Thrash Metal

Sodom – Genesis XIX Review

Sodom – Genesis XIX Review

Genesis XIX will be the first time in thirty years Blackfire has recorded a full-length with Sodom. It’ll also be the first time in the band’s storied career to have two guitarists. What will these changes do to the Sodom sound? Obviously, Angelripper sees life coming back to the band. But are four just one too many? And how many more war-themed thrash riffs does Ole Tom have left in him?” Re-Sodomized.

Harlott – Detritus of the Final Age Review

Harlott – Detritus of the Final Age Review

“As I mentioned when I wrote 2017’s Extinction review, Harlott isn’t afraid to show love to their influences. Some might say Harlott isn’t afraid of reaching into that box of thrash classics and taking what they like, as well. At any given time, the riffs transition from Exodus to Slayer to Testament, and the vocals mimic Araya, Petrozza, and Dukes/Souza. The guitars can be acoustic at times but prefer to be heavy. The drums blast and fill with no regard for concrete floors, and the bass rattles hardware off the garage door. Harlott may not have a whole lot in the way of originality, but that doesn’t make their fourth album, Detritus of the Final Age, any less solid and nothing short of nostalgic.” Ramming speed.

Ysgaroth – Storm Over a Black Sea Review

Ysgaroth – Storm Over a Black Sea Review

Ysgaroth is a “progressive extreme metal” band from Vancouver, their self-released Storm Over a Black Sea being their debut. While I’ve never entirely understood the phrase “extreme metal,” these Canucks throw everything and the kitchen sink into their poutine platter: black metal shrieks and tremolo, thrashy riffs, hardcore drumming, technical noodling, and avant-garde post-metal/sludge strangeness for a multi-car pileup with multiple fatalities.” Frequent wind.

Mr Bungle – The Raging Wrath of the Easter Bunny Demo Review

Mr Bungle – The Raging Wrath of the Easter Bunny Demo Review

“In a year of surprises, mostly of the nasty variety, a new album from Californian experimental legends Mr Bungle seemed an unlikely scenario. Yet here we are, but not as many would have expected. As has been well publicized, rather than pen an album of fresh tunes, the band has continued their streak for delivering the unexpected, revisiting their earliest teenage musical roots, and 1986 cult demo, The Raging Wrath of the Easter Bunny.” Bunny or die.

Invincible Force – Decomposed Sacramentum Review

Invincible Force – Decomposed Sacramentum Review

“What happens when an invincible force meets a purely lethal object? I’m not sure, but sit down, and I’ll tell you what happens when an Invincible Force meets a big, cuddly, soft-hearted metal reviewer who wouldn’t hurt a fly. Chile’s Invincible Force formed in 2007, and it should come as no surprise that, as a band that took their name from a Destruction track, they initially modeled their sound after the slightly blackened teutonic thrash sound of their heroes. After releasing a host of demos and splits, 2015’s debut full-length saw the band’s sound taking on a more violent approach that verged on death/thrash. Five years later, the promo materials for sophomore effort Decomposed Sacramentum reveal that the band is “leaving behind their early, more scholarly aspirations in favor of something far more sinister.” Force multiplier.

Cryptic Shift – Visitations from Enceladus Review

Cryptic Shift – Visitations from Enceladus Review

“While I’ve traditionally identified as a basic black metal bitch, my listening habits of late have hovered firmly above death metal territory. The art of the Big Dumb Riff has held absolute command of my Spotify search bar, and it’s all thanks to the diversity the genre pool has spawned in over three decades of evolution. Just as I finish my most recent round of dick flattening at the hands of something as unflinchingly savage as Black Curse, I know I can hop to the opposite end of the technical axis to enjoy similarly aggressive highs in a fresh context. Cryptic Shift‘s debut is about as far from something like Black Curse as you can imagine on the caveman riff spectrum, but those same thrills are all here.” Up Shift’s creek.

Wreck-Defy – Powers That Be Review

Wreck-Defy – Powers That Be Review

“Sometimes quality material can slip through the cracks in a busy month and fall into oblivion. Wreck-Defy‘s third album Powers That Be almost suffered that ignoble fate. This Canadian super group has flown under my radar up to now despite featuring Greg Christian (ex-Testament), Aaron Randall (ex-Annihilator) and Alex Marquez (ex-Malevolent Creation) in its ranks. Having overlooked the promo entirely, I only circled back to it because I had some extra time on my hands and decided to cram in another review. Lucky I was too, as Powers is one of the most entertaining thrash albums I’ve heard this year.” Wrecking crew.

Madrost – Charring the Rotting Earth Review

Madrost – Charring the Rotting Earth Review

“California’s Madrost have cultivated a solid track record of high octane thrash, spiced with deathly impulses and technical flair. The band’s last couple of efforts have made for solidly entertaining platters, packed with energy, riffs and lofty ambition. Kicking round the traps for some time now, Madrost is an underrated and confident band, continuing to improve.” Prog-rot.

Mindwars – The Fourth Turning Review

Mindwars – The Fourth Turning Review

“There hasn’t been much thrash that really grabbed me over the last few years. Coming of age as I did in the 80s and having the opportunity to watch the genre born and reach its golden era made me fairly jaded. I appreciate the retro rethrash movement and enjoy a lot of it, but it’s rare a new thrash platter really blows my doors off. Being as Holy Terror was one of my favorite thrash acts, I hoped Mindwars, the band founded by Holy Terror guitarist Mike Alvord could spark the flame of speed in my rusted metal heart.” Turning the shrew.

Blackevil – Forever Baptised in Eternal Fire Review

Blackevil – Forever Baptised in Eternal Fire Review

“Something wicked this way comes. What is that thing? It’s Germany’s Blackevil — and their sophomore record Forever Baptised in Eternal Fire follows with them. These maniacal monsters play a potent mixture of blackened thrash, speed metal, and pure heavy metal — the kind that Iron Maiden would have played if they’d been nearly as satanic and evil as the PMRC thought they were back in the 80s.” Z-evil never dies.