Doom_et_Al

Crystal Coffin – The Starway Eternal Review

Crystal Coffin – The Starway Eternal Review

“I’ve often stated that more than any other form of contemporary music, black metal is good at conveying abstract emotion rather than concrete narratives. It’s why, for many of us, the fact that we don’t understand a single word being sung isn’t a problem: the lyrics don’t matter (and are sometimes best left undisturbed, to be frank). This abstraction thrives on allowing personal interpretations of an aesthetic, but can flounder when conveying meaning through traditional story-telling. To put it another way: telling a complex story, when you’ve hobbled yourself by relying upon unintelligible shrieks and howls—and operating in the limited emotional bandwidth of fury and contempt—is like cooking a complex dish without basic ingredients.” When the medium is not the message.

Gràb – Zeitlang Review

Gràb – Zeitlang Review

“A hefty chunk of metal has to do with reckonings. Whether about the absence of God, the rejection of the superficially “beautiful,” or the fact that we will all be worm-food one day, bands use the medium to highlight the darker side of a showdown we all must face. If pop is about how we’d like things to be, metal is about how things are. Part of reckoning is looking back honestly at our lives as we get older. Zeitlang (Yearning), the debut album by Gràb—a German black metal trio created by former Dark Fortress front-man, Grant—centers on an old man who retreats to a cottage deep in the mountains to reflect on his life.” Gràb life!

Waldgeflüster – Dahoam Review

Waldgeflüster – Dahoam Review

“Sometimes, an album seems to come along at just the right time, as if the capricious gods of the promo bin have taken a break and their serendipitous cousins, briefly, have the run of the joint. I recently went back to my homeland for a visit after a Covid-induced absence of nearly two years. When you return home after being away for so long, the earth feels more earthy, the sky deeper, the sea icier and fresher. It’s a sensation that’s hard to describe to anyone who has never left. But German band Waldgeflüster know. Their sixth album, Dahoam (“At Home”) is all about rediscovering the beauty of the familiar through wiser, more traveled eyes.” Homely.

Aeons – Consequences Review

Aeons – Consequences Review

Aeons play a form of progressive metal which, like most progressive bands, sounds an awful lot like what has come before, with melodies and deathcore vocals fighting it out. Don’t get too excited at this never-before-heard sound, however. This is Born of Osiris by way of Thy Art is Murder with a massive detour through Veil of Maya. If Aeons could be said to have an “angle,” it’s that it embraces its influences while incorporating an even broader palette.” Consequences and repercussions.

Deafheaven – Infinite Granite Review

Deafheaven – Infinite Granite Review

“Every Deafheaven album prior to this has been a reaction to the last. If the cold, heavy New Bermuda was an attempt to establish the band’s bona fides to a skeptical metal world after Sunbather, Ordinary Corrupt Human Love was the group embracing the warm blackgaze sound they pioneered and drifting away from the black metal scene about which they have always been so ambivalent. In that respect, Infinite Granite breaks the mold: it is a continuation of the aesthetic of OCHL, not a reaction to it.” Bad reactor.

Ravendust – The Gold of the Aura Review

Ravendust – The Gold of the Aura Review

“Certain animals have an association with extreme metal. There’s the goat, of course, representing the Azazel goat that bore the sins of mankind and was sent off to the wilderness. There are worms, about whom I’ve written before. Now you can add ravens. Even one of AMG’s reviewers is named after the eerie birds that peck out eyeballs. Ravendust is a solo act clearly inspired by ravens and their… dust? It’s a remarkably unscary name for a project that hearkens back to the brutal days of the second wave. Sounding more like a Hogwarts house in Harry Potter, Ravendust has been around since 2019.” Ravens, dust, and gold together at last.

Wolves in the Throne Room – Primordial Arcana Review

Wolves in the Throne Room – Primordial Arcana Review

Wolves in the Throne Room is an important band for me. When I was just getting into black metal, I found my way to the early albums in the band’s discography, which demonstrated to me the intrinsic and glorious bond black metal has with nature. I was absolutely captivated and I still consider the trilogy of Diadem of 12 Stars, Two Hunters and Black Cascade to be one of the strongest in black metal’s catalog. While I may be less enamored with the later albums (Thrice Woven, apart from its thunderous opener, left me cold), I feel a very close affinity with the band, and any new release is a very big deal to this reviewer.” Wolves or sheep?

Netherbird – Arete Review

Netherbird – Arete Review

“If you look up the phrase “almost great” online, you’re likely to see a picture of Swedish band, Netherbird. These guys having been kicking around since 2004, and have released several quality albums without ever quite reaching the level of “Oh yeah, I know those guys!” in the metal world. If Netherbird were a person, they’d be that fun dude at the party you enjoy hanging out with, but don’t really remember until the next time you see him again. And then you have to ask the host to remind you of his name.” Birds of a nether.

Arna – Dragged to a Lunar Grave Review

Arna – Dragged to a Lunar Grave Review

Arna lists Spectral Wound as an influence, and the perfunctory cover art bears an uncanny resemblance to that band’s recent (stellar) album, A Diabolic Thirst. But whereas A Diabolic Thirst featured an image with depth and nuance, Arna’s is flat and more minimal, and this is a helpful metaphor for separating the two bands. Arna plays old school, furious black metal, but with a much grimier, flattened production, and at a far more sedate pace than the relentless fury of Spectral Wound.” Arna you tired of black metal yet?

Death Tribe – Beyond the Red Light District: A Canal Experiment Review

Death Tribe – Beyond the Red Light District: A Canal Experiment Review

Occasionally, events come along that completely shatter the way we view the world. For the people of Beirut, Lebanon, one of those occurred on August 4th, 2020, when ammonium nitrate, stored at the port, exploded, killing 207 people, injuring 7,500, and leaving approximately 300,000 homeless. Those who were there initially thought a nuclear bomb had exploded, so powerful was the blast. This was a crippling blow for a nation already ravaged by civil war and endemic political corruption. This disaster serves as the nexus for progressive death metal band, Death Tribe’s, sophomore album, Beyond the Red Light District: A Canal Experiment (BRLD:CE).” From disaster comes art.