Doom Metal

Pa Vesh En – Maniac Manifest Review

Pa Vesh En – Maniac Manifest Review

“Another day, another raw black metal act. I was gonna go into the obligatory rant about how it’s the aural form of licorice, but suffice it to say: you either hate it or you love tolerate it. If you’re a masochist who likes to have your ears bleeding on the reg, dive in. If you prefer your music tasteful and somewhat reasonable, stay away. Unless it’s Pa Vesh En, who, along with acts like Black Cilice or Lamp of Murmuur, regularly provide tasteful interpretations of barbed wire tones.” Angry cargo.

Wharflurch – Psychedelic Realms ov Hell Review

Wharflurch – Psychedelic Realms ov Hell Review

“I had Florida-based doom/death/mushroom farmers Wharflurch in my sights for a review last week, but life dragged me off to the salt mines to toil for actual pay. This had the unintended consequence of giving me more time to absorb the weird dish Wharflurch served up on full-length debut Psychedelic Realms ov Hell, and more time was definitely needed. This is a strange act delivering unusual music that runs across several clearly labeled genre boundaries like an outlaw on the run from the normality police.” Wharf arts!!

Headshrinker – Callous Indifference Review

Headshrinker – Callous Indifference Review

“Every now and then an unheralded act comes out of left field to whack you in the melon with a baseball bat forged of creativity and intensity. Colorado-based progressive death metal act Headshrinker just did that to me with their Callous Indifference debut. Combining rancid old school death with doom, suicidal-depressive black metal, and prog elements, this talented crew featuring members of Polyptych along with Havok‘s Pete Webber on drums, created a deep dive into the complex and painful issue of mental illness and the soul-killing isolation and anguish it inflicts on those suffering from it. Feel good music this is not as the listener is plunged into a musical simulation of mental affliction with all its disorientation and unease.” Insanity and genius.

Hooded Menace – The Tritonus Bell Review

Hooded Menace – The Tritonus Bell Review

“Finland’s Hooded Menace are lords of death-doom. Their back-catalog is a veritable boneyard of fatal furors that crawl at a corpse pace and exist on the edge of an undead pulse. Indeed, their last album, Ossuarium Silhouettes Unhallowed, made a grave impression on many an end-of-year list, mine included. Now, sixth album The Tritonus Bell prepares to resound, and one thing is certain; Hooded Menace are masters of their craft. But this record’s new stylistic choice excludes heft in favor of history and the implication is almost unrecognizable.” Bells to the wall.

Hour of 13 – Black Magick Rites Review

Hour of 13 – Black Magick Rites Review

“In the dark year of our Lord 2021, reliable sources of trve dad doom are few and far between. Hour of 13 was always a reliable purveyor of such, locked into a sound that dared not stray past the early 80s. They’ve been largely moldering in a shallow grave since 2012s 333 opus, and the once gruesome twosome of Chad Davis and Phil Swanson is now down to a lonely onesome as Mr. Swanson skulked off to other pursuits (Briton Rites, Vestal Claret). With Mr. Davis now handling all instruments and vocals and on fourth full-length Black Magick Rites, the father figure is back in the doom rigors.” Back from the dad.

The Slow Death – Siege Review

The Slow Death – Siege Review

“Transcending Obscurity always makes a concerted effort to deliver quality releases throughout each year of operation. I’d think most labels, especially ones focused on metal music, share the same ethic. However, what sets Transcending Obscurity apart for me is the sheer variety of extreme metal artists they recruit. Sure, there’s plenty of brutality on board, not to mention about seven thousand active Rogga projects. But then you get things like The Slow Death, a funeral death doom outfit from Australia who stand poised to deliver their fourth LP, Siege.” Siege perilous.

Witchcryer – When Their Gods Come for You Review

Witchcryer – When Their Gods Come for You Review

“I recall being quite taken with Witchcryer‘s 2017 debut Cry Witch when I stumbled across it in the rancid promo sump. A product of Las CrucesEarthen Grave, and The Living Fields members, it had a lively doom rock sound akin to Castle and Jex Thoth and frontwoman Suzy Bravo was a force to be reckoned with. In hindsight, however, I overrated the album as it was very short on content, and though its high points are great, it has downslopes and filler too, which is a bad sign for such a short album. Nonetheless, I was still excited to get my hands on their sophomore album When Their Gods Come for You and see what the last few years had done to their sound.” Gods and sirens.

Bohemyst – Čerň A Smrt Review

Bohemyst – Čerň A Smrt Review

“C’mon, plague doctors are fucking rad. Who else can look like that much of a bird and still come across as badass? Throw in a sickle, a full moon, and an aura of divine punishment, ignoring that the graphics look straight outta some 2008 Assassin’s Creed DLC, and you’ve got yourself a pretty neat lil’ cover there. So, fancy cover? Check. Black metal? Check. Band from Eastern Europe? Czech. All my rambling to say, my interest is piqued. Bohemyst better get my motor running or else I’ll verbally smite it into the next dimension.” Motivational plagues.