Hard Rock

The Generals – To Hell Review

The Generals – To Hell Review

The Generals are a Swedish quartet from Åmål, releasing two full-lengths and a split since their 2002 formation. 2009 debut Stand Up Straight and 2013’s Blood for Blood were both solid slabs of Wolverine Blues mimicry that, despite their simplicity, had no need to fix what wasn’t broken. To Hell, the first effort since 2013, continues and capitalizes upon its “death metal-cigarette with a rock ‘n’ roll filter” aesthetic with chunky riffs, blazing solos, pissed-off barks, and a Swedeath buzzsaw tone that commands respect.” Hell ain’t a bad place.

Shotgun Revolution – IV Review

Shotgun Revolution – IV Review

“I was so confused when I picked up Shotgun Revolution for review a few weeks ago. I thought for sure someone here reviewed them already on this site, but a cursory search returned zero results. Then, I suddenly remembered I was thinking of Shotgun Rodeo, and all was right with the world again. So, I downloaded my totally up-for-grabs promo and smashed that heckin’ play button. Instantly I teleported to 2005, when post-grunge and hard rock saturated every radio station on the East Coast. I thought this kind of thing was pretty much dead in the water, but I guess I was wrong.” Gun up or stand down.

Yer Metal Is Olde: Sabre – On the Prowl

Yer Metal Is Olde: Sabre – On the Prowl

“As such, my hometown heroes are Bobnoxious, a stupendously fun hard rock band fronted by Bob Reid, whom you may recognize from Razor’s terrific records Shotgun Justice and Open Hostility, and the lesser Decibels. There was, however, another special band from London, Ontario. That band was the power trio known as Sabre, and they released only one record in On the Prowl.” Olde swords.

Trillionaire – Romulus Review

Trillionaire – Romulus Review

“Now my questions are more pointed, such as what specific right is protected by what’s often called the Lumley v Gye tort. When I was in my first year, I couldn’t envision asking such a question. Two and one-half academic years later, I’ve got more questions than answers. Adding to this litany of questions is one that has nothing to do with law, philosophy, hamburgers, Live in Leipzig, beer, or any of those things I frequently write about. This question is as follows: what would happen if The Haunted circa Unseen wanted to make something like newer Thrice and Saliva?” Socratic disaster.

Raging Speedhorn – Hard to Kill Review

Raging Speedhorn – Hard to Kill Review

Raging Speedhorn. Now that’s a name I’ve not heard in a long time. A long time. And to be honest, I didn’t really expect to hear it again but it would seem it’s pretty Hard to Kill this six-piece from Corby in the UK. I first came across Raging Speedhorn when they opened the main stage at Ozzfest in Milton Keynes in 2001. I am almost certain that I saw them again at some point and, after conferring with one of my best mates, I think this may have been a rather unlikely-seeming slot opening for The Dillinger Escape Plan sometime around 2002 or 2003. I hadn’t thought about them since then until a few weeks back, when Holdeneye alerted me to the fact that we had received the promo for Hard to Kill and asked whether, as the only person to ever reference Raging Speedhorn on the blog, I was interested. Hell, why not.” Can’t kill the Horn.

Nightmare – Aeternam Review

Nightmare – Aeternam Review

“France’s Nightmare are no strangers to the heavy metal scene. The band’s origins go back four decades to their foundation as a punk outfit in 1979. Over the next few years, the punk stylings gave way to the burgeoning heavy metal sound of the early 80s and the band released a couple of full-lengths before going on hiatus in 1988. But Nightmare‘s best work was yet to come.” Dream warriors.

Night – High Tides – Distant Skies Review

Night – High Tides – Distant Skies Review

“Nobody will remember this, but back in 2017 Night’s album Raft of the World found its way onto my year-end list. This Swedish cadre of retro-rockers wormed their way onto my playlists with a catchier-than-it-should-have-been brand of 70’s hard rock, drawing influence from bands I love such as Judas Priest and Thin Lizzy. They started out as a NWoBHM-worshiping group, and have evolved over the years into a very classic hard rock act. High Tides – Distant Skies sees the band shed nearly all of their metallic influences, save for some proto-metal riffing, in exchange for the classic rock of Blue Öyster Cult and, yes, Dire Straits.” That ain’t working. Or is it?

The Atomic Bitchwax – Scorpio Review

The Atomic Bitchwax – Scorpio Review

“If there was ever a year that demanded a new The Atomic Bitchwax record, it was 2020. Between the chain of climate-related and man-made disasters, the slow implosion of politics around the world and the pandemic, we can do with a burst of stupid, fun, high octane stoner rock, and if any band can deliver on that, it’s the terrible trio.” Giving 2020 the Wax.