Experimental Metal

Threadbare – Silver Dollar Review

By Roquentin on June 26, 2020 in Reviews, Experimental Metal, Noise, 26 comments

“Mimic, Guillermo del Toro’s 1997 creature feature, revolves around a mutated, highly evolved sort of insect capable of making itself look like a human being. Embracing a predatory strategy called aggressive mimicry – with people as their prey of choice – the insects’ appearance becomes an interplay of shadows and deception. Their humanoid silhouette is unstable and misleading, made of moving organs and chitin exoskeletons, yet strangely beguiling in its alienness. Silver Dollar, the debut record by Chicago trio Threadbare, is a similar creature in style, with a fluidly metallized, rocking, and faintly dangerous exterior projected from within a free jazz organism.” More than meets the ear.

Pyrrhon – Abscess Time Review

By Kronos on June 24, 2020 in Reviews, Death Metal, Experimental Metal, 47 comments

“Where do Pyrrhon go next? It’s a question that, to my surprise, I had not truly considered. In pushing the walls as far out as they would go with 2017’s stunning What Passes for Survival, the band became torch-bearers in death metal’s unexplored corridors. The quartet synthesize techniques from technical death metal, noise rock, and free jazz to craft ungainly structures and cut winding new paths through the labyrinth, resulting in two of the most original and contentious records of the 2010s. In Abscess Time, the band have a chance to explode into the new decade with a bold new direction.” Time, tide, and transformation.

Thoren – Gwarth II Review

By Kronos on February 22, 2020 in 2020, American Metal, Avante Garde, Death Metal, Dryland Records, Experimental Metal, Reviews, Death Metal, Experimental Metal, Instrumental Metal, Technical Death Metal, 21 comments

“There’s a menagerie of experimental groups about the borders of the black and death metal scenes, tracing out their own paths without much regard for popular approval or commercial success. On occasion, these groups will sweep into the mainstream, but for the most part, their influence is more subtle, appearing in an adulterated form in the riskier songs of established artists. If your poison is black metal you can choose between the flavors of Krallice (ever bolstered by their lineup’s star power), Jute Gyte, Genevieve, and many others. If your neck is a bit larger in diameter, you might want to choke down Baring Teeth, Coma Cluster Void, or this week’s subject, Thoren.” Buffet of bitters.

Catatonic Effigy – Putrid Tendency Review

By Roquentin on December 15, 2019 in 2019, American Metal, Australian Metal, Avante Garde, Death Metal, Drone, Experimental Metal, Iluso Records, Noise, Post-metal, Reviews, Death Metal, Drone, Experimental Metal, Noise, Post-Metal, 25 comments

“Imagine, for a second, what could and would happen if musicians with backgrounds in free jazz, free improvisation, and modern composition became metalheads. What sort of music would they then make? Perhaps they would attempt a take on death metal, deconstructing the genre’s elements, perverting them, and piecing them back together into maddening soundscapes. A fantasy befitting of phase-shifted thinking and playing mechanisms. With their debut Putrid Tendency, Catatonic Effigy give flesh to this feverish reverie.” Choose the sound of the Destructor.

Griiim – Pope Art Review

By TheKenWord on October 31, 2019 in 2019, Black Metal, Experimental Metal, French Metal, Noise, Purity Through Fire, Rap Metal, Reviews, Trap, Ambient, Black Metal, Electronic, Experimental Metal, Noise, Rap Metal, 28 comments

“Once upon a time there was a dude named Maxime Taccardi. Max has a twisted and dark mind, and I fear it. His music is equally frightening, and it makes me uncomfortable. Yet, I can’t turn it off. Try as I might to fend it off his insidious vision haunts my imagination, conjuring the most depraved scenarios for me to weather. For Max, it seems, this place of nightmares which he creates represents the repugnant underbelly of his Paris home. And so he put all that we refuse to see inside the “most romantic city in the world” to music. Ladies and gentlemen, Griiim‘s Pope Art.” Warhol’s twisted Id.

Torpor – Rhetoric of the Image Review

By Cherd of Doom on October 5, 2019 in 2019, British Metal, Doom Metal, Medusa Crush Recordings, Moment of Collapse Records, Noise, Post-metal, Reviews, Sludge, Sludgelord Records, Doom Metal, Experimental Metal, Noise, Post-Metal, Sludge, 15 comments

“I have my own boxes to check as I look for the next Cherd friendly album, so when patterns emerge, I take note. Recent positive experiences with doomy, noise tinged post-metal from the United Kingdom packaged in black and white cover art, namely Sūrya and Bismuth, led me to take a chance on Torpor‘s Rhetoric of the Image. Will the sophomore effort from this three-piece keep the hitting streak alive?” Post-gambling.

Reflex Machine – Interzone Review

By Master of Muppets on September 21, 2019 in 2019, American Metal, Experimental Metal, Over the Counter Culture Records, Post-metal, Reviews, Sludge Metal, Experimental Metal, Sludge Metal, 15 comments

“If you’ve been loitering in the Hall since the Great Muppet Invasion first began, you’ve probably noticed how great I am at promo selection rarely I wander too terribly far from my tried and trve metal wheelhouses. I’ve been burned by the bin before, I’m bitter and basically all but unable to believe that things could be better beyond the blackmosphere, but the burden ov objectivity and that big bastardly bully of a boss-monkey Steel have beckoned me to bid bye-bye to my beloved blackness and embrace being the bin’s bitch.” Monkey bin-ess.

An Isolated Mind – I’m Losing Myself Review

By Grymm on July 8, 2019 in 2019, American Metal, Experimental Metal, I Voidhanger Records, Post-metal, Reviews, Experimental Metal, Post-Metal, 68 comments

“Kameron Bogges isn’t exactly a household name. In fact, prior to today’s review, the only thing I had to go by is that he’s the sole proprietor of one-man experimental act Four Hoove Death Pig, who has an album dedicated to baking banana bread under its belt. Sadly, about a year or so, Bogges suffered the all-too-real hospitalization brought on by what I can imagine would be a manic episode and was diagnosed with bipolar disorder. The ongoing struggle, as well as coping with such a maligned mental health condition, inspired I’m Losing Myself, released under the guise of An Isolated Mind.” Reflections on a struggle.

Driving Slow Motion – Arda Review

By Carcharodon on June 23, 2019 in 2019, Ambient Metal, American Metal, Experimental Metal, Fail Safe Audio Recordings, Instrumental Metal, Post-metal, Post-Rock, Reviews, Ambient Metal, Experimental Metal, Post-Metal, 12 comments

“Gauging by the comments section on a recent post-metal review that I penned, it would seem that a lot of people are over anything post-y. What better way to win new fans and friends than to write up an experimental, instrumental, post-rock collective? Hmm, on reflection, this could be a hard sell.” Coffee is for closers.

Heathe – On the Tombstones, the Symbols Engraved Review

By Akerblogger on June 4, 2019 in 2019, Danish Metal, Experimental Metal, Reviews, Wolves and Vibrancy Records, Experimental Metal, 40 comments

“Heathe‘s On the Tombstone, the Symbols Engraved won’t be receiving radio airplay. As a continuous 37-minute track that loosely splits into three discernible sections, close attention is required to reveal the intricacies and technicalities. But it’s important that a band know how to develop intricacies and technicalities in an organic fashion for us, the dearest listeners, to stay focused and intrigued. It’s a hard task and usually, for me, this sort of recording technique can go either way.” Etched in sound.