4.0

Paysage d’Hiver – Geister Review

Paysage d’Hiver – Geister Review

Paysage d’Hiver is an act with no need for introduction, but I have a word count to meet, so here it is: Paysage d’Hiver is a black metal act from Schwarzenburg, Bern, Switzerland, consisting of sole member Wintherr (also of Darkspace). Technically, Geister is the act’s second full-length, but he’s been cranking out music for twenty-four years.” Right in the Geister!

Cryptosis – Bionic Swarm Review

Cryptosis – Bionic Swarm Review

“Wow. Thrash is kind of having a year, folks. There are large swaths of the metal community who feel that the fires that heated the furnace in which all great thrash was forged went out decades ago, while others feel that those flames still sputter and cough and produce a great record every now and again. Well, something about a worldwide shutdown secondary to a pandemic seems to have stoked whatever embers remained within that furnace into a raging inferno, because the first quarter of 2021 is basically littered with quality thrash releases of a variety of styles. Therefore, I didn’t hesitate to pick up Bionic Swarm, the debut record from Dutch thrashers Cryptosis, a band who’d like to throw their hat into the progressive cyber-thrash ring with Paranorm.” 4 Swarm to wengeance.

Dvne – Etemen Ænka Review

Dvne – Etemen Ænka Review

“If you ask me, Dvne is one of the greater discoveries of the last 5 years. After sampling them, based on a random recommendation from a random review, I’ve found myself increasingly absorbed by the Scottish band. They are still my favorite out of all the TYMHM reviews I wrote, and they landed a high spot in my end of year list in 2017. Needless to say, my anticipation for this weirdly named sophomore offering of sci-fi prog sludge was sky high.” The riffs must flow!

Mare Cognitum – Solar Paroxysm Review

Mare Cognitum – Solar Paroxysm Review

“There’s atmospheric black metal, and then there’s Mare Cognitum. Two sides of the same planet. On the former, the sphere is completely devoid of life, eroded by endless recycling of ideas to the point of being uninhabitable. Then you have Mare Cognitum, a one-man force of nature who consistently releases quality material. Mastermind and multi-instrumentalist Jacob Buczarski’s side of the atmoblack world thrives against the eroding tides of time.” Renewable energies.

Enforced – Kill Grid Review

Enforced – Kill Grid Review

“Oh man, have I been excited to get my hands on this one. In 2019, I happened upon the promo for At the Walls, the debut record from Richmond, Virginia crossover thrash act Enforced. The album was a combination of previously-released demo and EP tracks with some newer material, and while this may have resulted in some minor consistency issues, that thing riffed hard, riffed often, and barely missed my 2019 year-end list. The thought of a follow-up record written in one, cohesive go was tantalizing, and my excitement only grew when I heard that Enforced was picked up by Century Media last year. But at the same time, when a raw, passionate band moves to a bigger label, I always get a bit nervous.” Dying on the grid.

Stortregn – Impermanence Review

Stortregn – Impermanence Review

“Every year it seems that in the midst of all the doom, sludge and black metal clogging up my arteries, I find that one album of fast, technical, brutal sci-fi themed metal that I can’t stop listening to. Recent output by Xoth, Æpoch, Beast of Nod and the mighty Archspire have flayed my face meat and chilled my soul with surgical guitars and the unknowable horrors of the cosmos. In 2018 I discovered Swiss band Stortregn through their fantastic third full-length Emptiness Fills the Void. Despite its title, the album absolutely burst at the seams with blackened, thrashy tech death glory that never sacrificed melody for brutality. The cold, dark vacuum of space sounded thrilling in their capable hands. Three years later, Stortregn has moved from the diverse roster of Non Serviam Records to tech death specialists The Artisan Era for their fourth LP Impermanence.” In space no one can hear you fanboy.

Miasmata – Unlight: Songs of Earth and Atrophy Review

Miasmata – Unlight: Songs of Earth and Atrophy Review

“The epic and atmospheric, fantasy-inspired black metal stylings of Sojourner continue to go from strength to strength, with 2018’s very good outing, The Shadowed Road, matched by last year’s Premonitions, which – if not actually better – was, as Eldritch Elitist said in his List, “a far more consistent effort” than its predecessor. But, wherever Sojourner’s travels take them next, they will be going there without New Zealand bassist, Mike Wilson, who has set off into the back metal wilderness for a sojourn of his own, with his new solo project Miasmata.” Participation atrophy.

Sepulcros – Vazio Review

Sepulcros – Vazio Review

“Over the last almost-eight years of writing reviews here, I’ve become quite aware of the challenge of selling bands and albums to most readers. Try as I might, though, I’ll admit that funeral doom as a whole is an especially tough sell. Those who know… well, know. But the genre’s nigh-impenetrable lack of speed, lack of riff variety, and gargantuan lengths make it difficult for most people to break into such a sullen, powerful sub-genre. Being a new act makes it even more so, as you’re also competing against the greats of the genre. So what does Portugal’s Sepulcros do to try to separate themselves from the pack with their debut, Vazio?” Selling graves in bulk.