Roadburn is the strangest of heavy music festivals, and we had a man on the ground to get weird and report back.
GardensTale
Will be destroying crappy nu-metal and praising crappy prog until the sky dies.
Melvin and The Melvins Rodeö: Melvin Ditches His Pills and Reviews Tarantula Heart
The Melvins team up to Rodeö the new album by Melvins. Will Tarantula Heart be the straw that psychic breaks the staff’s back? Depends on who you ask.
Drungi – Hamfarir Hugans Review
“I love ‘for fans of’ or ‘related artists’ shorthands. In lieu of the endless genre discussions, it’s a great shortcut to match potential fans with new music. It has its shortcomings, of course; for one, you need to actually know the bands to get a feeling for whether it might be up your alley. Furthermore, bands can abuse it by referencing a bunch of popular bands, even when their style is only tangentially related. Case in point: the promo sheet for Drungi’s self-released debut Hamfarir Hugans included such a baffling spread in their FFO, I was immediately skeptical. Sólstafir, Skálmöld, Black Sabbath, Gojira and Manowar. What on Earth could possibly sound like all of those at the same time?” Sounds like…madness.
Korpiklaani – Rankarumpu Review
“Every metalhead has a few firsts when they’re just entering the scene. First band you became obsessed with. First live gig. Korpiklaani was neither of those for me, but it was the backdrop to my first moshpit, and the next few as well, when I had less than 10 bands in my metal library and the band only had its first 2 albums under the belt. Like many others, Korpiklaani drifted into my past, apart from an occasional nostalgic spin of “Wooden Pints” or “Cottages & Saunas.” Until a few weeks ago.” Flora and sauna.
O Zorn! – Vermillion Haze Review
“O Zorn! plays a fairly straightforward style with elements of stoner and post-metal. Texturally the band has some similarities with a simplified Mastodon, not in the least due to the somewhat nasal drawl of the vocals. The big differences are the structure and pacing. Shying away from progressive leanings, the music is staunch in its adherence to verse-chorus constructions.” Stone the crow (and rabbit).
Sleepytime Gorilla Museum – Of the Last Human Being Review
“It must have been 2005 or 2006 that I first came into contact with Sleepytime Gorilla Museum, one of the most beautifully bewildering bands to ever grace the globe. Constructed around a narrative of a fictional dadaist and futurist performance troupe, the one-of-a-kind group from Oakland gained a loyal cult following over the span of three records.” Monkey business.
Hideous Divinity – Unextinct Review
“Hideous Divinity has been on a blazing trajectory in their recent career, culminating in the excellent Simulacrum. My former list buddy Ferrous, whose disappearance requires no police investigation I assure you, was rather enthused by that record, and it was one of the few overlapping entries on both our listicles that year. The Italians have earned their pedigree through battering brutality anchored to semi-progressive song structures and rendered with tight technical wizardry. No wonder that expectations are high for Unextinct” Hideous or glorious?
The Neptune Power Federation – Goodnight My Children Review
“I have a soft spot for these Australian weirdos. Memoirs of a Rat Queen bowled me over back in 2019 and I still spin “Rat Queen” and “I’ll Make a Man Out of You” regularly. Follow-up Le Demon De L’amour didn’t quite tickle my fancy the same way, though, with an overall less impactful and memorable tracklist that contained only one real banger. It seems love songs didn’t capture the off-kilter theatrical vibe where The Neptune Power Federation is strongest. The concept for Goodnight My Children is fairytales and bedtime stories, which can really go either way. Underwhelming sweetness or a wonky wonderland, what does the Imperial Priestess Screaming Loz Sutch have in store for us this year?” Tell us a story. Will ya? Will ya?
Northern Genocide – The Point of No Return Review
“Just like a sommelier can (allegedly) sense and describe the minutest differences between wines that may seem identical to the less learned, so can the seasoned metalhead identify regional differences and genre influences that laypersons may question with the tried and true adage: “It’s all just noise, isn’t it?” Melodic death metal has many offshoots and flavors, but the Finnish variety tends to be instantly recognizable anyway, often thanks to a melodic core that draws from neoclassical- and power metal. Northern Genocide wears this hat with pride but then proceeds to layer a bunch of other hats on top until defenestrated by the owner of the hatshop.” Hats and mass murder.
Bokassa – All Out of Dreams Review
“On the surface, the perceived lethargy of stoner metal doesn’t seem like a natural match for the reckless energy of punk. But the two genres have been roommates since college and still bunk together regularly. The soundtracks of Jackass and Tony Hawk’s Pro Skater mixed them up freely, and bands like Clutch and Fu Manchu have plenty of popularity on both sides of the fence. When I saw Rise Against in March of 2011, they brought Coliseum, who fused stoner, hardcore, and punk into one. So I wasn’t particularly surprised at Bokassa’s self-appointed genre of stoner punk. I was more surprised, and apprehensive, at Lars Ulrich of all people giving them the seal of approval.” Big friends, dumb punks, and stones.
