metallica” in terms of their burgeoning popularity when Icon and Draconian Times saw the Halifax quintet’s star grow in leaps in bounds. It’s also not a stretch to say they shared the same rollercoaster ride in terms of stylistic shifts and quality.” The wild ride continues.

Forming The Void – Reverie Review

Forming The Void – Reverie Review

Louisiana’s Forming The Void admirably scratched my doom metal itch back in 2018 with their third full-length, Rift. Between the sludgy riffs, the Middle-Eastern-inspired noodling, and the heft of the overall package, “Rift was a respectable, enjoyable album. But with all that’s been going on in the world, my lack of free time to even listen to music, let alone review it, and finding difficulty in locating simple pleasures like liquid hand soap or toilet paper… let’s just say that I’m itching for some quality doom metal to ease my soul.” Doom therapy.

Heaven Shall Burn – Of Truth & Sacrifice Review

Heaven Shall Burn – Of Truth & Sacrifice Review

“We’re currently living in some batshit crazy times, friends. Between the United States being heavily divided to the point where people within their own political wheelhouses are fighting with each other, political tensions throughout the world where another war could erupt practically any minute, and now COVID-19 wrecking havoc on our daily lives, it’s not an easy time for anybody. There’s enough anger to go around to power a small nation, and very few metalcore bands channel that anger as effectively as Heaven Shall Burn.” Double the anger.

My Dying Bride – The Ghost of Orion Review

My Dying Bride – The Ghost of Orion Review

“When you think of quality doom metal, just about everyone will mention My Dying Bride within the first five bands listed, if not the first. For thirty years, the British sextet’s captivated the world over with their trademark blend of crushing riffs, sorrowful violins and keyboards, and the cavernous growls and pained singing of charismatic frontman Aaron Stainthorpe. So impacting their music has become that they’re the soundtrack to personal situations in peoples’ lives, including mine.” Familiar haunts.

Vredehammer – Viperous Review

Vredehammer – Viperous Review

“In years past, metal music took its sweet-ass time in order to drop us the good stuff. Don’t get me wrong, I do like a good, slow burn, but usually we (and by proxy, you) usually don’t hear anything jaw-droppingly good until later in the year. Not 2020, man. Barely into our third month, and we’ve already got strong contenders for Album o’ the Year, and it doesn’t seem to let up anytime soon. And now, we’ve got the much-anticipated Viperous by Vredehammer, an album everyone here at AMG’s been anticipating since Violator knocked us all on our collective ass back in 2016.” Bow down to the Snakehammer.

Angry Metal Primer – My Dying Bride

Angry Metal Primer – My Dying Bride

Over 40 years of metal’s biological urge (and a hefty lack of restraint) has resulted in some incomprehensibly large catalogs. No one should have to listen to anywhere from 13 to 15 [Luca Turilli’s] Rhapsody [of Fire] albums just to get caught up for a new release. So each week (as required and/or able), we’re offering a selection of prime(r)(er) cuts to get you up to speed. Without further ado, welcome to My Dying Bride‘s Primer of Sadness.