Twelve

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Tomorrow’s Rain – Ovdan Review

By Twelve on April 19, 2024 in Reviews, Doom Metal, Gothic Metal, 23 comments

“Tomorrow’s Rain is an interesting beast. The Israeli six-piece treads between doom and gothic metal, and made a splash with their debut Hollow in part because of the sheer number of guest musicians who participated in the album. Now, four years later, the band returns with their sophomore full-length, Ovdan (“Loss”), an album with a deeply personal backstory. This was recorded after vocalist and founding member Yishai Swartz suffered a heart attack severe enough to warrant open heart surgery.” Rain and recovery.

Leaves’ Eyes – Myths of Fate Review

By Twelve on March 21, 2024 in Reviews, Power Metal, Symphonic Metal, 27 comments

“Symphonic metal is a tricky genre to review; it is, at this point, so steeped in clichés that critiquing it for leaning on clichés is itself starting to feel like a cliché. Ever since Nightwish lobbed Once at the masses, it’s been easy to feel like everyone else is trying to do the same thing. Sometimes it’s effective, and sometimes you’re damaging your fist on a completely intact and rather thick layer of ice. For Leaves’ Eyes, who have been around for over twenty years now, I get the sense that the goal is consistency.” Do the Eyes have it?

The Dread Crew of Oddwood – Rust & Glory Review

By Twelve on March 12, 2024 in Reviews, Folk Metal, Not Metal, 38 comments

“We’re no strangers to “pirate metal” ’round these parts, are we? There’s just something about the enduring and relatable ideals of pirate-themed music that we at Angry Metal Guy universally love, commenters, readers, and writers alike. I’ve opened my review with this entirely uncontroversial statement as a way to share with you my own excitement when I received the promo copy for Rust & Glory, the fifth full-length release for the U.S.-based pirate musicians that make up The Dread Crew of Oddwood.” YAAARR’s revenge.

Tvinna – Two – Wings of Ember Review

By Twelve on February 23, 2024 in Reviews, Folk Metal, Progressive Rock, 22 comments

“As I sit down to write this review, it’s occurring to me belatedly that I’m not fully sure how to describe the music I’m sitting down to describe. The four members of Tvinna, in their sophomore full-length album, demonstrate that they are many things. They are European, with members hailing from Germany and Switzerland. They are experienced musicians, with members in Eluveitie, Solarcycles, and Faun. They are well-read and well-researched, presenting in Two – Wings of Ember an album that is entrenched in folk tropes and rich in both history and mythology.” Two wings, one band.

Frostbite Orckings – The Orcish Eclipse Review

By Twelve on February 11, 2024 in Reviews, Power Metal, 93 comments

“Frostbite Orckings may have claim to the most interesting premise in metal, at least in 2023. Based on recordings from hired session musicians, the project is a work of purely AI-generated power metal. The Orcish Eclipse is the project’s debut full-length release, and heralds itself as “the world’s first AI-generated heavy metal album.”” Orc in the machine.

Burden of Ymir – Heorot [Things You Might Have Missed 2023]

By Twelve on December 23, 2023 in Things You Might Have Missed 2023, Black Metal, Folk Metal, 26 comments

“Joe Caswell, of Ontario, Canada, is having quite the year; his newest band, Swamp Fiend, released their debut full-length this year, and both of his solo projects, Drowstorm and Burden of Ymir, put out new releases within two weeks of each other. It would be understandable if these solo releases were only fine; it would be impressive if they were decent. But instead, they’re actually good, and Burden of Ymir’s Heorot in particular stands as a shining example of folky black metal, playing with a level of quality that would make you think it’s the only thing Caswell had worked on all year.” Idle hands and such.

Leonov – Procession Review

By Twelve on December 13, 2023 in Reviews, Doom Metal, Post-Metal, 11 comments

“Leonov will always have a special place in my heart for being the recipients of the first review I ever wrote for this site (Wake, their sophomore release, and one I still return to on occasion). In the five years since that fateful October day, it’s been a fascinating exercise to see how my writing has progressed over the years, and indeed to compare my life then to my life now. I suspect the members of Leonov feel the same way; five years is a long time.” Time, tides, Twelve.

Grau – Abseits des Lichts Review

By Twelve on December 12, 2023 in Reviews, Black Metal, 26 comments

“I appreciate modern black metal. The original stuff is not for me at all, but there’s something about a well-polished flame of rage that just works for me. Stepping away from pure, often theatrical, hatred and into such things as emptiness, suffering, frustration—that stuff speaks to me. So when I read that Abseits des Lichts (“Outside of the Light”), the sophomore full-length from the German black metal Grau, lyrically focuses on “pain, emptiness, and the animalistic aspect of the human mind,” well, I was, to put it lightly, intrigued.” Suffering through the holidays.

Of the Muses – Senhal Review

By Twelve on November 8, 2023 in Reviews, 12 comments

“Good blackgaze feels way too hard to come by. There’s just something about the crossroad of metal and not metal that eludes so many artists and listeners. Done right, it’s one of my preferred styles of metal, allowing for intense beauty and vivid emotion at the same time, so I was excited to have the opportunity to review Senhal, the debut full-length album from Italy’s Of the Muses. According to its promotional material, the album mixes doom, black, and post-metal alongside dreampop elements in a mesh of blackgaze.” Gaze into the void.

Fleshvessel – Yearning: Promethean Fates Sealed Review

By Twelve on August 4, 2023 in Reviews, 46 comments

“What is prog metal? At times, it’s too easy to slap the label onto anything different and call it a day—I myself am guilty of using the phrase “progressive melodic death metal” as if it’s a thing. But every once in a while comes a record that’s so very prog, there’s just no way around it. Fleshvessel, who hail from the US of A, releasing their debut record Yearning: Promethean Fates Sealed is one such record. I’ve seen this called “experimental death metal,” but let’s be honest with ourselves here, when there are more than four times as many instruments as band members, we can call it progressive metal and then call it a day.” Prog the skin and flesh out the death.