“One of the most interesting consequences of the old-school death metal revival is the chance to hear what we all missed the first time around via myriad re-releases of rotting relics buried by time and dust. Naturally there are weak links that should’ve stayed forgotten, but Quebecois death metal band Gorelust’s 1995 debut Reign of Lunacy deserved its ungentle exhumation.” Back from the dead and still French-Canadian.
“I’ll fully admit that I have a soft spot for fun in my metal. After all, a man can only listen to Ulcerate growl about entropy, Triptykon purging Tom G.’s demons, and Kvarforth whining about how long it took him to clean out his bathtub after his fateful promo video (I don’t speak Swedish, so this is conjecture) so much, and even though I greatly enjoy all of those artists and listen to their great work regularly, sometimes a change of pace is needed. Enter Alberta’s Striker, and their excellent third album City of Gold.” For the record, bathtubs are a real pain in the arse to clean.
“It’s the month of December, and there be some slim pickings here at the Angry Metal Guy Fortress. With the exception of a potential End of Year Candidate, it’s the month where bands that you haven’t checked out all year are scrutinized, lists are finalized, and if you are at all like me, you are avoiding all shopping centers as if they were quarantine zones.” Grymm may lack the proper holiday spirit and the requisite love for all Mankind, but the man knows his metal.
“Archspire are, first and foremost, fast. Everything about The Lucid Collective is tight, taught and percussive, from the brutal-death-leaning snare tone to vocalist Oli Peters’ inhumanly pummeling rap-growled vocal lines.” Kronos brings you another slab of rotting death you may have missed. Have at it!
“Let’s shake things up a bit, shall we? Since some bands have multiple albums deserving of the Retro-spective treatment, why not give those few, those happy few, a more inclusive career retrospective. First up on the block is criminally underrated, serially overlooked Canadian thrashers, Razor. To handle this piece of historical research, I’ve enlisted the other primary source here at AMG, my fellow geezer, Al Kikuras, who also grew up admiring these speedsters from the Great White North.” Old dudes talking about old music. It’s like NPR with more leather.
“If you’ve never heard Beyond Creation’s début The Aura, honestly, what are you doing with your life? Are you happy with who you are? Because you damn well shouldn’t be. The Aura is, and I have no reservations in saying this, the best death metal début since Onset of Putrefaction. It also might be the best technical/progressive death metal album this decade has yet to offer. Out of complete fucking nowhere, a bunch of flaxen-locked French-Canadians self-released what might just be the pinnacle of modern tech-death. It’s brutal, it’s heavy, it’s overpowering, astonishing, and inventive, yet there also exists nuance, care, and maturity in the writing and performances that is completely unparalleled. The album is damn near perfect. This means, sadly, that Earthborn Evolution is doomed from the start.” Well, that seems pretty darn unfair!
“It’s easy to forget that at the time of it’s release, Zlitoid The Omniscient was something of a reboot for Devin Townsend’s career. Having disbanded both his solo group and the long-running Strapping Young Lad in 2007, Townsend decided to return home, get healthy, and focus on family life. Ziltoid was his first release after that self-imposed exile. The record was charmingly low-budget, recorded solely by Townsend and a drum machine, and there was no tour to promote it.” The long awaited Ziltoid sequel has finally arrived. Pray it doesn’t suffer from Jar Jar Syndrome.
“Bushcraft, the first album by Vancouver’s Baptists, was a record that I fancied quite a bit. Clearly inspired by the likes of Converge and Botch, the band delivered some fine metallic hardcore with various subtle influences mixed in, from crust to noise rock. It was raw, angry music, just as expected from bands in the genre (and from comparable groups on Southern Lord). A year later, they’re back with their sophomore release, again produced by Converge’s Kurt Ballou and promising “fast, exhilarating music of rage, oozing with genuine raw emotion and punk rock fury.”” But are promises kept and rage delivered with emotional fury?
“One of the most frustrating trends in modern death metal is the influx of these so-called “cavernous” bands – groups that huddle together around the altar of Incantation, strumming buzzy nothing riffs over indecipherable grizzly bear vocals, apparently recording everything through two layers of drywall using microphones caked with dried mud. They’re all maniacally focused on conjuring a dark and otherworldly atmosphere, but utterly incapable of writing a single memorable song (I’m looking at you, Teitanblood).” Some people just don’t respect a good murk.
“Laika was a stray dog from Russia who would become the first animal to orbit the earth back in the 1950s. Sadly, Laika did not survive her trek around our planet, but her story would help inspire a group of six dudes from Winnipeg to form a melodic death metal band named after her, because… well, fuck if I know. Anywho, Laika the band have their second album coming out entitled Somnia. Naming yourself after a pioneering canine takes a lot of guts, so how does Laika fare on their second trip around the sun?” Will Laika burn up on re-entry? Join Grymm and find out!
