![Aphotic – Abyssgazer [Things You Might Have Missed 2023]](https://www.angrymetalguy.com/wp-content/uploads/2023/12/Aphotic-Abyssgazer-01.jpg.webp)
“Abyssgazer presents as the kind of echoing incantation that must ring through ears from first to last note. No mere synthesis of the acts who fed Aphotic into existence, this sometimes blackened, sometimes funeral doom-weighted, always death metal assembly expresses itself in a peerless manner.” Abyss from a dead rose.
Listurnalia continues the plowing towards the year’s inevitable end with two more excellent lists from people who have surprisingly not been fired!
“Of all the bands skulking around the doom/death catacombs, none manage to trigger more raw emotion in me than Novembers Doom. They aren’t necessarily the best band in the genre, but when they lock everything in, the melancholy pours like rain off a tin roof in Seattle. They’re the authors of one of the most depressing songs of all time (“What Could have Been”) and there’s something unique about their fusion of Paradise Lost and Type O Negative with vaguely Opeth-esque style death metal that really drills deep down into the heart of darkness within.” If you’re staring into the heart of darkness, it must be November!
Yep, this one didn’t get by our formidable musical radars, we just didn’t get around to reviewing it due to questionable time management, manpower issues and the whole “having lives” thing. November’s Doom is hardly a band that needs to be brought to people’s attention. They’re a veritable doom metal institution with seven albums of well done, death-tinged doom behind them. Aphotic, their eighth, is more of the same and its good stuff as usual (available via The End Records). In fact, it’s very much in line with what they have been doing their past few albums. Opener “The Dark Host” has that classic mix of urgent death metal and somber, depressive moments and its quite emotional (I love the chorus in this song). Other standouts include the darkness of “Harvest Scythe” and “Buried Old” and the creepy, angry storytelling in “Six Sides” (there’s a lot going on with the lyrics in this one, very dark). There’s even a cool “Planet Caravan” quality to parts of “Shadow Play.” The highlight is the truly beautiful and gut-wrenchingly poignant “What Could Have Been” where Paul Kuhr is joined by Anneke van Giersbergen (formerly of The Gathering). It’s a ballad in the same mold as “Twilight Innocence” off their The Novella Reservoir album and its very touching and melancholy. Anneka’s voice is filled with emotion and frailty and it works damn well.
