“I’d hazard a guess that few cultures are represented so completely across metal’s myriad sub-genres as Norse mythology. Even bands flung far from Scandinavia write on the subject, including in this instance the less distant Poland. While Midgards and world serpents more typically feature in black metal and its derivatives, Pandrador have returned in 2023 with a release steeped in Norse mythology but channeled through death metal.” Death and bravery (and glory).
“AMG.com has had mixed feelings about the musical work of ‘Hazard,’ the enigmatic songwriter behind Les Chants du Hasard. Claiming fatigue from this project following its most recent album, Hazard returns in 2023 with something that’s just as experimental but much heavier. Hasard principally extracts the black metal and secondarily extracts the orchestrations from its progenitor’s sound, carefully examining what remains in uncomfortable detail and manipulating it into deformed shapes.” At all Hasards.
“Promising Paganistic black metal, and a single that at least piqued my curiosity, I had hoped that Germany’s Fimbulvet might execute on the rousing, fist-pumping feel of my favorite Viking and folk metal bands. I was surprised to find that their new record, Portale, is released close to the band’s 20th anniversary, being their fifth full-length but first in 9 years. There’s a lot to be said about a storied band but equally a lot to be said for a storied band that I’ve not encountered.” Unknown and unknowing.
“Australia boasts a booming trade in classic and classic-influenced rock bands. The likes of AC/DC, INXS and Midnight Oil introduced the world to Down Under’s rock music, and have proven to be influences on hundreds of other bands. One such group is Melbourne’s Torrential Thrill and their third full-length entitled State of Disaster. I can’t confess to prior familiarity but look favorably on the rocking attitude and strong guitar leads promised by band descriptions online.” Rock in an Aussie place.
“Ne Obliviscaris hardly require introduction in these parts. The last decade established a pattern of bi- or tri-annual releases, opening with 2012’s inventive Portal of I and closing with 2017’s well-regarded Urn. One pandemic and an uncharacteristic wait later has revealed 2023’s Exul. Boasting a core fusion of progressive music, extreme metal and classical influences, these Aussies have always reveled in not just musical, but also thematic, excess. Accordingly, Exul appears to lever a loose Crusades theme.” Big Obliviscaris.
“By my own admission, post-metal – especially where it crosses into sludge – is not my typical jam. So much is it not my jam that CERTAIN INDIVIDUALS on staff receive much hate for their love of sludge. But a favorable, if not effusive, word from the elusive but expressive Kronos is all I need to take a band seriously, and so it was with Poland’s Entropia.” Filthy recommendations.
“My introduction to France’s Sortilège was their announcement for the 2020 70000 Tons of Metal. I’ll give any band announced a fair shake as I look for acts to follow around The Boat. I was pleasantly surprised by a trve 80s outfit channeling the likes of Iron Maiden and Judas Priest in their ability to knock out charmingly old-school heavy metal. 1983’s self-titled EP and 1984’s Métamorphose remain in my regular rotation and will undoubtedly please the old farts looking for throwback releases.” Olde dogs, new tricks?
“I’ve written already about Ulthar and their ambitious attempt to overturn norms by releasing 2 separate but related albums concurrently. Anthronomicon offers a death metal tour de force, bending surprisingly sophisticated songwriting and exemplary riffs into an oppressive but imaginative album. Helionomicon, however, goes even further. It’s described on its one sheet as a “psycho-cerebral spectacle,” indicating its grand designs and contemplative approach. And all of this across just two 20-minute tracks.” A-lotonomicom.
“Ulthar represent one of the strongest ascents in death metal that I can think of. Their debut was a sloppy and unrefined affair but their sophomore was a precise, punishing powerhouse. Many modern metal bands operate on a 3-year album cycle with Ulthar’s announcement of a new record in 2023 not being particularly surprising. What was surprising, however, was that they announced two albums. Not a double album; rather, two concurrent releases following an apparent overflow of creativity during the last couple of years. While this sounds like a recipe for an uninspired disaster, their immense quality on the last record meant I withheld pre-judgment. First, Anthronomicon.” Double the pressure.
“In a crowded market of goat suppliers in the metal scene, Scotland’s Hellripper stands above the mob. Their infectious blend of speed/thrash/black metal offered me a lifeline back into a thrash scene that was boring me in the 2010s. 2020’s The Affair of the Poisons was a typically rambunctious affair and very comfortably hit my year-end list. But I have most recently been experiencing the company of Warlocks Grim & Withered Hags which reaches even further north towards Orkney, an archipelago north of the Scottish mainland.” Put a goat in your moat.
