Experimental Metal

Nuclear Dudes – Boss Blades Review

By Thus Spoke on July 12, 2023 in Reviews, Experimental Metal, Powerviolence, Synthwave, 13 comments

“Where to start with Nuclear Dudes? The brainchild of Jon Weisnewski—of Sandrider—the project spans a collection of kooky and noisy genres from powerviolence to synthwave. Even the artist Bandcamp page refers to it tongue-in-cheekily as ‘”music”‘ (scare quotes included). Each release—of which Boss Blades is the third in about a year—features a charming fluorescent figure scrawled upon a white background, courtesy of a Cooper Weisnewski I presume is Jon’s brother. This kind of consistency in self-branding certainly makes them stand out, and it’s fun.” More Fat Man or Little Boy?

The Nest – Her True Nature [Things You Might Have Missed 2022]

By Carcharodon on January 6, 2023 in Things You Might Have Missed 2022, Ambient Metal, Black Metal, Drone, Experimental Metal, 18 comments

“First things first. When I say this is essentially Wolvennest and pals, I mean just that. It’s fundamentally Wolvennest with some guest vocalists, so, if psychedelic blackened ambient drone doom isn’t your thing, the door is just over there.” Wolves in The Nest room.

Mamaleek – Diner Coffee [Things You Might Have Missed 2022]

By Dear Hollow on January 4, 2023 in Things You Might Have Missed 2022, Experimental Metal, 16 comments

“Diner Coffee offers jazz and blues in their most perverse form, squeezing them from their hiding place like cysts. A counterpart to Imperial Triumphant’s latest, which portrays its filth beneath an urban sheen of golden decadence, anonymous duo-now-collective Mamaleek embraces the grime in the setting of a city diner.” How do you like your java?

The Callous Daoboys – Celebrity Therapist [Things You Might Have Missed 2022]

By Dear Hollow on January 1, 2023 in Things You Might Have Missed 2022, Experimental Metal, Mathcore, 9 comments

“Everybody listen: The Callous Daoboys don’t give a shit. More than ever, they do what they do and you just have to deal with it. Matthew Ryan is their drummer and they’re from Atlanta – coincidence? I know, some of are saying, “wait, doesn’t Matt Ryan play for Indianapolis?” There, you understand The Callous Daoboys. Their bonkers take on mathcore has placed them at the scene’s forefront.” New year, new Dao.

Acausal Intrusion – Seeping Evocation Review

By Dear Hollow on October 10, 2022 in Reviews, Death Metal, Experimental Metal, 12 comments

“Nulitas was one of the most promising debuts of 2021, its otherworldly atmosphere and outrageous replay value adding up to a lurching and lumbering beast with spines of searing dissonance cutting through the thick slogs of slimy riffs. While this soundscape is certainly not uncommon among the melody-hating hordes of masochists and self-flagellants, Acausal Intrusion injected a meditative quality that contrasted lethally with its hell-scraping gutturals and slam-esque pong snare. As such, upon its announcement, followup Seeping Evocation is easily one of my most anticipated releases of the year.” Seeping expectations.

Pyrithe – Monuments to Impermanence Review

By Thus Spoke on April 30, 2022 in Reviews, Experimental Metal, Noise Rock, Sludge Metal, 14 comments

“Cover art can be misleading, but here it’s a clue. Reflecting that twisted marine merging of human and coral, Pyrithe’s sound is chaos, artfully displayed. To their sludgy post-metal concoction, they add the use of coconuts, egg-shakers, kantele, and literal trash as musical elements. They also favor a disjointed, dissonant approach to songwriting, taking a leaf out of the more experimental edges of death metal, and beyond. In fact, they’ve even roped in Doug Moore of Pyrrhon and Seputus, the influence of which acts is quite evident. It’s heavy, it’s multifaceted, it’s a tiny bit mad, but is it any good?” Permanence and impetuousness.

Without Waves – Comedian Review

By Felagund on March 17, 2022 in Reviews, Experimental Metal, Progressive Metal, 39 comments

“Cover art can be make or break. Despite that old axiom, I do indeed judge a book by its often horrific cover. I tend to avoid the intentionally bad (looking at you, Voivod’s Target Earth) and the unabashedly anatomical (I’ve already seen The Reek of Putrefaction, thank you very much.) However, there’s plenty of room between the two extremes to play, and you can always count on a few quality covers lurking around the primeval AMG promo sump; the kind that just begs for a spin or three. Such was the case with Comedian, the latest from Chicago-based progressive metalers Without Waves. Their fortuitous choice to immortalize a moment in the life of one very unlucky flamingo has earned them one whole review.” Flightless.

Nick Vasallo – Apophany Review

By Carcharodon on March 16, 2022 in Reviews, Classical, Drone, Experimental Metal, 26 comments

“Nick Vasallo has been making music in the Bay Area for more than 20 years. He is best known as the guitarist and vocalist of deathcore legends Antagony, as well as tech death outfit Oblivion. Perhaps less well known, at least in metal circles, is his interest in musical theory and composition, which he studied extensively, ultimately being awarded a doctorate in 2011. He now teaches at college level. This brief bio perhaps gives some context for Apophany, a hybrid metal-classical album and the follow up to 2012’s Monuments Emerge. Smart-tech.

Sunless – Ylem Review

By Saunders on October 29, 2021 in Reviews, Death Metal, Experimental Metal, Progressive Death, 56 comments

“Back in 2016 I stumbled across the promising demo from Minnesota’s Sunless, a fractured example of violent, dense and dissonant death. Urraca, their 2017 debut LP, expanded on the promise of the demo in appealing ways, firmly placing Sunless on the radar. Now they return, fittingly backed by Willowtip Records for their anticipated sophomore album, Ylem, dubbed the second part of a conceptual trilogy.” Dark and dangerous days.

Diskord – Degenerations Review

By Saunders on August 9, 2021 in Reviews, Death Metal, Experimental Metal, Progressive Metal, 37 comments

“Lovable Norwegian oddballs Diskord make their long awaited return with Degenerations, their third LP and first recorded output since 2014’s mind-bending Oscillations EP. Easily one of my most anticipated albums of 2021, long ago I fell hard for Diskord’s strange amalgam of old school death metal, experimental flair, and ability to crank out killer death tunes, chopped up with psychedelic and prog experiments. My first exposure was on their monumental 2012 LP Dystopics, an incredible album I consider a modern classic. However, as the years passed I began to wonder whether we would hear more from the band. Well the moment has arrived, Diskord fittingly popping up on the Transcending Obscurity roster to land another mindboggling clusterfuck of weird arse death.” Degenerate to evolve.