“One thing I really admire about The Administration here at AMG is their willingness to allow us writers to explore what exists on the fringes of metal. Some of my most memorable finds over the years—before the onset of my indentured servitude—have carried tags like not-metal, folk, or synth wave. Norwegian musical collective Cloud People claim to draw inspiration from jazz, electronica, and metal, and have decided to submit their album Simulacra to these hallowed halls for mild praise or summary execution.” Watch the skies.
Synthwave
Midnight Odyssey – Biolume Part 3: A Fullmoon Madness Review
“The Biolume trilogy is massive, not only in runtime but also in the scope of its storytelling. The records move from darkened subterranean halls on In Tartarean Chains, through a blinding desert of celestial light on The Golden Orb to stare at the haunting night sky, dimly lit by that same light reflecting off a dead satellite on A Fullmoon Madness. Perhaps it was always inevitable that, as we moved up through these levels, each would be vaster in scope and scale than the last.” Size matters.
Essence of Datum – Radikal Rats Review
“Belarusian instrumental tech death duo Essence of Datum did what many have tried and failed to do: help me enjoy of deep instrumental metal. For me, there’s something missing in metal that lacks a vocal element. Part of that is surely rooted in the fact that I almost never listen to purely instrumental music anymore. Nonetheless, the core problem I encounter is that so little instrumental metal excites me, either because of fluffy songwriting with no real backbone, or because it’s simply an excuse for a solo artist to wank all over me without my consent. Not so with Essence of Datum or their last effort, Spellcrying Machine, which was a thoughtful, detailed, and compelling instrumental piece. Can its follow-up, the strange and wacky Radikal Rats, keep that trend running?” Rats in the tech.
Nuclear Dudes – Boss Blades Review
“Where to start with Nuclear Dudes? The brainchild of Jon Weisnewski—of Sandrider—the project spans a collection of kooky and noisy genres from powerviolence to synthwave. Even the artist Bandcamp page refers to it tongue-in-cheekily as ‘”music”‘ (scare quotes included). Each release—of which Boss Blades is the third in about a year—features a charming fluorescent figure scrawled upon a white background, courtesy of a Cooper Weisnewski I presume is Jon’s brother. This kind of consistency in self-branding certainly makes them stand out, and it’s fun.” More Fat Man or Little Boy?
Elyose – Déviante Review
“Why do we find ourselves in the midst of a nu renaissance where bands like The Offering throw down like it’s ’03 and genres like slam can shamelessly quote groove under the guise of gore? Well, it seems that some also grew up to incorporate their first loves into their art. Elyose, an act of that breed, urges you to embrace your inner jumpdafuckup with a French language tour-de-force of alt-rock meets gothy vibes with nu and industrial accouterments on Déviante.” What’s olde is nu.
Final Light – Final Light Review
“Something different. In two words, that’s how I can best describe Final Light, the eponymous debut full-length from Cult of Luna’s Johannes Persson and James Kent, better known as Perturbator. From the duo’s names alone, there’s expectation—both have been a part of some powerful releases lately, in the form of The Long Road North and Lustful Sacraments respectively, but their respective styles—post-metal and synthwave—don’t exactly lend themselves to being blended together, and, for my part, I’m not a huge fan of either one. But there’s the odd exception to every rule where opinions are concerned, and Final Light is certainly one such album.” Strange deadfellows.
Lament Cityscape – A Darker Discharge Review
“Wyoming, famously, hosts some of the United States’ most beautiful nature preserves—also famously it lacks urban comforts and is one of the two rectangular states. This expansive, rural landscape shapes an existence and mindset that’s decidedly different from the metropolitan portrait of tap-to-pay cafes, melting pot crowds, and city-speed sprawl. For better or worse, Mike McClatchey has called Buffalo, Wyoming temporarily home—a home that has fueled his boiled-over frustrations into this more solo edition of Lament Cityscape, A Darker Discharge.” Rural rabies.
Master Boot Record – Personal Computer Review
“For the three of you who haven’t yet encountered me gushing about Master Boot Record, here’s the summary. Decreasingly anonymous Italian musician Victor Love, inspired by classic 16-bit video game soundtracks and the harsh sound of a floppy drive stepper motor, synthesizes heavy metal. Despite sounding like a one-album novelty, Personal Computer is MBR’s eighth full-length in seven years and they’re signed to Metal Blade.” Boots and scans.
Reckless Love – Turborider Review
“Sometimes you just know when a record is for you. When it rises to the turgid surface of the promo sump using words such as “hair/sleaze/electro,” brazenly marketing itself with outrun pink and a cyborg character. I had absolutely no choice in picking out Reckless Love’s fifth full-length album entitled Turborider, in all its neon resplendence. Finland is not a country known for its excess, color and happiness and yet has somehow produced the most excessive, colorful and happy metal release you’ll hear all year.” Turbo Brother.
Abstract Void – Wishdream [Things You Might Have Missed 2021]
“In hindsight, 2018 stood me at an imperceptible crossroads: the intersection of my growing disenchantment with metal and a void-filling infatuation with the electronic. The latter was encouraged, if not inspired, by a Frankensteinian atmoblack/synthwave monster released at the improbably right space-time to capitalize on the trends I loved and tired of. Abstract Void’s Back to Reality would ride that wave of serendipity to become my most listened-to album of the next few years. At least until Wishdream came along.” Void when wished at night.