“New York certainly produces some tasty, technical, twisted music. Home to glittering Artificial Brain, soundscape-warping Pyrrhon, and jazzy Imperial Triumphant, among others. Asystole follow in the footsteps of this pedigree in both origin and sound with hyper-dissonant death metal that grabs some of the harsher elements of black metal and grind along the way.” Taste the Pig Apple.
“Here is a sheer cliff face of an album; if you’re hardy enough to attempt the climb, please sign this waiver absolving AMG Industries of responsibility for injury or death. Mithridatum debuts with Harrowing, five tracks of dissonant death metal that dare the listener to keep pace as the trio scrambles ever upward. If any album demands artwork from the late, great Lewandowski, it is Harrowing.” Disso-dares.
“Beyond its cover’s deceptively pastoral mountain scene, Altars offers something lurking underneath. On paper, the trio deals in a collision of dissonant death metal name-drops we’ve come to expect, and it would be easy to stop there. But we won’t, because there’s something else. Ascetic Reflection’s unique take settles in the negative spaces between lurching and punishing with clarity and nimbleness, allowing its meditative lurch to burrow into listeners’ skin. Holding mirrors of the self and the divine and the futility therein, the aptly named Ascetic Reflection deals in shredding pain.” Altars of radness.
“Good brutal death albums ruin your day. You swing your fists and frown, letting the caveman slams and moist leads saturate your eardrums in a coat of red mist as the mosh-pit hysteria results in a few too many lost brain cells. Astral Tomb does just that, featuring all the hallmarks of a good slam/goregrind/brutal death album: opener “Transcendental Visions” fitting this to a tee, the thirteen-minute opener reeks of Carcass-meets-Devourment-meets-Blood Incantation gore in its brutal emphasis on excess.” Star tombs, raw wounds.
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“Blindfolded and Led to the Woods, is a band from New Zealand with a bit of a storied past. Originally starting off as a humor-centric deathcore group with bizarrely titled offerings like Armed to the Teeth with Jellybeans or My Vaseline Diaries, the song “Atop the Wings of a Magpie” changed everything. Dissonant interplay, ominous tempos, speedy riffs, and even a guest spot from Nile’s Karl Sanders replace mindless breakdowns and Psyopus-inspired wankery. Nightmare Withdrawals may not be their debut, but it’s their breakout album, and for good fucking reason.” Deliverance to quality.
Kronos and Grymm deliver artisan Top Ten(ish) lists for 2021. Just look at that craftsmanship!
El Cuervo and Diabolus in Muzaka proudly display their Top Ten(ish) lists without a shred of self-awareness. It’s gross really.
GardensTale and Ferrous Beuller unleash their Top Ten(ish) lists in a reckless manner without regard for the safety of others. Wear your safety goggles!
Saunders, Huck and Cherd deliver their weighty Top Ten(ish) lists and try to get along in the process.
“Mastermind behind such acts like Summit, The Clearing Path, Cosmic Putrefaction, and Turris Eburnea, G.G. or Gabriele Gramaglia’s resume is vast and varied, and sets a pretense for new project Vertebra Atlantis. Working with drummer/vocalist R.R. from Homselvareg and Vrangr from Spells of Misery, debut Lustral Purge in Cerulean Bliss offers a fusion of dissonant death metal and atmospheric black metal, not unlike labelmates Prometheus’ debut.” Dissonance dissidents.
