Grymm

The beard knows who is trve.

Eye of Solitude – Canto III Review

By Grymm on November 17, 2013 in 2013, Doom Metal, English Metal, Reviews, Symphonic Metal, 8 comments

“Its been a long time since I’ve been impressed by a doom metal record. You would figure it would be a pretty easy thing to get the hang of, if you think about it: create an atmosphere of (circle one: sorrow, solitude, deep introspection) utilizing well-timed (female vocals, violin, acoustic guitar) passages before (crushing ruthlessly, lamenting sadly, turning loose some swans). Yet somehow, at best, recent doom releases have given me a feeling of “meh,” and at worst, eliciting some unintentional chuckles. Eye of Solitude have a few things going for them: they’re young (only been around since 2010), they’re UK-based (and they KNOW their doom metal over there), and they’re hungry. Canto III, their third album, not only has given me hope for the genre once more, but they also have a serious contender for a Best of 2013 record.” Grymm is notoriously difficult to impress when it comes to doom/death, but that’s exactly what Eye of Solitude did.

Exivious – Liminal Review

By Grymm on November 11, 2013 in 2013, Dutch Metal, Progressive Metal, Reviews, Season of Mist, Instrumental Metal, Progressive Metal, 7 comments

“Guitarist Tymon Kruidenier and bassist Robin Zielhost were introduced to the metal masses as the new members of reactivated prog/death gods Cynic back in 2007, with Zielhost replacing bassist/Chapman wizard Sean Malone for live purposes, and Kruidenier handling both guitar and growling duties both live and on Cynic’s incredible comeback album, Traced in Air. Both members would end up departing after the subsequent tours for Traced in Air, instead working on their own muse, the all-instrumental Exivious.” Anytime someone mentions Cynic, metaldom gets all agog. Grymm boldly mentions them here in relation to an all instrumental, prog-metal monster. What comes after agog?

Coven 13 – Destiny of the Gods Review

By Grymm on November 6, 2013 in 2013, American Metal, Doom Metal, Reviews, Shadow Kingdom Records, 2 comments

“Nostalgia. Unfinished business. Hearing your work translated by younger, more established bands. There are many, many reasons for long-dormant groups to give it a second go-around. Detroit’s doom metallers Coven had only one album, 1987’s Worship New Gods, before changing their name to Coven 13 and calling it a day in 1991. Twenty years later, the original members decided to give it the ol’ college try, regrouped with an extra guitarist, and put together their first album in 26 years, Destiny of the Gods.” Ya gotta love long delayed reunions by super marginal acts who made virtually no impression in their heyday. What? You DON’T have to love that? My bad….

Zemial – Nykta Review

By Grymm on November 1, 2013 in 2013, Black Metal, Greek Metal, Hells Headbangers Records, Reviews, Black Metal, 1 comment

“Papa Grymm once told me, when I was just a wee little kvlt tyke, “Son, if you want something done right, you have to do it yourself. Also, clean your room. You’re an embarrassment to the Inner Circle.” Archon Vorskaath, mastermind behind the amorphous Greco-German black metal machine Zemial, is the posterchild of the DIY ethos, recording and performing all vocals, instruments, and sound effects, as well as releasing 2006’s In Monumentum, all by his own not-so-little lonesome over the last 20 plus-years, spawning two albums and handful of EPs. Vorskaath’s visionary trek continues with Nykta, Zemial’s third full-length and first for Hells Headbangers Records.” Ah, Greek black metal. So Spartan, so evil. It certainly seems to take Grymm back to his kvlt childhood.

Enbilulugugal – Noizemongers for Goatserpent Review

By Grymm on October 26, 2013 in 2013, American Metal, Black Metal, Crucial Blast Records, Reviews, Black Metal, 6 comments

“33 COPIES. That’s the amount of copies pressed of the 2011 re-release of Noizemongers for Goatserpent, the seminal 2004 “classic” by California’s black/noise merchants, Enbilulugugal. On CDR, no less! This would cause the hearts of both hipsters and black metal elitists to flutter in obscure bliss and revel in the notion that, truly, you have never heard of this before. Sadly, for those (devil) horn-rimmed glasses-wearing folk, Crucial Blast is re-re-releasing Noizemongers for Goatserpent, this time on a two-disc digipak with beautiful art, liner notes… and two discs containing 79 FUCKING TRACKS (!!!) of some of the worst sounds ever put to record.” 79 tracks is a whole lot of bang for the buck. Who would complain about a bargain like that? Our man Grymm, that’s who!

Lodz – Something In Us Died Review

By Grymm on October 15, 2013 in 2013, French Metal, Reviews, Season of Mist, Post-Metal, 2 comments

“Post-metal is a rough genre to navigate. It’s very difficult to make a name for yourself when you’re constantly compared to Neurosis, Isis, or Cult of Luna. The very second when a quiet song starts building steam and crushes the opposition, you are branded a copycat. Hence, France’s Lodz have an uphill battle on their debut album, Something In Us Died. However, if you must stand out in a severely overcrowded field of imitators, do so by being honest and compassionate about your craft, and Something In Us Died has both honesty and passion in spades.” New-ish scribe Grymm returns to educate you on the dos and don’ts of post-metal. Read this review of Lodz and we will award you a post-grad degree in post-metal (for a nominal fee TBD).

Cult of Erinyes – Blessed Extinction Review

By Grymm on October 11, 2013 in 2013, Belgian Metal, Black Metal, Code666 Records, Reviews, Black Metal, 5 comments

“Man, I do love me some Blut Aus Nord. Ever since their landmark 2003 album, The Work Which Transforms God, the rebellious French “trio” (are they actually a band?) set a new standard for uncomfortably cold, ridiculously unpredictable black metal, inspiring future robe-wearers of the world to put down their torches and pick up a copy of Streetcleaner on vinyl. One such band to follow in their grimy footsteps is Belgium’s Cult of Erinyes, who have returned with their second album (and fourth overall release since their inception in 2009), Blessed Extinction. Have these upstarts taken the tools given to them by Vindsval and company to usurp the throne from the French masters of the frozen arts?” Is any French throne really guarded all that well? I think not!

Vattnet Viskar – Sky Swallower Review

By Grymm on September 18, 2013 in 2013, American Metal, Black Metal, Century Media, Doom Metal, Reviews, Black Metal, Doom Metal, 7 comments

“Any band or artist worth their salt will marry their influences to create something new, whether said influences are musical, aesthetic, or simply a product of their environment. Vattnet Viskar (roughly translated from Swedish as “the water whispers”) are definitely a product of the state of New Hampshire. When one pictures New Hampshire, he or she thinks of rolling hills with lush greenery, picturesque winters, and rivers of clean, flowing water… all from the northern half of the state. Southern New Hampshire (especially VV’s hometown of Plaistow) is a panoply of industrial parks, gas stations every block or two, oppressively hot summers where you can see the heat rising from the asphalt while walking out of a heavily populated 7-11, and the occasional forest or lake being slowly (and sadly) converted into a housing project. Sky Swallower flawlessly combines the two images into one cohesive, impressive album.” Black metal from the “live free or die” state makes a certain amount of sense and new writer Grymm makes his AMG debut to discuss why.