“There’s a lot of pressure going into Triade III: Nyx, after two installments of killer black metal preceding it. I became a believer, a traveler in their gas-lit and cobblestone Victorian world, with second installment of their trilogy, 2022’s Triade II: Hemera. A series established upon the 1820 novel Melmoth the Wanderer by Charles Maturin, it follows the titular Melmoth as his deal with the devil comes to a bitter conclusion: with the death of his lover in the dungeons of the Spanish Inquisition. Doomed to long life, a gift originally too good to be true, Melmoth cannot save himself nor his lover or child. Nyx, like the goddess of night of its namesake, is a more morose, darker, and more devastating beast compared to its predecessors.” Immortal wounds.
A Forest of Stars
El Cuervo’s and GardensTale’s Top Ten(ish) of 2022
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Ashenspire – Hostile Architecture Review
“If you live in any major metro, you are familiar with the problem of homelessness and the effect it has had on how we enjoy our spaces, or rather, how others don’t. Hostile architecture—rails in the middle of park benches, rocky floors below awnings, incessantly flashing lights in seemingly empty corners—is a mainstay of contemporary urban design and aims to ensure that public features are for temporary public enjoyment, not temporary public shelter. Ashenspire has noticed too, and, with all the subtlety of a hippo eating a watermelon, this Glaswegian gang has chosen to use Hostile Architecture to highlight various issues.” Brutalism for the brutal.
A Forest of Stars – Grave Mounds and Grave Mistakes Review
“A Forest of Stars have been traveling on an upwards cosmic trajectory since their third full-length, 2012’s A Shadowplay for Yesterdays. For a band who didn’t have plans to record anything after their 2008 debut, or even play live, A Forest of Stars are a great example of what a collective and relentless passion and creativity can do for a band.” Starry starry night.
An Interview with A Forest of Stars
“At Bloodstock Open Air 2018, I was able to spend an hour with the Leeds-based progressive black metal Victorian menagerie that is A Forest of Stars. They had just finished their set on the Sophie Lancaster Stage and were riding a wave of adrenaline that placed them in an excitable, energetic, and joyous mood.” A day in the forest…with stars.
Bloodstock Open Air 2018 Review
“On Thursday the 9th of August, myself and 19,000 others descended upon the grounds of an old manor house in the heart of the British countryside for a weekend of heavy metal, drinking, and debauchery.” AMG was there. Were you?
Eva Can’t – Gravatum Review
“Despite ostensibly belonging to a melodic death circuit that favors homogeneity, Eva Can’t consistently blow my expectations to smithereens. Precursors Inabisso and Hinthial wowed me with their ability to incorporate melodic fervor and technical precision into a range of influences spanning metalcore – Wait! Don’t go! – to classical music. But as the years have gone by, the Italians have departed from a truly consistent sound, resulting in music that is amorphous and difficult to pin down.” Can’t or won’t?
Ex Deo – The Immortal Wars Review
“With the strength of 37 mighty African elephants, Hannibal marched 40,000 of his bravest men, 1,500 miles through the Alps, to challenge Rome’s supremacy on their own soil. Such is the premise of Ex Deo’s latest historical undertaking.” People show know when they’re conquered by historical metal.
Ashenspire – Speak Not of the Laudanum Quandary Review
“Ashenspire hail from Glasgow (Scotland) and like their British / Norwegian counterparts (A Forest of Stars / Vulture Industries), Ashenspire deliver a brand of avant-garde black metal that has you sit up and take notice. Clad in a single-breasted frock coat, Speak Not of the Laudanum Quandary tells of the harrowing odyssey of British imperialist tragedy using 7 lengthy tracks.” Big topic, big music.
Black Hole Generator – A Requiem for Terra Review
“Give this some thought for a second: you’re putting together a black metal dream team, who would it include? I wonder how many of you would arrive at noted producer and Vulture Industries’ frontman – Bjørnar E. Nilsen, and guitar aficionados Arve Isdal (Enslaved, I, Audrey Horne) and Gjermund Fredheim (Taake, Orkan).” Super groups doing stranger things.