Ferrous Beuller

Words of iron carry more weight.
Aborted – ManiaCult Review

Aborted – ManiaCult Review

“There’s no such thing as a truly objective review so let’s get one thing straight: I fucking adore Aborted. Their brand of pulverizing death metal appeals to me on a primitive level and I’ve followed these Belgians for years. For the most part, I have enjoyed being reduced to DNA and endorphins every few years. And it’s that time again. 2018’s TerrorVision was good but it had some issues. Or rather it had one big issue. It just seemed to ramble on too long, which, for a band with grind sensibilities, isn’t optimal. ManiaCult is the definitive younger model.” Culted nuts.

Beyond Grace – Our Kingdom Undone Review

Beyond Grace – Our Kingdom Undone Review

“Back in 2017 I waxed pompous about the debut album from England’s Beyond GraceSeekers was a highly impressive first offering, full of exploratory death metal that put a premium on musicianship and forward-thinking. However, I often feel that the real test of a band’s mettle can be found in that precarious second release. Fortunately, Our Kingdom Undone meets the call with a savage roar of its own.” Kingdoms of might.

Hooded Menace – The Tritonus Bell Review

Hooded Menace – The Tritonus Bell Review

“Finland’s Hooded Menace are lords of death-doom. Their back-catalog is a veritable boneyard of fatal furors that crawl at a corpse pace and exist on the edge of an undead pulse. Indeed, their last album, Ossuarium Silhouettes Unhallowed, made a grave impression on many an end-of-year list, mine included. Now, sixth album The Tritonus Bell prepares to resound, and one thing is certain; Hooded Menace are masters of their craft. But this record’s new stylistic choice excludes heft in favor of history and the implication is almost unrecognizable.” Bells to the wall.

Crescent – Carving the Fires of Akhet Review

Crescent – Carving the Fires of Akhet Review

“I’ve said it before and, Ra be damned, I’ll say it again. I love eastern themes in metal. As a result, my interest is naturally piqued by any band utilizing those progressions or from that part of the world. I discussed this at length in my review of Crescent‘s 2018 album The Order of Amenti. These Egyptians definitely know how to implement dynamic scales amidst stone-cracking riffs. Now, ignited with a little new blood, Carving the Fires of Akhet prepares to descend on the masses in a flurry of smoke and ash.” Axe, wax or wane?

At The Gates – The Nightmare of Being Review

At The Gates – The Nightmare of Being Review

“Swedish death metal and I have a bloody history. The Stockholm sound has always been my preferred space, while I’ve often butted heads with the Gothenburg bands. At The Gates are the only true exception. Their ability to mix melody without compromising creative riffing has ensured their reputation doesn’t go down in flames. However, when they reformed for 2014’s At War With Reality, I was unimpressed.” Gatekeeping.

Cerebral Rot – Excretion of Mortality Review

Cerebral Rot – Excretion of Mortality Review

“I love death metal that pushes its own boundaries but, ironically, it’s the old school that feeds my education. That disgusting urge to claw and crush that transcends all common decency and hearkens back to a time when “fully-functioning adults” didn’t learn to speak via fucking Reddit. Cerebral Rot know a little of what I’m talking about. Their primal death-breath is one I can stand to gasp any day of the week. Debut album Odious Descent into Decay hit my schedule in 2019 and, although well executed, there was noticeable room for improvement. Now, Excretion of Mortality looms large on the devolutionary chain and one thing is clear, this Seattle four-piece are out for blood.” Brains!

Flotsam and Jetsam – Blood in the Water Review

Flotsam and Jetsam – Blood in the Water Review

“A man’s real possession is his memory. In nothing else is he rich, in nothing else is he poor. Wise words but, what wisdom giveth, it may also taketh away. That first time Steel slides a selfie into your dms holding something unspeakable in one hand and a promo in the other is forever etched into each staffer’s mind. While fortunes fade and that furry memory remains, at least the promo material tends to improve with time.  Case in point, Blood in the Water by thrash stalwarts Flotsam and Jetsam.”” Blood and Steel in the water.

Cannibal Corpse  – Violence Unimagined Review

Cannibal Corpse – Violence Unimagined Review

“I said it in 2017 and I’ll say it again: I fucking love Cannibal Corpse. This is a band that almost infamously represents death metal in its purist form. Opaque riffs, furious vocals and a trajectory more certain than cradle to grave. Their discography contains many a predatory précis on a genre they helped define. Yet, all too often, their name is accompanied by inexplicable eye-rolling. It is forever beyond me how any death metal aficionado can turn their nose up at an act as effective as Cannibal Corpse.” Esprit de Corpse.

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

“When I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but absolutely warrant your attention.” Death Redux.