“I am highly skeptical about the value of social media. For the most part, if you ask me (which I appreciate no one is but you should – I have OPINIONS!), it simply allows anonymous idiots hiding behind stupid pseudonyms to think that their opinions on anything from politics to music matter. For the most part, I don’t social. However, it was via a post on Zuckerbook (which I reluctantly use on occasion) that I first came to learn of the existence of Swiss blackened progressive death outfit, Dyssebeia, and their forthcoming debut, Garden of Stillborn Idols, which I duly snagged for review.” Farm fresh Idols.
Progressive Death
Alkaloid – Numen Review
“German collective Alkaloid bucks the trend often associated with bands fitted with the ‘supergroup’ tag. With a line-up boasting members of such lauded acts as Spawn of Possession, Obscura, Necrophagist, Eternity’s End, Dark Fortress, and many others, on 2015’s striking debut The Malkuth Grimoire, and 2018’s phenomenal sophomore opus Liquid Anatomy, Alkaloid ascended to elite status in the modern progressive and technical death metal scenes.” Dream team on paper (but see the N.Y. Jets).
Horrendous – Ontological Mysterium Review
“Between twenty-twelve and twenty-eighteen, Philadelphia’s Horrendous morphed from a straightforward old school death unit into a sophisticated and elite progressive death metal force, boasting a trio of gripping LPs on the back of a solid debut that hinted at Horrendous’ potential without fully preparing listeners for their stunning evolution.” Victory and mutation.
The Willowtip Files: Capharnaum – Fractured
“Pennsylvanian-based independent label Willowtip Records was established by Jason Tipton in the late ’90s. From humble beginnings the label has stood the test of time, becoming one of the most respected and highly regarded record labels in the extreme metal scene. It takes something special to create a label with a consistently unfuckwithable roster of quality, innovative artists, while retaining long-term integrity and durability. Willowtip is the self-proclaimed forward-thinking label, releasing a slew of modern classics and top-shelf albums that may have a lower profile but are more than worth your while.” Next stop: All star death.
An Abstract Illusion – Woe Review
“As the title might suggest, Woe is a record packed with bleak soundscapes and drenched in misery. Sprawled across almost an hour of beautiful depression, An Abstract Illusion’s latest work feels like a single flowing composition, rather than the seven tracks it’s presented as. Heavier and channeling a more blackened and atmospheric edge into the progressive death metal of its predecessor, there is a swirling sense of barely controlled chaos that lies just beneath the surface of Woe.” Woe to we.
Sunless – Ylem Review
“Back in 2016 I stumbled across the promising demo from Minnesota’s Sunless, a fractured example of violent, dense and dissonant death. Urraca, their 2017 debut LP, expanded on the promise of the demo in appealing ways, firmly placing Sunless on the radar. Now they return, fittingly backed by Willowtip Records for their anticipated sophomore album, Ylem, dubbed the second part of a conceptual trilogy.” Dark and dangerous days.
Alustrium – A Monument to Silence Review
“Philadelphia’s progressive tech death architects Alustrium smashed out an album for the ages with their 2015 opus A Tunnel to Eden. The sophomore LP presented a kaleidoscopic, grand in scale masterwork of progressive and technical death metal, featuring serious instrumental and compositional chops, while possessing tons of heart and style. Despite being a little too bloated and ambitious for its own good, the pros far outweighed the miniscule cons to deliver a knockout punch. Punctuated by 2020’s strong Insurmountable EP, it has been a long time between drinks on the full-length recording front. Curiously slipping under the radar, Alustrium’s third album, A Monument to Silence is now upon us.” Unquiet monuments.
Madrost – Charring the Rotting Earth Review
“California’s Madrost have cultivated a solid track record of high octane thrash, spiced with deathly impulses and technical flair. The band’s last couple of efforts have made for solidly entertaining platters, packed with energy, riffs and lofty ambition. Kicking round the traps for some time now, Madrost is an underrated and confident band, continuing to improve.” Prog-rot.
Black Crown Initiate – Violent Portraits of Doomed Escape Review
“Black Crown Initiate began their career with such promise and explosiveness with the one-two punch of their Song of the Crippled Bull EP and The Wreckage of Stars LP, that the more experimental and progressive 2016 album, Selves We Cannot Forgive, was a minor disappointment. Although a solid album with scattered high points, a lack of cohesion and mixed experimentation found the album falling short of expectations. Nevertheless, Black Crown Initiate remain a talented entity in the modern progressive death landscape. Following a four year period since their sophomore release, the band return with the anticipated Violent Portraits of Doomed Escape.” Progress and devolve.
Blood Incantation – Hidden History of the Human Race Review
“Blood Incantation’s 2016 debut, Starspawn, catapulted the sci-fi loving Denver crew into underground stardom. The album’s ambitious fusion of progressive and psychedelic elements into a beefy old school death core was incredibly well executed, smartly written, and addictive to boot, marking Blood Incantation as kindred spirits with legends Morbid Angel and Demilich, along with modern trailblazers like Horrendous. Some three years later Blood Incantation’s sophomore LP comes with a magnitude of hype and anticipation. Bottom line, Blood Incantation are considered a big fucking deal.” Mars needs metal.