Doom Metal

Tomorrow’s Rain – Ovdan Review

Tomorrow’s Rain – Ovdan Review

Tomorrow’s Rain is an interesting beast. The Israeli six-piece treads between doom and gothic metal, and made a splash with their debut Hollow in part because of the sheer number of guest musicians who participated in the album. Now, four years later, the band returns with their sophomore full-length, Ovdan (“Loss”), an album with a deeply personal backstory. This was recorded after vocalist and founding member Yishai Swartz suffered a heart attack severe enough to warrant open heart surgery.” Rain and recovery.

My Dying Bride – A Mortal Binding Review

My Dying Bride – A Mortal Binding Review

“I’ve been listening to My Dying Bride’s entire discography, including this new one, nonstop for a good two weeks straight. It’s begun to affect my daily life. A couple nights ago, after putting the Cherdlet to bed, my wife asked me what I’d like to do with the rest of our evening and without thinking I said, “Drink deep of your neck chalice.” While she was still quietly processing this, I complimented her on the whiteness of her breasts. She decided she wanted to watch “one of her shows” instead and bid me good night.” Gothic suave is tricky.

Drungi – Hamfarir Hugans Review

Drungi – Hamfarir Hugans Review

“I love ‘for fans of’ or ‘related artists’ shorthands. In lieu of the endless genre discussions, it’s a great shortcut to match potential fans with new music. It has its shortcomings, of course; for one, you need to actually know the bands to get a feeling for whether it might be up your alley. Furthermore, bands can abuse it by referencing a bunch of popular bands, even when their style is only tangentially related. Case in point: the promo sheet for Drungi’s self-released debut Hamfarir Hugans included such a baffling spread in their FFO, I was immediately skeptical. Sólstafir, Skálmöld, Black Sabbath, Gojira and Manowar. What on Earth could possibly sound like all of those at the same time?” Sounds like…madness.

Acid Mammoth – Supersonic Megafauna Collision Review

Acid Mammoth – Supersonic Megafauna Collision Review

“For some, stoner doom is that comfort item, that thing that gets all the love just for being what it is. I imagine this is partly why the style largely hasn’t needed to evolve very much throughout its existence. In some ways, that’s a great thing, as it makes reaching for new bands in the scene a reliable bet. On the other hand, very little feels fresh, memorable or novel. For better or for worse, Greek stoner doom quartet Acid Mammoth’s fourth record Supersonic Megafauna Collision squarely falls into that safe, never-changing category.” With tusk and trunk.

Funeral Leech – The Illusion of Time Review

Funeral Leech – The Illusion of Time Review

“If I had a dollar for every time I blindly picked some doom-tinged death metal from the Promo Wheel of Suffering and walked away with almost straight Incantation worship, I’d have…(math sounds)…OK, I’d only have enough for a donut and coffee from the Speedway up the street, but that’s a lot when you rarely review death metal. With the arrival of The Illusion of Time by New York’s Funeral Leech, I now have enough to play a scratch-off ticket while I drink my coffee.” Muck leeches and Incantation preaches.

Friends of Hell – God Damned You to Hell Review

Friends of Hell – God Damned You to Hell Review

“Back in 2022, a tongue-in-cheek project by members of Reverend Bizarre and Electric Wizard was introduced to the world. Going by the name Friends of Hell (a not-so-subtle call out to Witchfinder General’s sophomore opus), they played classic 80s doom in the vein of Pentagram, Saint Vitus, and of course, Witchfinder General. It was a loving homage to a specific era and sound and the somewhat goofy, overblown delivery was balanced out by slick riffs and the one-of-a-kind vocals of Albert Witchfinder (Reverend Bizarre). It was entertaining but it wasn’t a must-hear kind of article. 2024 sees Friends of Hell back with a greatly overhauled lineup and without the talents of Albert Witchfinder.” Friends and Hell wishers.

Altar of Betelgeuze – Echoes Review

Altar of Betelgeuze – Echoes Review

Echoes is the quartet’s third full-length since the act’s conception in 2010. While featuring the armaments and cavernous bellows of Incantation or Winter, it also is armed with a stoner doom fuzz and vocal influence from Candlemass. However, you can be sure that the “married iguana” haze does not subtract from Altar of Betelgeuze’s intention of crushing your skull in.” Betelgeuze!

Hamferð – Men Guðs hond er sterk Review

Hamferð – Men Guðs hond er sterk Review

“Like so many things doomy, Hamferð doesn’t move quickly. Back in ’18, these Faroese doomsters—fronted by my golden voiced arch-nemesis and all around begrudging ‘friend o’ the blog’ Jón Aldará—released their second album Támsins likam.” I heaped love and adoration upon it and them. And given my history of fickle tastes that shift like the wind, one can only assume that I hate the followup, right?