“I admit, I avoided this band in the past because weed pun names rub me the wrong way. I have nothing against hazy plant explorations—I dabble—but you can only laugh so many times at joke titles like “Kief Castle” or Stoned Jesus. Heck I’m sure in the right state of mind I’ve even made my own joke band names. Chicago’s REZN isn’t here to joke around though. Eschewing comical escapism, this young quartet aims for a more conscious and guided meditation.” Two bongs may make a light.
“Everyone’s favorite Christian band is back (that isn’t Stryper or Theocracy). No new gimmicks, no new twists—just the same sermons explaining why all you sin-sucking sons of bitches are going to Hell.” Holy ghosts and goblins.
“Formed by two members of Finnish death metal act, Decaying, Desolate Realm is an old school trve metal project firmly rooted in the classic sword and sandals style. Their self-titled 2021 debut was quite the pleasant surprise and made its way onto my year-end list with its strident, uber-macho blend of Manowar, The Gates of Slumber, Argus, and Visigoth. It was riff-forward, burly, beefy stuff that made my back hair angry and I still return to it when I need a good kick in the ass plate. 2023 sees the project’s twosome return to our realm with sophomore entry, Legions, and little has changed with their battle plan.” Realm whelmed.
““AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.” Brace for Haxprocessing.
“Transgressive strikes me as a novel melding of post-Endorama Kreator and Judicator (tragically disbanded in 2020; R.I.P.). The latter influence comes as no surprise, as both guitarist/vocalist Alicia Cordisco and guitarist Joshua Payne are Judicator alums. Cordisco has an extremely distinct style of writing lead guitar melodies, which translate over to Transgressive in a work of black magic.” Raging transgression.
“Bands like Necropanther are the cornerstone of a healthy musical diet. Everyone has that handful of bands in rotation that are guaranteed to release incredible, year-end list-making music on a regular basis, and with Betrayal, Necropanther has further solidified their tenure within this hallowed pantheon.” Panther power.
“I’ll be honest, I went into this review ready to bash this album. Crimson River is a silly name with awkward connotations, the album title doesn’t make any sense and the band’s logo makes them look like an evil tech company from an unproduced 90s Transformers movie. Still, I did my due diligence and spun the thing lest Steel withhold my precious gruel. With the opening Iron Maiden-y guitar notes, my preconceptions vanished like so many wasted years.” Iron water.
“How I came to pen this review is kind of a funny story. Upon entering our promo pit and undergoing de-lousing, this record was tagged as death doom. Whether that was an honest mistake or something more nefarious is an ongoing discussion. The advance material does tout a guest spot by Jaani Peuhu, briefly a member of death doom luminaries Swallow the Sun (more on that later), but Steel has also openly admitted he sometimes lays promo traps for unsuspecting writers to unwittingly claim metalcore. Spectrums, the debut full-length by Saudi one-man band Dusk, has nary a hint of death doom. I’ll give you one guess what it is.” Traps in the glooming.
“Why do we find ourselves in the midst of a nu renaissance where bands like The Offering throw down like it’s ’03 and genres like slam can shamelessly quote groove under the guise of gore? Well, it seems that some also grew up to incorporate their first loves into their art. Elyose, an act of that breed, urges you to embrace your inner jumpdafuckup with a French language tour-de-force of alt-rock meets gothy vibes with nu and industrial accouterments on Déviante.” What’s olde is nu.
“Caught somewhere between a groovy progressive death summoning and a thrash-empowered melodeath drill, Black Water Sunset resurrects classic sounds in a tightly performed package, complete with a session drum appearance by veteran kit crusher George Kollias (Nile, ex-Contrarian).” Black Water and Parks Department.
