Neoclassical

R.A Sánchez – L’Ottava Sfera Review

R.A Sánchez – L’Ottava Sfera Review

“The trouble with genre-bending avant-garde artists is the line between utter brilliance and foolhardy amateurishness. Like a sleeping bear of sonic putridity, artists poke it with their toes of jazz and ambiance and drone, and it largely is a matter of time before they’re greeted with the teeth, and consequently, our ears are bathed in confusion. R.A Sánchez, proprietor of the ambient weirdness of Black Baptist, offers this odd concoction in solo debut L’Ottava Sfera.” Creativity is madness by another name.

The Lovecraft Sextet – Miserere Review

The Lovecraft Sextet – Miserere Review

“No one does music like Jason Köhnen. His projects like Mansur, The Kilimanjaro Darkjazz Ensemble, and Bong-Ra constantly push boundaries, and while my reception to his work has been largely mixed, The Lovecraft Sextet has stuck. Debut In Memoriam was a unique and visceral experience, somehow weaponizing dark ambient, black metal, jazz, and opera into six tracks with three disparate but compatible palettes.” Sax and tentacles.

This Is Oblivion – This Is Oblivion Review

This Is Oblivion – This Is Oblivion Review

This Is Oblivion is a duo consisting of New York-based vocalist/violinist Lulu Black and her partner The Number Twelve Looks Like You / So Hideous drummer Michael Kadnar, taking influence from acts like Chelsea Wolfe, Swans, and Body Void in a Gothic blend of industrial noise and neofolk, accomplished through minimalist instrumentation. Relying on repetitive melody, doom percussion, and Black’s accomplished and varied vocal performance, This Is Oblivion is greater than the sum of its parts in its emphasis on evocation, ritualism, and summoning.” Enjoy of deep Oblivion.