Iron Bonehead Productions

Abhor – Occulta Religio Review

Abhor – Occulta Religio Review

“Once upon a time, metal acts – the early ones at least – skirted around the issue of Satanism. “Are they for real?” “Are they not?” “Can’t you just like goats and pentagrams without someone thinking of the children anymore?” But that shit curved back on itself like a funhouse mirror. In no time at all, every band, be they black, death, or retro pop, were sacrificing small animals and pilfering scented candles from their mom’s bathroom, and, in so doing, killed the shtick wholesale. Those same blasphemous symbols that once declared you were in league with Satan lost their oomph when they could be purchased on discount tee shirts at Walmart. So what are we to make of Abhor?” In a bowling league with Satan.

Adversvm – Aion Sitra Ahra Review

Adversvm – Aion Sitra Ahra Review

“Okay, stop me if you’ve heard this one before: lofty, esoteric song titles and album names, a promo picture of a single dude who looks like one of the choir guys from Batushka and goes by just his initials, and very little-to-no-internet presence at all, so looking for much information on the “band” in question, other than the fact that Adversvm is a German one-man act, is an exercise in futility… all these things would have you screaming, “Fuck, not another one-man black metal band.” And I would sympathize with you completely if it was accurate. You see, though, Adversvm is a one-man funeral doom band hoping to make a name for himself in a steadily-growing genre.” One slow man.

Veiled – Black Celestial Orbs Review

Veiled – Black Celestial Orbs Review

“Back in 2014, I reviewed Dauðr Burðr Þrysvar, a promising EP by American black metal duo Gnosis of the Witch. Even with the amount of preciousssssssing going on vocally by vocalist/multi-instrumentalist Niðafjöll, the energy and ferocity piqued my interest. Four years later, Gnosis is Gno-more, and now Niðafjöll has teamed up with Grá drummer Dimman in a headier, more atmospheric project known simply as Veiled.” No Gnosis is good Gnosis?

Antichrist – Pax Moriendi Review

Antichrist – Pax Moriendi Review

“I’ve often wondered about the importance of a band’s name. Would Death be as big, or produced the same groundbreaking music, if they’d named themselves Erotic Diarrhea Monster? Would Kreator have become the thrash legends they did if they instead called themselves Pee Wee’s Scrotal Shitstorm? The world may never know, but it certainly seems having a more common and accessible name puts pressure on a band to produce better music. Case in point: Antichrist, a Peruvian quartet originally formed in 2004 and later reactivated in 2012.” The Devil is in the details.

Tetragrammacide – Primal Incinerators of Moral Matrix Review

Tetragrammacide – Primal Incinerators of Moral Matrix Review

“Hey, do you folks remember Indian grindcore noise terrorists, Tetragrammacide? When we last heard from the then-duo, they dropped an EP back in 2015, Typhonian Wormholes: Indecipherable Anti-Structural Formulæ, which broke ground by having a matching set of ratings and dynamic range scores due to such a bad production and songwriting that could best be described as “free-flowing”. So needless to say, when word got out that the now-trio are back with their debut full-length, Primal Incinerators of Moral Matrix, well… let’s just say excitement wasn’t the first emotion that flooded my poor, jaded heart.” Ear assassins creed.

Sacrocurse – Gnostic Holocaust Review

Sacrocurse – Gnostic Holocaust Review

Sacrocurse’s 2014 debut Unholier Master holds a special place in my heart, but not for obvious reasons. If you’ll allow me to indulge in some selfish personal reflection. Unholier Master represented my first published piece here at Angry Metal Guy, so naturally, it has conjured up pleasant feelings of nostalgia as I prepare to sink my teeth into the band’s sophomore LP, Gnostic Holocaust.” And the AMG bathrooms have sparkled ever since.

Worm – Evocation of the Black Marsh Review

Worm – Evocation of the Black Marsh Review

“Iron Bonehead doesn’t do nice. With more goats in their stable than a petting zoo, their outfits strive for all things nasty, brutish, and Satanic. What’s a poser to do when confronted with such trveness? Worm couldn’t care less. In their mind, it’s still 1994: if your metal doesn’t sound like it was recorded on tape strung through Satan’s butt crack, no dinner and 666 lashes for you, buster brown.” Butt crack blackness rides again.

Urn – The Burning Review

Urn – The Burning Review

“From Beethoven to Brian Eno, mankind has toiled for centuries to compose the greatest music human minds can fathom. Alas it was not until the mid-90s that music finally attained its supreme form, when two metal genres miraculously fused in the unholy union known as ‘blackened thrash.’” It was the best of times, it was the the blast of times.

Vesicant – Shadows of Cleansing Iron Review

Vesicant – Shadows of Cleansing Iron Review

“War. Whether for profit, liberation, or for sheer annihilation of your enemies, many bands have scoured the various battles and wars throughout the ages for musical and lyrical inspiration. World War I in particular remains a fertile ground for a variety of metal bands, with depictions of trenches and chemical warfare highlighted in gruesome, vivid detail. New Zealand’s Vesicant, their name derived from the blistering after-effects of mustard gas, attempt to weave their own horrific tales of one of the ugliest wars in history with their debut album, Shadows of Cleansing Blood.” War inside your head.