“Rather than a refreshed take on a démodé genre, DarkTribe’s music feels as if abducted from the late 1990s or early 2000s and put into stasis, trapped in that timeline and preserved in a pristine state forever. So powerful and candid is this stylistic anachronism that the band’s third LP Voici l’homme acts as a rotten Proustian Madeleine, eternally evoking yet never reaching the sonic imagery of first encounters with bands such as Labyrinth, Stratovarius, and Evergrey.” Lost tribes.
“It’s difficult to shake the feeling that among all of metal’s subgenres, power metal remains the one that refuses to grow up, stuck forever in an adolescent state. Barring a few bands, the power metal scene might as well still be living in the middle of the nineties, when Stratovarius’ Visions had just been released, Nightwish were kind of relevant, and Symphony of Enchanted Lands, by that Italian band that used to be known simply as Rhapsody, lurked around the corner.” Ah, the 90s were the good old days for 80s style power metal.
