Grymm

The beard knows who is trve.
Tomb of Finland – Across the Barren Fields Review

Tomb of Finland – Across the Barren Fields Review

“As I inch closer to hitting a full decade of writing for Angry Metal Guy Industries, Ltd., I like going back and revisiting bands I reviewed before, normally in hopeful anticipation of new material. Not only is it because of morbid curiosity in seeing any progress, but this is kinda-sorta like watching a child grow older before your eyes. You want what’s best for them. In 2015, I reviewed Below the Green, the debut album from Tom of… TOMB. TOMB of Finland. Sorry. That “b” is important, kiddos.” Look at this photograph!

Prosper or Perish – Shroud of Serpents Review

Prosper or Perish – Shroud of Serpents Review

“It’s been a good, long time since I’ve reviewed a melodic death metal album. Once upon a time, it was the only genre of music I would listen to, as it acted as a gateway portal between the classic style of heavy metal we all know and love, and the heavier, more extreme sounds that most of us flock to in droves after a while. Just like both extremes of the spectrum, the genre I’m focusing on definitely has its place, but unlike those extremes, it paints itself into a corner after a while, not looking to branch out or adapt without catastrophic results. Philadelphia’s Prosper or Perish hope to break out of that comfort zone with their third album, Shroud of Serpents.” Snake or swim.

Imperial Triumphant – Spirit of Ecstasy Review

Imperial Triumphant – Spirit of Ecstasy Review

“We already know what’s going to happen here: I review Imperial Triumphant‘s fifth album, Spirit of Ecstasy, and the comments section here will explode with remarks from the peanut gallery, explaining how much they can’t stand this type of music and how it’s “hipster drivel” of the highest magnitude. Ah, yes… the most divisive band we’ve ever reviewed that’s not named Impure WilhelminaFellowship, or Wilderun, New York’s guttural black-death-jazz miscreants have no less stirred up the masses here in such a tizzy that you’d half-expect them to have somehow personally violated your dog. But no, all they did was make music.” Opulence amid the decadence.

Consecration – Cinis Review

Consecration – Cinis Review

“There are few things in life that get me salivating like Pavlov’s puppy whenever someone rings anything that makes a bell-like noise. Asian horror flicks, RPGs with great stories, and immersive Metroidvania games all effortlessly grasp my attention. In terms of metal, the words “doom” and “British” do the trick just fine, and The Land That Brought Us the Peaceville Three has yet another band to lay claim to the crestfallen throne. Norwich’s Consecration have been around the death/doom block since 2010, but Cinis is only their third full-length.” Doom of the Isles.

Yer Metal is Olde: Black Sabbath – Dehumanizer

Yer Metal is Olde: Black Sabbath – Dehumanizer

“To put things ever so gently, the 1990s were not a good time for heavy metal, especially not the classic triumvirate of British heavy metal. Judas Priest and Iron Maiden, both riding the winds of success of the 1980s, were struggling to stay afloat due to dips in quality of music, the change of musical tastes in people, the looming flannel-cloaked spectre of grunge, and both their vocalists leaving to pursue solo careers. Black Sabbath, though… hoo boy.” More Humanizer than a human, man.

Mournful Congregation – The Exuviae of Gods – Part I Review

Mournful Congregation – The Exuviae of Gods – Part I Review

“Every now and then, while minding my little ol’ business as I knock shit off my dresser like a good cat, the random thought of “Hey, whatever happened to such-and-such band” will pop into my furry cranium and, like clockwork, that band will release something new almost immediately afterward. In this case, said band is Australian funeral powerhouse Mournful Congregation, a band that doesn’t always drop new things at a constant rate, but when they do drop those new things, they’re always heavy, reflective, and… well, mournful.” Short mourning.

Assumption – Hadean Tides Review

Assumption – Hadean Tides Review

“A band’s name can make or break them. Regardless if you’re a blues band reaching for ominously foreboding atmospheres, or a power metal band named after a cute, furry rodent who loves clay baths, whatever you name yourself lends as much, if not more, importance as your music. So when I happened across Hadean Tides, the second full-length from Italy’s Assumption, I assumed from their “death/doom” labeling and their band name that this was going to be some early My Dying Bride worship of the highest caliber, complete with weepy violins and flowers withering. But you know what your parents said about why you should never assume…” Speculation and doomination.

I Am The Night – While the Gods Are Sleeping Review

I Am The Night – While the Gods Are Sleeping Review

“There’s absolutely nothing wrong with pining for the olden days of yore. Retro-gaming is a lucrative, enjoyable hobby that not only fires the synapses of Those Who’ve Been There, but also introduces a new generation of gamers to legendary titles. Classic movies get remade and reworked all the time with varying degrees of success. And in metal, people romanticize about a time when being evil required more than initials-for-names and ominous hooded sweatshirts. Two of those people are Markus Vanhala, guitarist for both Insomnium and Omnium Gatherum, and his OG ex-bandmate, bassist Janne Markannen. Yearning to dive into the classic 90s wave of black metal, they enlisted members of Abhorrence, Horizon Ignited, and Paradise Lost to pay tribute to the Black Wizards via their new project, I Am the Night.” Lease the night!

Darkher – The Buried Storm Review

Darkher – The Buried Storm Review

“I still remember the initial impact Realms, the 2016 full-length debut from singer/songwriter Jayn Maiven, aka Darkher, left when it was first released. Her stripped-back instrumentation, multi-layered vocals, and hefty command of atmosphere reshaped what doom metal could be if a little bit of creativity were applied, and in doing so, set one hell of a bar for similar acts to try to surpass. Thanks to numerous delays, word on a follow-up was sparse, and it looked like anything that would follow such a tremendous album would be a letdown.” Dark expectations.