Slam

Aborted Fetus – The Art of Violent Torture Review

Aborted Fetus – The Art of Violent Torture Review

“Among an exciting breed of young talent and up and comers, long running acts such as Immolation and Suffocation continue releasing top-notch material, keeping the younger folk on their toes and creating a healthy link between past and present. Meanwhile certain bands admirably plug away through lengthy careers, causing modest waves in the deepest corners of the underground without ever really exploding or setting the scene on fire. Case in point being long running Russian act Aborted Fetus.” Nasty name, nasty music.

Slamophiliac – Perihelion Review

Slamophiliac – Perihelion Review

“Much like how everyone figured out what Ewoks were called despite the name never being mentioned in film, mysterious forces of collective cultural understanding have conspired to associate slamming brutal death metal with forced puns. I have not the faintest chance of elucidating the causes for this association, but I want to go on record in support of it.” Slam-fisted stuff here, folks.

Neurogenic – Ouroboric Stagnation Review

Neurogenic – Ouroboric Stagnation Review

“Although death metal forms a sizable chunk of my metal rotation, it’s often maligned offshoot, brutal death, can prove a more awkward pill to swallow and a difficult style to get right. Too often brutal death bands over focus on the sheer obliterating brutality and over-the-top extremity, where decent songwriting becomes an afterthought.” auralboric stagnation?

Vulvodynia – Psychosadistic Design Review

Vulvodynia – Psychosadistic Design Review

“Back in high school, metal fans, me ashamedly included, compared our chosen genre to classical in its proficiency and complexity, and laughed at the other “dumb” genres for their lack of “intelligent” lyrics and themes. What intolerable pricks were we. I can confidently say that, had I been in that woefully immature mindset currently, I would not have enjoyed anything about Vulvodynia. Their second full-length Psychosadistic Design is everything the intelligent pretentious types love to hate: it’s loud, it’s obnoxious, it’s hilariously over-the-top in its lyrical effrontery, and it chugs more than someone getting perpetually annihilated at beer pong. And honestly, I haven’t had this much fun with slamming brutal death metal in years.” Slam the torpedoes, full chug ahead!

Katalepsy – Gravenous Hour Review

Katalepsy – Gravenous Hour Review

“Slam’s audio palette isn’t especially varied. The death metal setup – already instrumentally optimized for a pretty particular group of timbres – tuned down and sometimes pitchshifted into an almost inaudibly low register doesn’t give you much to work with in terms of tone diversity, which is why so many slam bands have tight, grating snares and so many slam riffs go all in on pinch harmonics. And when Katalepsy go all in, I mean all in.” Go big or go home.

Wormed – Krighsu Review

Wormed – Krighsu Review

“The wait is finally over, slam nerds. If, like me, you have been long awaiting the next chapter in the story of Krighsu, the Terrax, and stellar depopulation in the year 8K, then fear not; the new Wormed album, Krighsu, is cresting over the pseudo-horizon, so it’s time to leave that geodesic dome and begin vortex mitosis.” The wait is over, or has it just begun?

Atrocious Abnormality – Formed in Disgust

Atrocious Abnormality – Formed in Disgust

“If I had my druthers – and by Jorn’s undershorts, they will be had – I’d be reviewing a lot more good slam. The paucity of good slam to review occurs for two reasons. Number one; we don’t get a whole lot of promo for slam bands, I suspect because so few of them speak English, and number two; good slam is hard to find. Sturgeon’s rule says that 90 percent of everything is crap, but for certain genres of metal, that’s a conservative estimate, and brutal death metal seems to produce stinkers at an alarming pace.” Watch as Kronos pines longingly for slam.

Dysentery – Fragments Review

Dysentery – Fragments Review

“If you’re a trve olde fan of AMG, you probably remember when the scores used to be at the top of the review alongside an amusing blurb. While I prefer the current format, it’s moments like these where I miss the ways of olde because our editors would’ve had a field day with Boston metal band Dysentery’s latest record Fragments.” Yes, yes we would.