Post-Metal

Impure Wilhelmina – Antidote Review

By Grymm on May 17, 2021 in Reviews, Doom Metal, Post-Metal, 171 comments

“Back in 2017, I was introduced to Swiss post-metallers Impure Wilhelmina via their sixth album, Radiation, having had absolutely no prior knowledge or experience with their brand of gloomy post-metal. If Katatonia was the metal equivalent of The Cure, Impure Wilhelmina is basically The Smiths, with guitarist/vocalist/main man Michael Schindl offering up his best velvet-smooth Morrissey-level crooning. I ended up loving Radiation… a lot. Not only did it grab the top spot in my 2017 year-end list, it’s held up ridiculously well over the years, with me pulling it out to give a spin when the mood strikes, which has been a lot lately. So when word dropped that their seventh, Antidote, was on the horizon, I honestly just wanted to like the album about as much as Radiation, tempering my expectations that topping Radiation would be a herculean task.” Purity is overrated.

Devil Sold His Soul – Loss Review

By Dear Hollow on April 12, 2021 in Reviews, Ambient Metal, Emo, Metalcore, Post-Hardcore, Post-Metal, 38 comments

“I have history with Devil Sold His Soul, but not all of it good, especially when we parted on poor terms: I got fed up with Empire of Light‘s excessive vocals and didn’t give EP Belong ╪ Betray a fair chance. Loss, the first release in seven years, hits differently: it chronicles seven years of grief and personal loss from its creators. Is it the labor of love it was intended to be?” Devil in the details.

Suffocate for Fuck Sake – Fyra Review

By sentynel on April 12, 2021 in Reviews, Post-Metal, 24 comments

“Suffocate for Fuck Sake was one of those bands I’d heard good things about, but never quite got around to listening to properly. They’ve been around in the post-metal scene since 2004, though they never quite made it to “big name” status. They disappeared for nearly a decade, which probably didn’t help, before releasing their third album In My Blood in 2017. Here on the imaginatively titled Fyra (“Four”), they continue a tradition of tackling heavy topics with a theme of addiction.” Die.

Kauan – Ice Fleet Review

By El Cuervo on April 8, 2021 in Reviews, Post-Metal, 77 comments

“It’s April 2021 and our favorite Russians masquerading as Finns by way of Ukraine and Estonia are back with their ninth studio release. Ice Fleet is their first album laced with any English (in its title) and tells the true story of an unidentified fleet of ships discovered in Northern Russia in 1930, with its crew and cargo perfectly frozen in time. Kauan offered some of the best post-metal of the 2010s, culminating in the delicate and stirring Kaiho in 2017. It arguably deserved a spot on my list given that I return to it more than most from that year, so what are my thoughts with the passing of 4 years?” Frozen feelz.

Zao – The Crimson Corridor Review

By Grymm on April 7, 2021 in Reviews, Metalcore, Post-Metal, Sludge, 90 comments

“As someone who’s candidly gone on record about mental health in the past, it’s always a gamble for me to dive into an album that heavily focuses on such a difficult subject. It’s not often that it’s treated with the necessary weight and care that it undoubtedly deserves, and more often than not, for every one An Isolated Mind‘s I’m Losing Myself, there are about 50 of these littering the scene, taking up way too much space and energy. If there’s one band, though, that can tackle it with grace and honesty, it’s Pennsylvania’s Zao.” Corridors of the mind.

Hiraki – Stumbling Through The Walls Review

By Akerblogger on April 6, 2021 in Reviews, Noise Metal, Post-Metal, Punk, 24 comments

“Synths are the future. It’s only logical now that the guitar, an antique device used by nostalgic, decrepit moshers in back-alley dive bars, is disowned. The guitar is dead. Long live the synth. Long live, especially, synthpunk and noise rock which, in the wake of that new, hip arcade game Cyberpunk 2077, is the in thing. In the satellite station of Aarhaus, Denmark – 166 cosmomiles north-east of Copenhagen – a young band by the name of Hiraki corrupt data by producing an abyssal synth-punk noise that takes influence from the likes of Daughters, Street Sects, and The Body.” Wall-E-core.

Plaguewielder – Covenant Death Review

By GardensTale on April 2, 2021 in Reviews, Atmospheric Black Metal, Post-Metal, Sludge, 15 comments

“I reckon most of you are familiar with the phrase “Jack of all trades, master of none.” Some of you may even say the full version is supposed to follow up with “but better than a master of one,” though this is a modern addition, not a historical version. In music, things aren’t so cut and dry. With some bands, the focus brought by doing one thing well serves the music better; other artists seem to think that the more eclectic their influences the better. Plaguewielder seems to be more of a latter mind; searching across the web reveals tags relating the band to sludge, black metal, doom, atmospheric metal, post-metal and so on.” Jack of all plagues.

Los Disidentes Del Sucio Motel – Polaris Review

By Steel Druhm on April 2, 2021 in Reviews, Post-Metal, Progressive Metal, Progressive Rock, Stoner Rock, 21 comments

“Oddball French heavy rock outfit Los Disidentes Del Sucio Motel (LDDSM) is difficult to assign to a specific genre or style. Over their career they’ve been described as stoner, psychedelic and prog rock, and none of that is completely wrong. Nor does it give you the full story. Now they’re back after 4 years in limbo with fourth album Polaris, and they’re every bit as tough to pigeonhole as always. If I were to make a Hail Mary effort to describe their style, it would be alt-rock mixed with prog, post-rock, and post-metal, with grunge/stoner/desert elements lurking at the edges.” A multiverse of influences.

Myopic & At The Graves – A Cold Sweat of Quiet Dread Review

By Akerblogger on March 15, 2021 in Reviews, Black Metal, Doom Metal, Post-Metal, Sludge Metal, 7 comments

“Collaborations between artists are usually a tantalizing prospect. In recent years we’ve had a handful of high-quality collaborations: Cult of Luna and Julie Christmas, Thou and Emma Ruth Rundle, and Spectral Lore and Mare Cognitum the cream of the recent crop. Collaborations can be tricky, especially in the age of the supervirus and restricted travel. Communication of ideas is vital. A collaboration can either sound like a blissful mesh of an artist’s best traits or a haphazard collision of distant sound. Ben Price, the sole member of doom/sludge project At The Graves, has buried himself in a casket with the sludge/black/death/you-name-it three piece Myopic. A Cold Sweat of Quiet Dread is their first collaborative full-length.” Blood, sweat, graves, and bad eyesight.

Pupil Slicer – Mirrors Review

By Dear Hollow on March 12, 2021 in Reviews, Ambient, Death Metal, Grind, Mathcore, Post-Metal, 33 comments

“Pupil Slicer, although undeniably a trio, is vocalist/guitarist Davies’ brainchild through and through, seen in the guitar-and-vocals focus. Mirrors, following up an EP and a series of splits since their 2015 formation, combines its assets into a mathcore Frankenstein’s monster: twisted guitar work and frantic shrieks, Josh Andrews’ blasting drum tracks of an abandoned post-black project, and a healthy dose of Luke Fabian’s formidable bass and gutturals.” Eye on the prize.