“Pretense is a bitch. I’ve found myself being more and more cynical through the years about people who claim to be the best at what they do. From athletes and artists to people I interact with on a daily basis, I prefer action and art to speak for itself. Therefore, I found myself suspicious with Filipino blackened death metal three-piece Deiphago, who proclaim to be ‘arguably the most violent band on the planet, as well as one of the most envelope-pushing.'” Heavy is as heavy does.
“As I’m typing this, I’m staring out the window at a dead tree across the street. It may be past the start of spring, but much like a stereotypical black metal cover, cold dominates the sky and spring seems to have missed the memo. It’s perfect for some depressing tunes, and Mist of Misery’s fusion of symphonic black metal and depressive suicidal black metal fits the bill.” Winter is still here.
“What’s in a name, anyway? As a n00b of considerable amateurism, babyfaced me ventured forth into the minefield of the promo bin for the first time. I was immediately overwhelmed with the potential amount of sweet tunes that awaited my greedy fingers. Knowing no better, I picked the thing that sounded the coolest: Charnel Heart.” Beginner’s pluck.
“I think we can all agree that the world is fucked. I was a middle school librarian for a few years and, while the majority of the population consisted of illiterate miscreants, the smarty-pants who could actually read (anything besides the latest Diary of a Wimpy Kid) would always go for a dystopian/post-apocalyptic book. From the holy trinity of Hunger Games, Maze Runner, and Divergent to newer and depressing takes on the genre, I’m convinced there’s gotta be something masochistic about indulging in a future whose bleakness rests solely on human shoulders, but every few years a new book or new movie will convince us again that such a future is inevitable without serious change. This brings us to newcomer 10:13, a new instrumental black metal act from the United States, whose sole member is multi-instrumentalist Neil Carter.” In the Age of Iron, they were metal.
Valkyrja is a Swedish black/death outfit intending to channel “violence, deprivation, and loathing through means of extraordinarily potent audio emissions.” There are a million different directions black/death can take, and fourth full-length Throne Ablaze revels in a groovy, thrashy style a la Vredehammer or Horizon Ablaze. While it is flawed, there’s a likable simplicity about these Swedes, as it feels that their music makes no pretense about being the most atmospheric, heavy, or “kvlt.” Shame of Thrones.
“I’ve bet you’ve never heard of Vouna. I certainly haven’t. However, I bet you have heard of Wolves in the Throne Room. If you haven’t, I’m banishing you from this review until you’ve heard Two Hunters. We good?” Game of Throne Rooms.
“My relationship with Deafheaven is “it’s complicated” on Facebook. I don’t even know if that’s a thing anymore, but you see, I enjoyed 2015’s Sunbather for its heart wrenching combination of post-rock and black metal. However, what really grinds my gears is the carnage that the band left in their wake, as suddenly legions upon legions of fanboys, ripoffs and mimics started flooding the scene. Lascar, clearly one of these fanboys, is a one-man post-black act from Santiago, Chile, signed to Italy’s A Sad Sadness Song Records.” Sunbathing and trend aping.
