“I miss the 1980s. There’s a special place in my heart for bands that foreshadowed the development of extreme metal while keeping one foot firmly planted in their thrash or NWoBHM roots, like Sodom, Venom, and Slayer. German first-wave black metal enthusiasts Blood Torrent agree. We get lots of promos that cite early-90s second-wave bands as influences, but it’s rarer that albums purport to revive their mid-80s ancestors.” Blood and olde treasure.
“Heltekvad is a Danish three-piece fronted by Ole Luk of Afsky and Solbrud fame, flanked by two Afsky live musicians with a resume spanning Sunken and Morild. (Do I have your attention?) The band members’ atmospheric black metal repertoire has received its share of praise around these parts. But in contrast with the icy and evocative atmosphere of their past work, Heltekvad promises “heroic-sounding melodies” and “truly medieval soundscapes” on their debut Morgenrødens Helvedesherre.” Fevdal fvkk.
“I have mixed opinions on uncomfortable extreme metal. While I’ve enjoyed bands like Ulcerate and Gorguts, I can’t listen to Imperial Triumphant or Ad Nauseam ad nauseam without getting frustrated. Call me stupid (you’re probably right). So it was with great trepidation that I picked up the third album Trespasser by Idol of Fear, an underground Canadian experimental black metal band that I’d never heard of.” Trespassing on your comfort.
“With that album cover, you know exactly what you’re getting. You’ve heard it before – a bunch of musicians who smoked one too many joints in high school, and then one too many joints in college, and decided to share their boundless love for early Black Sabbath with the world. Norwegian four-piece Kryptograf is relatively new to the overcrowded stoner rock scene, but they made a splash with their self-titled 2020 debut, which melded vintage doom, hard rock, and psychedelic jams.” Loving the leaf.
“In the three years since their sophomore release Samsara, Venom Prison has experienced a meteoric rise to fame. Samsara captured the hearts of both underground metal aficionados and non-sociopaths, by infusing high-energy brutal death metal with a healthy dose of slamming hardcore. Venom Prison’s unrelenting sound earned them a deal with Century Media, and Erebos brings the band to a crossroads as their major label debut.” Prisoner of expectations.
“If Australia is trying to kill you, then Descent is the club with which it bludgeons its victims. The Brisbane five-piece burst onto the scene in 2018 with Towers of Grandiosity, which worshipped at the altar of the most primitive old-school death metal. But Towers rested too heavily on its Neanderthal influences, failing to make a mark amidst stiff competition from down-under brethren like Faceless Burial, The Plague, and Earth Rot. Descent’s latest attack, Order of Chaos aims to outshine the OSDM riffraff by incorporating weapons from neighboring genres into the band’s arsenal, in defiant response to our review (I assume).” Murder Land.
“CMPT (“Death”) is an anonymous black metal project from an unspecified Balkan nation. (The band smartly chose their name based on visual similarity to the Cyrillic “смрт,” instead of transliterating the giggle-inducing pronunciation “smrt.”) Krv i Pepeo (“Blood and Ash”) is their debut full-length, impressively being released on Osmose Productions.” Death and bread lines.
Below is the debut full-length from one-person ambient black metal project Lhaäd. This description is likely to conjure up worrisome images of self-indulgent hours-long snoozefests that use tepid atmospheres to mask lazy writing. But Belgian multi-instrumentalist Lykormas, Lhaäd’s prolific mastermind, is not so easy to pigeonhole.” Pigeons without homes.
“Finnish two-piece Concrete Winds emerged from the ashes of Vorum in 2019, with debut Primitive Force marrying an unrelenting death metal onslaught with a passionate love of gobbledygook song titles. The band’s approach bears a close resemblance to the ferocious stylings of war metal, albeit with less of a blackened edge. Accordingly, while Concrete Winds’ moniker is a head-scratcher, the title of their sophomore effort Nerve Butcherer leaves little ambiguity about how the listener is intended to feel.” Mad nerve butcher!
