Arkhaaik

Aleynmord – The Blinding Light Review

Aleynmord – The Blinding Light Review

“It was some time ago now that the mighty Steel Druhm wandered into the Angry Metal Break room, bewildered and dazed, a single page of text — the promo sheet for Aleynmord’s debut The Blinding Light _– stuck to his paw. He read it out to us. It claimed such things as “a range of vocals from a shrill cry, yells, cleans, and even Americana-esque whistles enshrouded by a fog of thick guitars and a walking bass, The Blinding Light is a concise collection of tracks which convey this powerful emotion that can only be attempted to describe.” What was noteworthy about this strange text was that it never actually told us what genre the music was. There was debate; there was intrigue.” Blind no more.

Head of the Demon – Deadly Black Doom Review

Head of the Demon – Deadly Black Doom Review

Head of the Demon, were unknown to me when I picked up what is their third full-length outing. Thus far in their career, the occult-themed doomsters have kept a healthy four years between releases, dropping their self-titled debut in 2012 and its follow up, Sathanas Trismegistos, in 2016. Can 2020’s Deadly Black Doom deliver on its oh so tantalizing title?” Demon doom.

Arkhaaik – *dʰg̑ʰm̥tós Review

Arkhaaik – *dʰg̑ʰm̥tós Review

Arkhaaik have, for reasons best known to them, decided to write and perform this in proto-Indo-European (PIE). The PIE tongue, last spoken several thousand years BC, remains only partially reconstructed. And this, according to my extensive Wikipedia research, at least explains the asterisks, which are used to mark reconstructed words. What’s that? Enough linguistic history? Well, there’s more but, if you’re sure.” Dead tongues and other creepy things.