Doom_et_Al

Mörk Gryning – Hinsides Vrede Review

Mörk Gryning – Hinsides Vrede Review

“Ah, youth. A time Steel and Huck no longer remember. When all beer is good, all kisses sweet, and anything is possible. For Goth Gorgon and Draakh Kimera, two teenagers in Sweden, this meant donning corpse paint, forming a band, and releasing an album before they were old enough to legally buy the champagne to celebrate. That album, Tusen År har Gått, was a fun combination of old-school, second wave black metal, with a definite slant towards the melodic. Think early Sacramentum, or, more recently, Wormwood. Tusen År har Gått would go on to be extremely well-regarded in metal circles, spawning a few, less interesting follow-ups.” Gryning pains.

Wayfarer – A Romance with Violence Review

Wayfarer – A Romance with Violence Review

“Violence is as American as cherry pie, or so the great MLK Jr. once said. The genesis of this hunger for bloodshed has many roots, but an obvious one is the Wild West. A perfect storm of technological force, an insatiable desire for expansion, a fondness for guns, and laws that were… flexible. It was a violent time, and black metal is violent music, so it seems curious that these have never really been combined before.” of gunsmoke and corpsepaint.

Hræ – Þar sem skepnur reika Review

Hræ – Þar sem skepnur reika Review

“Iceland. What on earth do they put in the water over there? With a population of a small city, the country is consistently at the cutting edge of black metal. More importantly, there’s a certain aesthetic that is unique to the country; you just know when you’re listening to an Icelandic band. Now we have Hræ, the project of scene-veteran, I, who has appeared in other groups like Endalok, Naught and Guðveiki.” Iceland ascendant.

Begrafven – Dödsriket Review

Begrafven – Dödsriket Review

Dödsriket is Begrafven’s debut LP following a demo in 2013. Consisting of Ursus (guitars and vocals) and Maturz (bass and drums), Begrafven plays a fairly traditional blend of old-school Scandinavian second-wave black metal and melodic, less intense black ‘n roll. While the approach is by no means original, there has been a lot of demanding, atypical black metal recently, and if you’re like me, you sometimes just want some good ole fashioned, meat and ‘taters fare.” Black n’ tater.

Sound of Origin – The All Seeing Eye Review

Sound of Origin – The All Seeing Eye Review

The All Seeing Eye is a dense, heavy slab of bluesy, stoner doom, mixed with some sludge, which pays clear homage to its influences (Black SabbathKyuss), without being an obvious rip-off. Where it differs from its EP predecessor is the delightfully nasty edge that Bulsara’s vocals provide.” Angry stoners.

deathCAVE – Smoking Mountain Review

deathCAVE – Smoking Mountain Review

Smoking Mountain bills itself as a heady mix of doom, sludge and psychedelica. It’s named after a mountain just south of Seattle, which sounds suitably ominous. It also gives the listener a good idea of the density they’re about to encounter. In reality, it’s a fascinating spectacle of a band in a constant tug-of-war between glorious movement and the densest inertia. Will this turn out to be like a rugby scrum – full of effort but going nowhere (unless it’s England being pushed over by the mighty South African pack in the World Cup final)? Or do these competing forces light a serious fire?” Smoke and stone.

Fides Inversa – Historia Nocturna Review

Fides Inversa – Historia Nocturna Review

“Despite its roots as lo-fi “anti-music,” black metal is an extremely versatile genre, which is why it gets blended a lot these days. An ingredient is often lost amongst all the tinkering and combinations, however: naked anger. If black metal’s many hybrids have left you a bit cold this year, Italy’s Fides Inversa is here to furiously spit in your face and remind you why this genre exists in the first place.” Anger mismanagement.