Metalcore

Into the Obscure: Straight Line Stitch – When Skies Wash Ashore

Into the Obscure: Straight Line Stitch – When Skies Wash Ashore

“We all have our dirty metal secrets that we selfishly keep to ourselves, only sharing with a select few close to us. Or alternatively, we incessantly talk up underground gems and spread the gospel to anyone that will listen, as we cherish our slice of underground cred. Into the Obscure aims to right the wrongs and unearth the artists/albums that for whatever unjust reason didn’t get the exposure, appreciation or credit they sorely deserved the first time round.” Core beliefs.

Synthetic – Clepsydra: Time Against Infinity Review

Synthetic – Clepsydra: Time Against Infinity Review

“Well, the promo claimed Clepsydra to be symphonic progressive metal, which did not fill me with hope. Thankfully, this claim was wrong. It’s not very symphonic; it just overuses keyboards a lot. It admittedly has that in common with actual symphonic bands, but at least the synths in Synthetic are more earnest in their synthetic sound rather than trying and failing to imitate an actual orchestra. Nor is this record very progressive at all; most of the songs have a basic verse-chorus structure and rely on direct hooks of a pretty tried and true style. The style in question is more along the lines of metalcore and melodic death, winding up somewhere in between Killswitch Engage, Soilwork and In Flames, just with a lot more keyboards.” Corephobia.

Dark Rites – The Dark Hymns Review

Dark Rites – The Dark Hymns Review

“I’m what you’d call an ardent defender of the death metal faith. But amidst my desire for music heavier than a neutron star, I’m also a sucker for melody – a firm believer in the power of a solid hook and even a mighty chorus or two. Enter The Dark Hymns, the third album from Dark Rites, a self-described “unrelenting” melodic death metal band “with an old school vibe.” With members hailing from the U.S. and U.K., my interest was piqued.” Dark as rite.

Misery Signals – Ultraviolet Review

Misery Signals – Ultraviolet Review

Misery Signals have been signalling misery by hybridising their metalcore vehicle with flashy touches of thrash, post-rock and progressive metal. Although elements of these other genres make appearances, Misery Signal‘s engine is pure metalcore. Since forming in Wisconsin in 2002, Misery Signals have released four full-lengths. Their last record – Absent Light – was released in 2013. Seven years is a long time. A lot has changed.” Time, tide, and trend.

Drops of Heart – Stargazers Review

Drops of Heart – Stargazers Review

“Although “melodeath/metalcore” is rarely a good thing around here, the greatest strength of Stargazers is how very well Drops of Heart are able to merge these styles together. Stargazers boasts a unified, cohesive sound in the rough style of Soilwork (whose vocalist guests on “Starlight,” so that’s probably not a coincidence), preferring their metalcore influences over their melodeath ones.” Stargazing into the past.

Protest the Hero – Palimpsest Review

Protest the Hero – Palimpsest Review

Protest the Hero couldn’t have known everything that’s happened since their last EP, Pacific Myth, in 2016. Since Rody Walker’s vocal cord scare last year. Hell, since announcing their fifth full-length in April. Protest the Hero couldn’t have known, and yet Palimpsest couldn’t be timelier. Though centering on key events in America’s early 20th century, the record reads so close to our current, woeful zeitgeist that my apophenia is still hovering at Threat Level QAnon.” Protests, man.

Heaven Shall Burn – Of Truth & Sacrifice Review

Heaven Shall Burn – Of Truth & Sacrifice Review

“We’re currently living in some batshit crazy times, friends. Between the United States being heavily divided to the point where people within their own political wheelhouses are fighting with each other, political tensions throughout the world where another war could erupt practically any minute, and now COVID-19 wrecking havoc on our daily lives, it’s not an easy time for anybody. There’s enough anger to go around to power a small nation, and very few metalcore bands channel that anger as effectively as Heaven Shall Burn.” Double the anger.

Neck of the Woods – The Annex of Ire Review

Neck of the Woods – The Annex of Ire Review

“Do you ever have that feeling of listening to an album and feeling that it’s somehow better than you’re giving it credit for? Or, as GardensTale put it to me, the feeling that “I’m probably just not good enough for the album”? That’s how I felt about the second full-length from Vancouver’s Neck of the Woods, until about 4pm today.” You’re good enough and people like you.