Steel Druhm

Feel the wengeance.
Iron Fate – Crimson Messiah Review

Iron Fate – Crimson Messiah Review

“2021 was a mightily backloaded year of metal. I didn’t love a lot of stuff from January through August and I was coasting along with a very low yearly rating average. Since August however, it seems every other album I dive into is a blast and it’s done major damage to that once pristine median. Now comes the classic metal stylings of Iron Fate to play mischief with Steel ‘s ledger of maths.” Let olde acquaintance be not forgotten.

Memory Garden – 1349 Review

Memory Garden – 1349 Review

“Well, this is a yuletide surprise. A new Memory Garden album was not on my bingo card for Covid-ravaged 2021. To set the stage, Memory Garden emerged out of the 90s Swedish power/doom scene that birthed such acts as Tad MoroseMorgana Lefay and Sorcerer. Like these somewhat better-known brethren, their sound was regal, polished, classy, and bedecked in the finery of both doom and heavy power metal. Since their last release was way back in 2013, I’d assumed they were in the garden themselves.” A pox on 2021.

Rachel Mother Goose – Synra Basho Review

Rachel Mother Goose – Synra Basho Review

“Yes, Rachel Mother Goose is an odd name and no, I don’t know why they chose to call themselves that. Given that RMG is a Japanese band and given many of the curious lyric choices (all in English), I imagine something was lost in translation. I had never heard of this band before Steel Druhm handed it off, but the mention of Rainbow and Yngwie Malmsteen as primary influences had me intrigued. How would a band of young Japanese shredders update the bloated neoclassical metal genre? Would it be full “Speed King” ahead with epic Blackmorean riffs? Or a neoclassical wank fest of Rising Forced arpeggios?” Duck, duck, Yngwie!