Ulcerate

Temple Nightside – Pillars of Damnation Review

Temple Nightside – Pillars of Damnation Review

“Readers of this site will not find it surprising when I say that I love blackened death metal of the chaotic and brutal variety, with groups like Impiety, Archgoat, and Angelcorpse being some of my favorites. In the last decade, however, a new strain of blackened death metal came to prominence that seemed to prioritize atmosphere and uneasiness above all else. Some of the more notable bands in this category are Portal, Abyssal, and Teitanblood—groups whose work I respect, even if it doesn’t resonate with me as deeply. When I grabbed Pillars of Damnation, the fourth album by Australia’s Temple Nightside, I had no idea what strain of blackened death metal it would be.” Cavern kegger.

Dkharmakhaoz – Proclamation ov the Black Suns Review

Dkharmakhaoz – Proclamation ov the Black Suns Review

“Industrial black metal has not boded well in 2020, with groups like American snoozers T.O.M.B. and Dutch painmongers Ulveblod earning some of the lowest ratings I’ve awarded during my tenure. Dkharmakhaoz‘s Proclamation ov the Black Suns, blessedly, is extremely well-written and densely punishing second-wave foray into atmospherics that never neglects its highlights.” Black sunshine.

Aseitas – False Peace Review

Aseitas – False Peace Review

Aseitas are the Northwest’s death metal answer to the Northeast’s black metal alchemists in Genevieve, twisting the most experimental threads of metal into sleeker, stronger songs. The Portland quintet’s eclectic experiments began with 2018’s Aseitas, a record that seemed woven from every strand of extreme metal’s experiments in the decade before it.” No brutality, no peace.

Decrepid – Endless Sea of Graves Review

Decrepid – Endless Sea of Graves Review

Decrepid is a death metal band from the UK. Predictably, I didn’t guess that on my first listen to Endless Sea of Graves wherein, like any responsible critic, I ignored every digital square inch of promo material the label sent me. Decrepid sound American to my ears, taking most of their songwriting cues from Immolation, Incantation, and Monstrosity and their production cues from Morrisound.” Death over nations.

Unmerciful – Wrath Encompassed Review

Unmerciful – Wrath Encompassed Review

“It’s evident from the outset that Unmerciful pull no punches. Wrath Encompassed is a ferociously brutal affair, featuring top notch musicianship, relentless pacing and raw boned aggression. Traces of Origin and Suffocation infiltrate the band’s hardened exterior, while occasional beams of blackened energy ripple through the maelstrom. Purely on execution and commitment to the cause, Unmerciful succeed in their mission of bludgeoning the listener with tightly performed, endlessly aggressive brutal death, featuring an impressive technical bent.” No mercy.

Aronious – Perspicacity Review

Aronious – Perspicacity Review

“Before the podium this week is the debut from Wisconsin’s Aronious, a prog/tech death outfit with impressive chops and no lack of ambition. Across Perspicacity, Aronious can’t relax, and nor can they yield, relent, or…  uh… Anyway, they’ve heard every tech death band and will pretend to be all of them.” Pretensions to the throne.

Saltas – Mors Salis: Opus I Review

Saltas – Mors Salis: Opus I Review

“In spite of listening to this stuff for the better part of my life now, I still realize how much I don’t know about so many sub-sub-subgenres, such as doom’s vast array. While I delved into the melodic death flavors of Saturnus, Swallow the Sun, and Novembers Doom, I let the cavernous stuff pass me by. It all comes full circle, when Swedish duo Saltas punishes me with a lethal dose of suffocatingly dense doom to whom comparisons are sparse.” Saltas the earth.